Books for Trade:Three volumes bound in one. 1/Yvan Kermor Silk Stockings: 2/ Georges de Chanrosey The Sweet Game of Love: 3/ Georges de Chanrosey, A Little Trottin: Librairie des Éditions Modernes n.d.

 

 

 

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Early flagellation novels are scarce in English, the majority of this type of material produced tended to be of a pseudo scientific nature. Even scarcer are those with illustrations. There was some difficult in scanning these images, as the books are very small and bound together in one volume, so my apologies for any defects. I hope you enjoy them.


KERMOR ,YVAN. Silk stockings+ The sweet games of love. Kisses! Caresses ! Love! By Georges de Chanrosey.+ A little Trottin or Yvette’s passion by Georges de Chanposey. Librairie des Éditions Modernes, no date app. 1900-1920. 111+114+124 pages pp. With illustrations by Eduard Bernard (1st and 3rd). Novels about flagellation. Bound in a fine contemporary half calf with raised bands and goldtext on spine. First Edition.


Silk Stockings

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Yvan Kermor, Silk Stockings: Librairie des Éditions Modernes. Paris n.d. 111 pages. With colour cover illustration and hors-texte by Eduard Bernard.



 

Title Page

Silk Stockings_0001


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The illustrations

Silk Stockings_0002

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Silk Stockings_0003

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Silk Stockings_0004

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Silk Stockings_0005


The sweet games of love. Kisses! Caresses ! Love!

Silk Stockings_0006

Georges de Chanrosey.The sweet games of love. Kisses! Caresses ! Love! :Librairie des Éditions Modernes n.d , 114 pages. Colour cover illustration by uncredited artist. no other illustrations.


Title Page

Silk Stockings_0007


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A little Trottin or Yvette’s Passion

Silk Stockings_0008

Georges de Chanposey: A little Trottin or Yvette’s Passion. Librairie des Éditions Modernes, n.d. 124 pages, with colour cover illustration and hors-texte by Eduard Bernard.


Title Page

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The illustrations

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Silk Stockings_0009

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Silk Stockings_0010

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Silk Stockings_0011

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Silk Stockings_0012

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Any questions, or information about these titles, please complete a contact form.


 

See Link:

Spanked in Bed and The Whippers

Books for Trade: ANON: A Lustful female. Illustrated London: ENG. :1938 (New York?)

Le Temple Des Ivresses Losfeld 1955_0013

A clandestine title with wonderfully exaggerated claims to its illustrator and benefactor, printed on very poor quality paper its likely this was produced by the Miller Brothers who were part of New York City’s clandestine erotica scene along with Sam Roth, Esar Levine, and Ben Rebhuhn.


 

A Lustful female

A Lusfulf Female Anon London 1938_0002

a study of the female past thirty, her reaction when engaged in the art of love-making and her lustful private life : all of this and more is described in this volume by a famous author whose name we connot [i.e. cannot] divulge.


 

In original boards with Title in gilt on the spine, Printed London ENG: 1938, but almost certainly New York, the 1938 date may be correct, but despite the famous author remaining anonymous, the prose is positively purple, and they were right to remain anonymous, the artist has signed the illustrations Carmen 27, and they are on glossy photographic paper and were probably lifted from an earlier publication. Also the wonderfully convoluted limitation quote.

A Lusfulf Female Anon London 1938_0003

The Illustrations

A Lusfulf Female Anon London 1938_0001


A Lusfulf Female Anon London 1938_0002


A Lusfulf Female Anon London 1938_0003


A Lusfulf Female Anon London 1938_0004


A Lusfulf Female Anon London 1938_0005



Any Information about this title please complete  a contact form

See Also

The Modern Eveline

 

Books for Trade: Ovide. Les Amours. J Chevrel, Libraire. Paris. MCMXIII

Ovide Les Amours 1913 Van Maele_0008

A departure from my usual posts, this book is in itself a work of art, printed on Velin D’Arches, a beautiful print production, by Paul Hérrisey, decorated with en-tétes, lettres ornées, and cul-de-lamps by Eugéne Dété. And full page engraved plates and in text engravings by Martin Van Maele.


