Books for Trade: UNIQUE – For Lovers of the Unusual , undated (1970?) USA.

I generally do not list items which are after 1965, however I allow myself certain exceptions, specifically when any illustrations are from an earlier period, such as this small item, which has the added attaraction of text in English and using the very old fashioned device of text in the form of letters. There are links below the listing to some of the original titles, fom which the illustrations in this pamphlet were copied.

UNIQUE – For Lovers of the Unusual , Small undated (1970?) booklet side stapled with illustrated cover in brown and green, (10.5 x 14 cm), inked numericals on font cover, order form inside back cover.41 pages of text, in the form of letters, 7 illustrations which are cropped versions of the illustrations from various Editions Prima publications from the 1930’s, the artist is Herric:- (Chéri Hérouard). Very Good.



See also:-

Books for Trade: Jean Martinet, Venez ici, qu’on vous fouette ! : Paris Éditions Prima (1938?)

Books for Trade: Matée par le Fouet: Jean Martinet, . Cover and 12 , superb engraved plates by Herric .Éditions Prima, {1930 }

Books for Trade: Walter Flog. Cinglants Châtiments,Cover and 12 superb engraved plates by Herric. Éditions Prima (1932)

 

Books for Trade: Désiré Van Rowel, Joues Cramoisies, Librairie Artistique et Édition Parisienne réunies, Paris, 1935. Illustrations by Carlo.

Another rare flagellation title, I am not sure whether this title was reissued by Editions Dominique Leroy in the 1970’s, as were many of the other Carlo illustrated titles, but in any case it is worth noting that the illustrations in the original editions are on papier couche, or glossy paper, as a result they are much more vibrant than the reprints where the illustrations were on ordinairy cheap paper stock. This is the original edition and I hope you like the images.


Title Page

 Désiré Van Rowel, Joues Cramoisies, Librairie Artistique et Édition Parisienne réunies, Paris, 1935. Illustrations by Carlo.

Front Cover

Désiré Van Rowel(la couverture indique Desiré), pseudonyme utilisé par René-Michel Desergy, Joues Cramoisies, Librairie Artistique et Édition Parisienne réunies [Paul Brenet]1 colour cover, 12 B&W illustrations by Carlo. 243pp, (14 x 22.5 cm)
Paris, Printer : Saint-Denis, Imprimerie Dardaillon et Dagniaux, [47, boulevard Jules-Guesde], 31 janvier 1935.

Spine


Back Cover


The Illustrations


For bibliographical detail see:-

http://www.bibliocuriosa.com/index.php/Joues_cramoisies

See Also

Books for Trade: Jacques D’Icy: Monsieur Paulette et ses épouses. Recueil véridique et documenté d’incursions à Montmartre dans un certain monde où la flagellation est hautement en honneur illustrated by Louis Malteste, Orties Blanches Paris 1922

 

Books for Trade: Max des Vignons, Croisière Voluptueuse, Librairie Artistique et Édition Parisienne réunies,1934

Another labour of love for me, rescued this one before it disappeared, it is in a very fragile state, and will not survive another scanning session, however it is complete and the illustrations are all present, this being the first in  a small number of illustrated titles I will be posting in the next few weeks.


Max des Vignons, Croisière Voluptueuse, Librairie Artistique et Édition Parisienne réunies, Paris, 1934,  Colour cover and 10 B&W illustrations by Bartey.

In original illustrated paper wraps, 218 pp (14 x 22.5 cm), Printed on the presses de L’imprimiere de Saint-Denis, Dardaillon for the Librairie Artstique on 12th December 1934.

Summary : “Beautiful passengers cruising on a yacht become the victims of the crew and the captain who enslaves them to their whims by indulging in them abominable pleasures with many realistic illustrations.”




