If anyone can identify which book this image belongs to I will publish more images from the same title.
Well no one is likely to know where this came from or who created it but possibly, might know whether there is a name for this kind of erotic trickery. I don’t know the answer but would like to find out. This item was discovered tucked into a book.
This piece of erotic ephemera has age, it is printed or possibly inked onto a piece of parchment like paper measuring (20.5 x 13.5 cm), it has a sharp crease through the centre allowing the image to be folded in on itself, which when held to the light produces an erotic scene in silhouette.
Any information or questions, please leave a comment or even a like.
Possibly later today, but in the meantime I want to share my new invention with you which also is the introduction of a new form fetishistic practice, I call it Bibliondage, or BBDSM. It is a methodology for disciplining books that will not lay flat enough to be scanned,I hope the following images will be self explanatory.
Rest assured the book is suitably repentant, and locked in a glass case, until such a time I can dispose of it.
I have to warn you the results are far from perfect, but with one fully functional hand and a limited budget, one must be creative, feel free to make your own,
Ingredients: One, 12 kg Kettle Bell, 2 perspex bookends (Large), 1 rubber band (Medium) ( or more to taste).
Detailed assembly instructions available on request
Your comments are welcome
After another long absence, I return with some very rare ephemera from the Paris Olympia Press. Listed here only briefly, I will post more detailed descriptions if there is any interest.
I shall in the coming days post some more illustrated erotica, in particular some material from the now defunct Erotic Print Society.
I am still considering letting my Olympia Press collection go to a new home, but in the mean time I continue to seek the few missing items.
The New Paris Teaser
The New Stripteaser
Olympia Press Catalogue 1960
The above items are all rare, but none so rare as the New Stripteaser, no copy has ever been in any of the major collections, and at the time the last bibliography as released, it was only identified as having been mentioned in a catalogue.
The Burroughs 1960 catalogue, is now a rarity because of the Burroughs connection.
I am still seeking 2 Teasers, “The Paris Teaser” and “Paris Exotique”, the English and French versions of the same publication.
Les Jeux du Plaisir et de la Volupté par une Femme du Monde, avec 16 illustrations.ANONYME [Johannes GROS]
Published by Paris, Au boudoir secret, (1906).1906 [i.e. circa 1936] 1 volume in-8 (19.5 x 13 cm), paperback, 248- (1) pages. 16 illustrations in black inset. Printed cover in color. Volume in very good condition. Reference: Dutel, Bibliography of erotic works published clandestinely between 1920 and 1970, n ° 1795, indicates: “Original edition published around 1936. It is decorated with 16 illustrations.The book comes out of Darantière presses in Dijon. Johannes Gros is the sequel to the libertine confessions. ” The advertised print is 600 copies on tinted vergé and 25 copies on vellum Arches. This one, 1 of 600 copies on tinted laid. Very good copy of this book sympathetically illustrated (The illustrations have remained anonymous but are in the style of Luc Lafnet). Very explicit pornographic text.
Docteur Caufeynon [ Fauconney, Jean ], Le Mariage et son Hygiène,Rapports Sexuels, Librairie Artistique, May 1934. Cover and 4 hors-texte by Carlo.
Jean Fauconney est probablement un médecin français qui a publié divers ouvrages, dans le premier quart du 20e siècle, traitant de phénomènes sexuels variés, sous son patronyme ou sous les pseudonymes du Dr. Caufeynon, du Dr. Eynon, du Dr. Jaf.
Following my tradition of seeking out books that are complete but affordable, i have happened upon this lovely little book, and as disheveled as it is, it is a wonderful find, as I cannot locate another anywhere with all of the illustrations. The process of listing such a book is something of a delicate exercise as it is very fragile, you may have seen in other listings of mine that I comment that a book will be unlikely to survive another scanning session, this particular title meets that criteria. The quality of paper in these titles produced around 1920, is very poor, and the decorations can be blurred, and the hors-texte images faint. I have scanned the images in as best as my technology allows, and I have altered the exposure of the full page illustrations, which has brought them to life. I hope you enjoy them.