Title Page

Ovide Les Amours 1913 Van Maele_0007

In original printed card covers 334 pages + Table, limited edition 83/250, illustrated with 14 Hors Texte and 6 en Texte, by Martin Van Maele.


Ovide Les Amours 1913 Van Maele_0010

Ovide Les Amours 1913 Van Maele_0006

Ovide Les Amours 1913 Van Maele_0033

Ovide Les Amours 1913 Van Maele_0021

Ovide Les Amours 1913 Van Maele_0013

Ovide Les Amours 1913 Van Maele_0018

Ovide Les Amours 1913 Van Maele_0011

Ovide Les Amours 1913 Van Maele_0026

Ovide Les Amours 1913 Van Maele_0025

Ovide Les Amours 1913 Van Maele_0027

Ovide Les Amours 1913 Van Maele_0017

Ovide Les Amours 1913 Van Maele_0041

Ovide Les Amours 1913 Van Maele_0038

Ovide Les Amours 1913 Van Maele_0029

Ovide Les Amours 1913 Van Maele_0044

Ovide Les Amours 1913 Van Maele_0028

Ovide Les Amours 1913 Van Maele_0043

Ovide Les Amours 1913 Van Maele_0042

Ovide Les Amours 1913 Van Maele_0045

Ovide Les Amours 1913 Van Maele_0033

Ovide Les Amours 1913 Van Maele_0046

Ovide Les Amours 1913 Van Maele_0040

Ovide Les Amours 1913 Van Maele_0048

Ovide Les Amours 1913 Van Maele_0020

Ovide Les Amours 1913 Van Maele_0047

Ovide Les Amours 1913 Van Maele_0024

Ovide Les Amours 1913 Van Maele_0049

Ovide Les Amours 1913 Van Maele_0030

Ovide Les Amours 1913 Van Maele_0050

Ovide Les Amours 1913 Van Maele_0023

Ovide Les Amours 1913 Van Maele_0051

Ovide Les Amours 1913 Van Maele


Any Information about this title please complete a contact form.

Ovide Les Amours 1913 Van Maele_0017

See Link

Dolly Morton

New Into The Collection: Essex House, Publicity Pamphlet Price List 1969

A short-lived (1968-1969) Los Angeles publishing imprint, a subsidiary of Milton Luros’s Parliament News, Inc, specializing in highbrow erotica. Many Essex House novelists were young serious writers (several of them poets), and some used scenarios drawn from sf and fantasy, including future Dystopias, as settings for their pornography. About half the 42 titles published by Essex House were sf/fantasy; they included novels by Philip José Farmer, Richard E Geis, David Meltzer (perhaps the most distinguished), Michael Perkins (1942-    ) and Hank Stine (see Jean Marie Stine), of which a number were ambitious, some literary, and most somewhat joyless – even emetic – and redolent of 1960s radicalism. The unusual aspirations of this imprint are generally attributed to its young editor, Brian Kirby, who also edited the pornographic books of the sister imprint, Brandon House. [PN]

further reading

– See more at LINK

SF Essex House

 As my collection of this imprint has progressed over recent months, with only 4 titles required for completion, I am very pleased to add this extremely rare piece of printed ephemera, printed on 4 sides listing the titles , artwork and prices of the first 23 titles published by the press.


Front Cover

essex House Promotional Pamphlet Price List 1969_0001


Back

essex House Promotional Pamphlet Price List 1969_0002


Contents

essex House Promotional Pamphlet Price List 1969_0004


essex House Promotional Pamphlet Price List 1969_0003


See LINK:

Essex House, North Hollywood California

Books for Trade: Journal d’un Fille de Firme. Anon. Clandestine publication c. 1950?

Luxure_0012
Another mystery item, unable to research anything other than the basic information, I would be interested to receive any information regarding the publisher and the artist.

Journal d’une Fille de Ferme.
Sans lieu ni Date. In-8° en ff, sous chemise et étui muet de l’éditeur.