See Also

Books for Trade: Van Rowel, Désiré, Le Château des cuisants souvenirs: Librairie Artistique et Édition Parisienne réunies: 1934. Illustrated by Carlo

 For Bibliographical detail see.

http://www.bibliocuriosa.com/index.php/Croisi%C3%A8re_voluptueuse

 

 

 

 

 

 

 

 

 

 

Books for Trade: O’Donnel. Etranges Humiliations. Confidences et Confessions, Editions du Couvre-Feu. s.d. [1933]

Another Fem-dom title from the Vidal empire and a very rare Editions duCouvre-Feu title despite it condition, here the old adage “find another copy” applies.
Dont know how I missed his one i’ve had it for ages, i suspect I may have been reluctant to scan it because of the fragile state of the binding,never mind done now, hope you like it.


O’Donnel. Etranges Humiliations. Confidences et Confessions, Editions du Couvre Feu-s.d. [1933]
In-8 (14 x 22.5 cm) 287 pp. 8 illustrations hors-texte in black on glossy paper signed Y.Vanof.Imprimerie speciale des Editions du Couvre-Feu, 93 rue Compans ,Paris

Book has been rebound in anonymous grey card covers, the original covers are absent, binding is loose and separating and the poor old thing needs resoration and a rebind. However for our purposes it is more than good enough because the illustrations are all present.

 


O’Donnel. Etranges Humiliations. Confidences et Confessions,



See also

Books For Trade: J.Van Styk. Épouvantes Voluptueuses. Le Jardin d’Eros. 6 Rue de Tracy, Paris, s.d. [1935

 

Books for Trade: ALÉRA, Don Brennus. – Le Tour du monde d’un flagellant, d’après le journal intime du Baron de M***. – Massy (Seine-et-Oise.): Select Bibliothèque, 1906

This one is the real thing and appears to be the very first title issued in the numbered series. furthermore it is currently listed live for sale on eBay. Link at the bottom of this listing


Details courtesy of Patrick Kearney at his Scissors and Paste site

http://www.scissors-and-paste.net/Select_Bibliotheque.html

The Select-Bibliothèque was one of several publishing houses specializing in fetish material that flourished in Paris during the first half of the twentieth century. Like the others, notably Jean Fort’s ‘Orties Blanches’ series and the ‘Librairie Artistique et Editions Parisiennes Reunies’ of Paul Brenet, the books of the Select Bibliothèque were published openly. Occasionally a title would cross some mysterious line and be prosecuted, but in general, since there was no sex in the conventional sense, these publishers were left to their devices by the authorities.

Despite the openness of these books, the publisher of the Select Bibliothèque remains unknown, at least to this cataloguer. Paul Jérôme writes of Don Brennus Aléra as being “un (ou plusieurs) des pourvoyeurs de l’editeur parisien Massy…” (Dictionnaire des œuvres érotiques, Paris: Mercure de France, 1971, p. 484). In fact, Massy was where the earliest books in the series were published. The almost anagramitic similarity of the names of the authors of most of the books – Bernard Valonnes, Don Brennus Aléra, Roland Brevannes – suggests a single hand at work, and one that spanned in excess of 30 years. And it might not be unreasonable to think that the author was also the publisher.

The numbered titles in the series were in a small 8vo – closer to 16mo – format, and began publication in 1907. However, there were also a handful of earlier titles, in a larger octavo format and on better paper, which were not numbered. I’ve only seen one of these [in a private collection in Hamburg]. These were also published circa 1907. It is probable that the unnumbered titles, being on better paper, proved to be uneconomical prompting the publisher to change to a smaller format and cheaper paper soon thereafter. Note also that only of a few of the Select Bibliothèque titles went into second printings, and so the Catalogues or ‘Tarifs’ which appeared in the front of each volume are usually incomplete, some titles being missing. I’ve only ever seen one title that the Select Bibliothèque itself reprinted, and that too was in Hamburg.

There were three different illustrators. The first of these was ‘Tack’, who was a better artist than his successors, but old fashioned. The others were ‘Esbey’ and ‘Selby’, who were rather naïve but who had better imaginations than ‘Tack’. It is Interesting that this series is so cohesive in concept and production, from 1907 through 1939 when it probably ceased.

 

. The details given are of the originals, I have no idea when the facsimiles were produced.