Max des Vignons, Miss Dean, Librairie Artistique, Paris,v. 1920?
In original paper covers with colour illustrated cover, initialled M. Detail on spine- author, title, price 12fr 50, Librairie Artistique – Edition Parisienne Reunies, Blvd Magenta Paris. 224 +1 pp (20.5 x 12.5 cm). Decorated with head and tail pieces and vignettes, and 8 full page illustrations on glossy paper that appear to be signed M.K.Sc
Notes In this Preface, the publisher mentions his desire to publish a book on flogging “without hurting the most elementary morality”, and presents the novel as a kind of warning about dangers of this practice! “Flogging has always existed and, in spite of us, will have long followers, but if we reduce the number in the future, we will be satisfied.”
Reference / Reference : Bécourt 52: Sentenced by the Criminal Court of the Seine 10th Chamber 2 December 1951 then by the Court of Appeal of Paris 10th Chamber 27 October 1953; convicted by the Criminal Court of the Seine 17th Chamber on 25 November 1953 and by the Court of Appeal of Paris 10th Chamber on 9 June 1954; convicted by the Criminal Court of the Seine 17th Chamber on October 14, 1953 and by the Criminal Court of the Seine 17th Chamber on May 14, 1954.
For bibliographical details see http://bibliocuriosa.com/index.php/Miss_Dean
A truly pristine item of ephemera, and a most welcome addition to my collection. This is a perfect example of the material that I am seeking, this one is courtesy of Arcana Cabana in the Netherlands, who kindly agreed to seperate the price list from an edition of Justine, where it had sat between the leaves, untouched for over 50 years. You can view the Arcana Cabana site below.
Paris Olympia Press, Price list and Order form, Spring 1962.
Printed both sides in black and red on a single sheet of pale yellow card, measuring 27×9 cm. Paris bookshop sticker affixed to base of the form on the verso.
The titles in red are highlighted as new editions due to be published, interestingly, the low number Traveller’s Companion Series titles had been in print since 1955/56, therefore at TC 13 ” The Secret Life of Robinson Crusoe” was formerly entitled “The Sexual Life of Robinson Crusoe”, at TC 29, “Helen and Desire” was actually reissued as “Desire and Helen”, and at TC 40 ” The Organisation” was reissued as “The New Organisation”. Legend has it that the changes in title of these reprints was a ploy to confuse the Brigade Mondaine, who worked to lists of Olympia titles that had been banned in France, but as few, if any of the officials could read English a simple ploy such as above was enough to throw them off the scent.
You can also see that at TC 57, the sixth volume of Juliette was about to be issued, the slot for TC 58 was held vacant,eventually (in 1965) was occupied by “Juliette” volume seven, but at one stage in (catalogue 1958) it had been scheduled fo a TC edition of Becketts” Watt”. The title at TC 90 planned as ” The Sex Life of Ulysses” eventually came out as “A Bedside Odyssey”.
Another anomaly, under the Othello Books series (numbered 111-116), which were all to be published in 1962, at 116, sits “Sextet” by Hume Parkinson, which was not issued in this series, and appears to been passed over in the Danish imprint “Odyssey Library”, where it was supposed to be published in 1963, eventually turning up as TC 94 the last title to be published in the Travellers Companion Series in 1965.
No mention on this list of any of the Ophelia Press titles, which generally appear to have been run as a seperate enterprise the Ophelia titles are generally themed around flagellation and sado masochism which traditionally sat outside of mainstream erotica.
Such a significant amount of information from such a small piece of paper, and perhaps something of an explanation for my fascination, with the Olympia Press ephemera material.
Paris Olympia Press, Price list and Order form, Spring 1962.
Please also See
After a long break from the blog, I am back in action more because of circumstances than by plan, but determined to make the most of my enforced idleness, I am updating material related to the collection and still seeking the few items that I do not have. Alongside this I am gathering the rare and obscure and hopefully bizzare items from around the web, to keep the semi-literate amongst you amused.