Texte encadré en rouge, 12 illustrations H.T., trés libres, tirées en bistre. Tirage limité à 500 exemplaires. (PIA 379-706).Edition originale qui fut condamnée une première fois en 1954


Journal d’une Fille de Ferme.

Journal d'une Fille de Firme !950 Tres-Libre_0001

In sheets in original cream card covers, Title in black italics on cover, 81 pages, text contained in red border. Issued in a limited edition 486/500. Complete with 12, unsigned Half Tone illustrations in bistre, paired in six uncut sheets. Prosecuted in 1954.


Title Page

Journal d'une Fille de Firme !950 Tres-Libre_0003


Limitation Page

Journal d'une Fille de Firme !950 Tres-Libre_0002


The illustrations

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Journal d'une Fille de Firme !950 Tres-Libre_0009


Journal d'une Fille de Firme !950 Tres-Libre_0011


Journal d'une Fille de Firme !950 Tres-Libre_0007


Journal d'une Fille de Firme !950 Tres-Libre_0010


Journal d'une Fille de Firme !950 Tres-Libre_0013


Journal d'une Fille de Firme !950 Tres-Libre_0006


Journal d'une Fille de Firme !950 Tres-Libre_0008


Journal d'une Fille de Firme !950 Tres-Libre_0012


Journal d'une Fille de Firme !950 Tres-Libre_0005


Journal d'une Fille de Firme !950 Tres-Libre_0004


Journal d'une Fille de Firme !950 Tres-Libre_0015


Journal d'une Fille de Firme !950 Tres-Libre_0014

Flossie_0007


This item is available for trade against my Paris Olympia Press wants.

See Link

Luxure et Souffrance

Books for Trade: GAMIANI , edite par une groupe des bibliophiles [S.I., n.p., n.d. c.1948].?

 GAMIANI , [S.I., n.p., n.d. c.1948]._0001


By far my most ambitious listing, this stunningly beautiful edition of Gamiani, is a late clandestine publication, for which I can find very little bibliographical  information, the only reference which I can locate, is from The eroticabibliophile, which offers the description below, which although I am certain describes another copy of the same book, is wrong in other details:-

In-4. 130pp. Limited edition of 325 of which 25 are for collaborateurs. Chemise cover. Calligraphic text. 32 lithographs in text + 14 plates in black and blood-red.A bookseller notes of his copy (which may be 1 of the 25) “9 full page single sheet illustrations loosely placed in folder with female figure in acetate-covered inset front cover. Also laid in is envelope containing another 18 single sheet full page images, two foldout and some duplicating those that accompany text.” (Johnnycake Books, 03/07/05) (Dutel: 1656)

As you can see from the limitations page below, it appears that the entire run is 300 plus 25 copies Examplaire d’Artiste,of which this copy is number 17. This volume is complete in Folio with 150 pages, uncut in leaves, text in calligraphy, with 12 full page illustrations in colour, plus 32 illustrations in text in a mixture of bistre and black. In addition there is an additional suite, of the original 12 illustrations with artists embellishments, contained in an illustrated gate-fold, featuring the main characters. Extra addition is a suite Tres Libre of 12 full page illustrations also in an illustrated gate-fold.


I will publish this in stages as this is a large piece of work, below is stage one which is the bulk of the book with the standard illustrations.


Limitations page

GAMIANI , [S.I., n.p., n.d. c.1948]._0047

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The illustrations

GAMIANI , [S.I., n.p., n.d. c.1948]._0003

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GAMIANI , [S.I., n.p., n.d. c.1948]._0004

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GAMIANI , [S.I., n.p., n.d. c.1948]._0005

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GAMIANI , [S.I., n.p., n.d. c.1948]._0006

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GAMIANI , [S.I., n.p., n.d. c.1948]._0007

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GAMIANI , [S.I., n.p., n.d. c.1948]._0008

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GAMIANI , [S.I., n.p., n.d. c.1948]._0009

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GAMIANI , [S.I., n.p., n.d. c.1948]._0010

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GAMIANI , [S.I., n.p., n.d. c.1948]._0011