Cover

Back

Title Page

1. ALÉRA, Don Brennus. – Le Tour du monde d’un flagellant, d’après le journal intime du Baron de M***. – Massy (Seine-et-Oise.): Select Bibliothèque, 1906. In-16, 242 pp. The illustrations aren’t signed, but resemble those by ‘Tack’ to be found in later works in the series. (Bibliothèque Nationale: RES P- Y2- 373. – 843.8 A37 t7 1906.)

Don Brennus Alera: le Tour du Monde d’un Flagellant (D’apres le journal intime du Baron de M***; Select Bibliotheque 1906, pp 238 + table, rebound in marbled boards, original covers bound in, Illustrated cover in Green and black, 5 full page plates. Early scarce flagellation novel, for some unknown reason highly collectible. Rebound in marbled boards, original covers bound in, a number of leaves removed after table of contents (adverts?), text complete about good.

Illustrations






Live on eBay

Don Brennus Alera: le Tour du Monde d’un Flagellant; Select Bibliotheque 1906

See Also

Books for Trade: Van Rowel, Désiré, Le Château des cuisants souvenirs: Librairie Artistique et Édition Parisienne réunies: 1934. Illustrated by Carlo

 

BDSM Dressage:VALLONES, Bernard. – La Dressage de la Maid-Esclave. (Traduit de l’anglais.) Tome 2. Harnais, corsets et coiffures.

Before we proceed, I must  confess that this title and the partner volume to follow are facsimile copies, and therefore not listed as books to trade. For reasons unknown I have a dislike of this series of books (Select Bibliotheque), however they are very collectible and phenomenally expensive. As a sub purpose of this site is to offer images to everyone that would be otherwise unobtainable or very expensive, I am sharing the rather strange images from these, as facsimile they are likely of better quality than many you might find in an original copy, illustrations are also often missing from these titles, as they were very cheap productions.


Details courtesy of Patrick Kearney at his Scissors and Paste site

http://www.scissors-and-paste.net/Select_Bibliotheque.html

The Select-Bibliothèque was one of several publishing houses specializing in fetish material that flourished in Paris during the first half of the twentieth century. Like the others, notably Jean Fort’s ‘Orties Blanches’ series and the ‘Librairie Artistique et Editions Parisiennes Reunies’ of Paul Brenet, the books of the Select Bibliothèque were published openly. Occasionally a title would cross some mysterious line and be prosecuted, but in general, since there was no sex in the conventional sense, these publishers were left to their devices by the authorities.

Despite the openness of these books, the publisher of the Select Bibliothèque remains unknown, at least to this cataloguer. Paul Jérôme writes of Don Brennus Aléra as being “un (ou plusieurs) des pourvoyeurs de l’editeur parisien Massy…” (Dictionnaire des œuvres érotiques, Paris: Mercure de France, 1971, p. 484). In fact, Massy was where the earliest books in the series were published. The almost anagramitic similarity of the names of the authors of most of the books – Bernard Valonnes, Don Brennus Aléra, Roland Brevannes – suggests a single hand at work, and one that spanned in excess of 30 years. And it might not be unreasonable to think that the author was also the publisher.

The numbered titles in the series were in a small 8vo – closer to 16mo – format, and began publication in 1907. However, there were also a handful of earlier titles, in a larger octavo format and on better paper, which were not numbered. I’ve only seen one of these [in a private collection in Hamburg]. These were also published circa 1907. It is probable that the unnumbered titles, being on better paper, proved to be uneconomical prompting the publisher to change to a smaller format and cheaper paper soon thereafter. Note also that only of a few of the Select Bibliothèque titles went into second printings, and so the Catalogues or ‘Tarifs’ which appeared in the front of each volume are usually incomplete, some titles being missing. I’ve only ever seen one title that the Select Bibliothèque itself reprinted, and that too was in Hamburg.

There were three different illustrators. The first of these was ‘Tack’, who was a better artist than his successors, but old fashioned. The others were ‘Esbey’ and ‘Selby’, who were rather naïve but who had better imaginations than ‘Tack’. It is Interesting that this series is so cohesive in concept and production, from 1907 through 1939 when it probably ceased.

 

. The details given are of the originals, I have no idea when the facsimiles were produced.