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GAMIANI , [S.I., n.p., n.d. c.1948]._0012

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GAMIANI , [S.I., n.p., n.d. c.1948]._0013

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GAMIANI , [S.I., n.p., n.d. c.1948]._0014

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GAMIANI , [S.I., n.p., n.d. c.1948]._0015

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GAMIANI , [S.I., n.p., n.d. c.1948]._0016

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GAMIANI , [S.I., n.p., n.d. c.1948]._0017

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GAMIANI , [S.I., n.p., n.d. c.1948]._0018

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GAMIANI , [S.I., n.p., n.d. c.1948]._0019

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GAMIANI , [S.I., n.p., n.d. c.1948]._0020

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GAMIANI , [S.I., n.p., n.d. c.1948]._0021

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GAMIANI , [S.I., n.p., n.d. c.1948]._0022

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GAMIANI , [S.I., n.p., n.d. c.1948]._0023

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GAMIANI , [S.I., n.p., n.d. c.1948]._0024

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GAMIANI , [S.I., n.p., n.d. c.1948]._0025

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GAMIANI , [S.I., n.p., n.d. c.1948]._0026

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GAMIANI , [S.I., n.p., n.d. c.1948]._0027

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GAMIANI , [S.I., n.p., n.d. c.1948]._0028

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GAMIANI , [S.I., n.p., n.d. c.1948]._0029

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GAMIANI , [S.I., n.p., n.d. c.1948]._0030

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GAMIANI , [S.I., n.p., n.d. c.1948]._0031

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GAMIANI , [S.I., n.p., n.d. c.1948]._0032

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GAMIANI , [S.I., n.p., n.d. c.1948]._0033

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GAMIANI , [S.I., n.p., n.d. c.1948]._0035

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GAMIANI , [S.I., n.p., n.d. c.1948]._0036

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GAMIANI , [S.I., n.p., n.d. c.1948]._0037

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GAMIANI , [S.I., n.p., n.d. c.1948]._0038

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GAMIANI , [S.I., n.p., n.d. c.1948]._0039


GAMIANI , [S.I., n.p., n.d. c.1948]._0040

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GAMIANI , [S.I., n.p., n.d. c.1948]._0041

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GAMIANI , [S.I., n.p., n.d. c.1948]._0042

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GAMIANI , [S.I., n.p., n.d. c.1948]._0043

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GAMIANI , [S.I., n.p., n.d. c.1948]._0044

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GAMIANI , [S.I., n.p., n.d. c.1948]._0045

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GAMIANI , [S.I., n.p., n.d. c.1948]._0046


GAMIANI: Second Suite (artists embellishments)


Gate-fold:

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0001

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0002

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0003

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0004

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0007

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0008

IMG_0023

GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0009

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0012

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0014

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0016

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GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite

IMG_0023

GAMIANI , [S.I., n.p., n.d. c.1948]. second Suite_0018


GAMIANI: Third Suite (Tres Libre)


Gate -Fold

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IMG_0023

GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0001

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0002

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0003

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0004

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0005

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0006

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0007

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0008

IMG_0023

GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0009

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0010

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GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0011

IMG_0023

GAMIANI , [S.I., n.p., n.d. c.1948]. Third Suite Tres-Libre_0012


Any questions or information about this title please complete a contact form. 

THIS TITLE IS NO LONGER AVAILABLE FOR TRADE


See also Links:

Special Edition, L’Anti-Justine

New into the Collection: Paris Olympia Press, Price list/ Order Form Summer Autumn 1955

A special item, in that it is the first piece of ephemera ever donated to my collection, and although very fragile and flimsy I am absolutely delighted with it, and share the sentiment, in the covering letter that came with it, my grateful thanks to Ezra of Alta- Glamour,formerly Ivan Stormgart Books.

Olympia Leaflet Books 1955_0007


14.3.1 1955 (Summer-Autumn).

Olympia Leaflet Books 1955_0001

Tri-fold advertising, price list and order form, measuring 10.0 x 27.0 cm and printed in blue and black on thin white paper.

Olympia Leaflet Books 1955_0006

Includes the first fifteen titles of the Traveller’s Companion series, and (inexplicably) six Atlantic Library titles that are said to be out of print.

Olympia Leaflet Books 1955_0005

In addition, a number of the earlier Olympia titles by Sade, Miller, Apollinaire, &c. are listed with brief promotional blurbs.

Olympia Leaflet Books 1955_0004

Lolita and The Naked Beast at Heaven‘s Gate are both advertised as appearing on July 31st., the later with an elaborate limitation.

Olympia Leaflet Books 1955_0003

Nexus is announced for publication the following year.

Olympia Leaflet Books 1955_0002

Notes: The address of the Olympia Press at this time was 8 rue de Nesle.


Bibliographical description courtesy of Patrick Kearney, The Paris Olympia Press, Liverpool University Press 2007.


See Link:

ephemera

Books for Trade: Mémoires d’une Puce. Volume I [et II]. Paris, 1913 [ 1921?]

A very rare clandestine edition of the title originally published, also clandestinely in English, in 1885, under the title Autobiography of a Flea, subsequently published in French by Brancart, in 1890, under the title Souvenirs d’une Puce. This copy even rarer in that it is illustrated, the book itself is printed on poor quality paper and the illustrations are on a brownish card, my scans actually are an improvement on the appearance of the illustrations.


This title is available for trade against my Paris Olympia Press wants


Mémoires d’une Puce.

Memoires d'une Puce Paris 1913_0001

This Copy rebound in blue marbled boards, with title in gilt on a blue leather spine. Volume I [et II]. Paris, 1913 [ 1921?] p.p. 160 + 160, with a frontispiece and  9 full page illustrations by an unsigned artist.


The illustrations.

Memoires d'une Puce Paris 1913_0002


Memoires d'une Puce Paris 1913_0003


Memoires d'une Puce Paris 1913_0004


Memoires d'une Puce Paris 1913_0005


Memoires d'une Puce Paris 1913_0006


Memoires d'une Puce Paris 1913_0007


Memoires d'une Puce Paris 1913_0008


Memoires d'une Puce Paris 1913_0009



Memoires d'une Puce Paris 1913_0010


Memoires d'une Puce Paris 1913_0011


Memoires d'une Puce Paris 1913_0012


Memoires d'une Puce Paris 1913_0013


Any questions or information about this title please complete a contact form.

See Link:

Your Assistance Required: A bibliographical mystery

New into the Collection: Quiet Days in Clichy, Henry Miller. First Edition

A really good find, and the best copy I have seen in the last 10 years, you would not believe the trouble that I went to to finally get this in my hands, but now I have it a near fine copy, which is still resistant to being opened, hence the images are restricted to the cover and the title page.

1.16.1 QUIET DAYS IN CLICHY Henry Miller, 1956

IMG_3966

First and original edition | HENRY MILLER | QUIET DAYS | IN | CLICHY | Photographs by | BRASSAÏ | THE |OLYMPIA PRESS | 8 Rue de Nesle, Paris 6 | 1956 Collation: 176 pp. [1]-[22]4; the final gathering is actually signed 21, but should be 22 because due to a printer’s error the fourth and fifth gatherings are both signed 4 causing all subsequent statements to be off by 1. 17.5 x 10.5 cm., all edges trimmed. Printed on thick, white wove paper. Contents: pp. [1,2] blank. p. [3] QUIET DAYS | IN |CLICHY, reverse blank. p. [5] title, as above. p. [6] FOR A |COMPLETE LIST OF HENRY MILLER’S WORKS | ON SALE IN FRANCE, | WRITE TO : | THE OLYMPIA PRESS | 8, Rue de Nesle, Paris 6 | Printed in France | [rule] | All rights reserved by Henry Miller. Copyright 1956. pp. 7-171, text. p. [172] blank. p. [173] PRINTED BY | IMPRIMERIE MAZARINE | AND IMPRIMERIE AULARD, | PARIS, | IN JULY 1956 | FOR | THE OLYMPIA PRESS, | 8 rue de Nesle, Paris 6e | PRINTED IN FRANCE | [rule] | Dépôt légal, 3e trimestre 1956. pp. [174-176] blank. Sixteen pages of plates interspersed through the text.