Cover

VALLONES, Bernard. – La Dressage de la Maid-Esclave. (Traduit de l’anglais.) Tome 2. Harnais, corsets et coiffures. Sceaux: Impr.-édition Select-Bibliothèque, 1930,pp 161 in-16.
Orné de 10 illustrations hors-texte d’ESBEY. Sélect-Bibliothèque, Sceaux (Seine), 1930, volume 63. In-12 broché, 12,2 x 18,2 cm. 178 pp. Couv. illustrée par ESBEY.

Back ?


See also

Books for Trade: J. Van Styk; Les Cruelles Frénésies de Van den Rook; Les Editions du Couvre-Feu, Paris,n.d. [1938]

 

 

BDSM Dressage: VALONNES, Bernard [Roland BREVANNES] LE DRESSAGE DE LA MAID-ESCLAVE. Tome I : Corsets et chaussures.

Before we proceed, I must  confess that this title and the partner volume to follow are facsimile copies, and therefore not listed as books to trade. For reasons unknown I have a dislike of this series of books (Select Bibliotheque), however they are very collectible and phenomenally expensive. As a sub purpose of this site is to offer images to everyone that would be otherwise unobtainable or very expensive, I am sharing the rather strange images from these, as facsimile they are likely of better quality than many you might find in an original copy, illustrations are also often missing from these titles, as they were very cheap productions.


Details courtesy of Patrick Kearney at his Scissors and Paste site

http://www.scissors-and-paste.net/Select_Bibliotheque.html

The Select-Bibliothèque was one of several publishing houses specializing in fetish material that flourished in Paris during the first half of the twentieth century. Like the others, notably Jean Fort’s ‘Orties Blanches’ series and the ‘Librairie Artistique et Editions Parisiennes Reunies’ of Paul Brenet, the books of the Select Bibliothèque were published openly. Occasionally a title would cross some mysterious line and be prosecuted, but in general, since there was no sex in the conventional sense, these publishers were left to their devices by the authorities.

Despite the openness of these books, the publisher of the Select Bibliothèque remains unknown, at least to this cataloguer. Paul Jérôme writes of Don Brennus Aléra as being “un (ou plusieurs) des pourvoyeurs de l’editeur parisien Massy…” (Dictionnaire des œuvres érotiques, Paris: Mercure de France, 1971, p. 484). In fact, Massy was where the earliest books in the series were published. The almost anagramitic similarity of the names of the authors of most of the books – Bernard Valonnes, Don Brennus Aléra, Roland Brevannes – suggests a single hand at work, and one that spanned in excess of 30 years. And it might not be unreasonable to think that the author was also the publisher.

The numbered titles in the series were in a small 8vo – closer to 16mo – format, and began publication in 1907. However, there were also a handful of earlier titles, in a larger octavo format and on better paper, which were not numbered. I’ve only seen one of these [in a private collection in Hamburg]. These were also published circa 1907. It is probable that the unnumbered titles, being on better paper, proved to be uneconomical prompting the publisher to change to a smaller format and cheaper paper soon thereafter. Note also that only of a few of the Select Bibliothèque titles went into second printings, and so the Catalogues or ‘Tarifs’ which appeared in the front of each volume are usually incomplete, some titles being missing. I’ve only ever seen one title that the Select Bibliothèque itself reprinted, and that too was in Hamburg.

There were three different illustrators. The first of these was ‘Tack’, who was a better artist than his successors, but old fashioned. The others were ‘Esbey’ and ‘Selby’, who were rather naïve but who had better imaginations than ‘Tack’. It is Interesting that this series is so cohesive in concept and production, from 1907 through 1939 when it probably ceased.

 

. The details given are of the originals, I have no idea when the facsimiles were produced.


Cover

VALONNES, Bernard [Roland BREVANNES] LE DRESSAGE DE LA MAID-ESCLAVE. Tome I : Corsets et chaussures
Orné de 10 illustrations hors-texte d’ESBEY. Sélect-Bibliothèque, Sceaux (Seine), 1930, volume 63. In-12 broché, 12,2 x 18,2 cm. 178 pp. Couv. illustrée par ESBEY.

Back ?


See also

Books for Trade:Bernard Montorgeuil, Une Brune Piquante, Volume 4 Les jardins des delices des supplices: Editions Bel-Rose Rotterdam.1970

 

Books for Trade: BLACKEYES, Sadie (Pierre Mac Orlan) Petite Dactylo. Roman. Suivi de: Les belles clientes de M. Brozen; et du: Maitre d’Ecole; avec un choix de lettres concernant les faits curieux touchant la flagellaton des Misses et des Femmes. Published by Paris, Collection des Orties Blanches, 1933

 

I previously listed an earlier edition of this, which was altogether a more elaborate production, however there is one illustration in this edition that was different to the other so you get to see it again.

Cover

Spine

Title Page

BLACKEYES, Sadie (Pierre Mac Orlan) Petite Dactylo. Roman. Suivi de: Les belles clientes de M. Brozen; et du: Maitre d’Ecole; avec un choix de lettres concernant les faits curieux touchant la flagellaton des Misses et des Femmes.
Published by Paris, Collection des Orties Blanches, 1933

 

gr. in-8vo, 286 p., with 8 illustrations by G. Smit, original brochure. Under the feminine pseudonym of Sadie . Sadie Blackeyes was Pierre Dumarchey, that is to say Pierre Mac Orlan


The Illustrations


Any questions or information about this title please complete a contact form.


This book live for sale on eBay

Petite Dactylo

See Also

Books for Trade:Daisy Lennox: Le Pensionnat de Madame Clerval; Collection des Orties Blanches 1933

 

Books for Trade: Van Rod, Aimé: Les Humiliations de Miss Madge; Édition Parisienne [ Roberts & Dardaillon ].Paris 1912.

 

A very long time since I listed one of these, and I had thought that I had listed this one, but I cannot locate it on the blog, so here it is now. A flagellation novel from 1912, decorated with a cover by Del Giglio and period illustrations by C. Helsey. A bit battered and worn but complete.


Cover

 


Title Page

Van Rod, Aimé: Les Humiliations de Miss Madge; Édition Parisienne [ Roberts & Dardaillon ].Paris 1912. pp 192, Printer : Saint-Denis, Imprimerie H. Bouillant, 47, boulevard de Chateaudun. Illustrated cover,M Del Giglio, .  8 B&W illustrations,  C., Helsey,


Illustrations


Any Information or questions regarding this title please complete a contact form.


This book Live for sale eBay

Le Humiliations de Miss Madge

see Also

Books For Trade: Grégor Yvan. :LA PRINCESSE SONIA, ses bottes, son esclave. Les Editions du Couvre-Feu . 8 Rue de Tracy, Paris, s.d. [1932]

Books for Trade:Wanda de S…, Françoise; ou Les Plaisirs du mariage. Aux Allées des Roses n.d (1937)

I feel that I have been neglecting you all, but with clearing books out for eBay, and getting other items ready for auction I have been somewhat preoccupied. But here is a little treat for all of you and from my favourite period, the pre-WW 2 decade. This is a very nice Clandestine title with some debate about the illustrator, who it is proposed is either Rojan or T.Mertens, I must say I am not convinced of Rojan, but as I have no idea who T. Mertens is what do I know? Any guidance on this would be appreciated.



Cover


Title Page

Wanda de S.
Françoise ou Les Plaisirs du mariage
In original card cover with printed in blue, pp.225, 10 heliogravures on copper hors-texte on vellum. Original edition of a clandestine pornographic novel, published about 1937 and printed on the presses of Darantière, Dijon, under a fanciful name (Dutel, 1605). In a circulation of 600 copies reserved for the numbered subscribers to the composter. Copy No. 380, on vellum. Some attribute the free compositions to Rojan, the illustrator of Spring Idyll, or T. Mertens.

The Illustrations


Any questions or information about this book please complete a contact form.


See also the title below is live at auction.

https://auction.catawiki.com/kavels/13663631

And on this site

Books for Trade: Diana Slip, Lingeries Libertines, No 1 September 1933. 9 Rue Richepanse Paris