Binding: Thick card wrappers, with abstract design in black, gold, grey and white across front cover, spine and back cover. Thin gray free endpapers.

Quiet Days in Clichy First edition_0001

Frontcover; title and author printed in black within gold panel, superimposed over grey designs: HENRY MILLER | QUIET DAYS | IN CLICHY. Printed in black within gold panel: With photographs by Brassaï.

Quiet Days in Clichy First edition_0003

Quiet Days in Clichy First edition_0002

Printed in black yellow panel on back cover: THE OLYMPIA PRESS. At the foot of front inside flap: COVER DESIGN BY T. [Shinkichi] TAJIRI. Back inside flap blank. Notes: (1) Some copies of this edition have been reported in which the plates have a gloss finish instead of a matt finish. See: A Descriptive Catalogue of the Dr. James F. O‘Roark Collection of the Works of Henry Miller (Santa Barbara: Joseph the Provider, catalogue 22, item A182). The compilers of this catalogue noted that their copy lacked the colophon, and so were unable to say whether this copy represents a special issue or whether it received individual attention. However, a letter from Roger Jackson, Henry Miller’s bibliographer, to the present author dated October 22, 1992, indicates that in all respects save the difference in photographs the copies he’d examined with matt and glossy plates were identical. It would seem that trial copies of the first edition with illustrations in both states were run off, perhaps to determine which looked better. Since copies with matt plates are more common one must assume that this design prevailed, but that the few copies with the glossy plates were released with the main print run rather than merely destroyed. (2) In William Ashley’s copy of this edition there is only one signature numbered 4 (on p. 33), and yet the arrangement of the stitching and faulty numeration of the later signatures is identical to the compiler’s copy. The only way I can account for this is to think because the signatures are located close to the edge of the leaf, in Mr. Ashley‘s copy the signature was missed during printing or cut off during the trimming/binding process. (3) Prosecuted on May 5th, 1959 under article 14 of the 1949 law.

Bibliographical description courtesy of Patrick Kearney, The Paris Olympia Press, Liverpool University Press 2007. The index number indicates the actual location of the description within the bibliography.

See Link

Amorous Exploits of a Young Rakehell

MES ÉTAPES AMOUREUSES [par] E. D. Imprimé pour les Colporteurs Gascons [Paris , Marcel Sehuer] c. 1935].

Eveline_0012

A rare 1930’s clandestinely published title, apparently originally published under the title “Exploits d’un Galant Précoce”, again clandestinely by Auguste Brancart in 1890, Bibliocuriosa name both the author, the mysterious E.D. as Émile Desjardins, and the publisher as Marcel Sehuer.

See link: – Mes Etapes Amoureuses

Pat Kearney also lists this edition on his Scissors and Paste site under his bibliography of E.D.

See Link:-Towards a Bibliography of E.D.


This title is available for trade against my Paris Olympia Press wants.


Title Page Vol 1

IMG_3962

MES ÉTAPES AMOUREUSES [par] E. D. Imprimé pour les Colporteurs Gascons [Paris? c. 1935]. 8vo. Two volumes, pp. 154+3ff, 156+2ff. Twelve illustrations signed ‘Calves’ printed on photographic paper. Limited to 500 copies. [Paris, Marcel Sehuer v. 1935] Dutel 1973.


The illustrations Vol 1

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0001

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0002

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0003

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0004

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0005

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0006

Le Temple Des Ivresses Losfeld 1955_0011

Title Page Vol 2

IMG_3955

The Illustrations Vol 2

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0007

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0008

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0009

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0010

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0011

Le Temple Des Ivresses Losfeld 1955_0011

Mes Etapes_0012

Le Temple Des Ivresses Losfeld 1955_0011

IMG_3948


Any questions or information about this title please complete a contact form.

Links

The Modern Eveline,