So just to remind you that the dedicated purpose of this blog is to provide access to information and images from erotica of all types, for free and to people who might not otherwise ever have sight of these books. But the primary purpose is to complete this Paris Olympia Press collection, and now that I need so few book titles, i am very keen to find the ephemera, for example catalogues, flyers, communication on headed paper, busines cards or anything associated with The Paris Olympia Press. l regularly update on new material coming into the collection, and list items that I am looking for under Books Wanted.
Here is an image of the collection in its latest state, please keep looking, If you have an item that you think might be of interest please use the contact form to get in touch.
This small volume has been listed on book sites for some considerable time, and was of no particular interest to me until I relised that from the description and photograph of the cover that this was likely to be the edition with colour illustrations, this from the knowledge that, the numbered edition has blue wraps and the unnumbered edition has pink wraps, this copy has a cream wrapper and was therefore likely to be the Alphabetical limitation, and so it turned out to be, but with a very sweet reward attached. Iinclude the booksellers listing, to assist with the story, and offer my profound thanks to Keogh Books, for this unique addition to my collection.
Rare opportunity to se the delicately coloured illustrations , and so please see below. Apart from the additional material hand written by the author, for the collector, the format is slightly larger than the other editions and the illustrations are hand coloured, This copy is a unique alphabetical limitation 26 on Vélin d’Arches, | numbered A to Z; = 26¾ – Z³ ,see image for detail. The bibliographical information displayed below the images is courtesy of Patrick Kearney The Paris Olympia Press, Liverpool University Press 2007.
2.6.1 AN ALMANAC FOR AMORISTS James Broughton, 1955
[Within a drawing of a pedestal, with three steps leading to summit, and surmounted by two pillars supporting a narrow, flat roof. In front of left pillar, the figure of a naked man, with a naked woman in front of right pillar. In one hand the woman carries a sign bearing the author‘s name; both figures support a banner with the title on it. The name of the Paris publisher, and place and date of publication are printed on the steps.] [In fancy lettering: ] JAMES BROUGHTON
| AN | ALMANAC | FOR | AMORISTS | [design of bird in flight ] | COLLECTION | MERLIN | PARIS 1955 |
Collation: 42 pp. 18.2 x 13.8 cm. Perfect bound, without signatures, edges untrimmed.
Contents: p. [i-iv] blank. p. [v] AN ALMANAC FOR AMORISTS, reverse blank. p.  title, as above. p.  Copyright 1955 | by James Broughton. | All rights reserved |in all countries. | Published by | Collection Merlin | 42, rue de Seine | Paris (6e) | in collaboration with | The Olympia Press. | Designed and decorated | by Kermit Sheets. p. , poetic dedications to Esto Broughton, Madeline Gleason and Robert Duncan. p.  A grateful acknowledgment | is made to Marguerite Caertani | in whose review, Botteghe Oscure, | many of these poems first | appeared under this same title. | Some of the other poems | were originally published | in Furioso, Folder, and Wake.. p.  contents, reverse blank. p.  full-page drawing illustrating Spring, reverse blank. pp. 9-37, text with full-page drawings illustrating the remaining seasons on pp. [15, 23, 31]. p.  list of Broughton’s other volumes of verse, and his films. p.  This edition of | An Almanac for Amorists | consists of 676 copies : | 26 on Vélin d’Arches, | numbered A to Z; | 150 on Pur chiffon, | numbered 1 to 150;| 500 on Offset supérieur, | unnumbered. |[all in bold:] IMPRIMERIE DES POÈTES | 20, Rue de la Harpe, Paris-5e | 1955. pp. [40-42] blank.
Binding: White wrappers, printed in black, overlapping on fore-edge and trimmed flush top and bottom. On front cover, a drawing of a naked man and woman, viewed from behind, holding a banner on which is written in fancy lettering AN | ALMANAC | FOR | AMORISTS. At foot of drawing is a narrow banderole bearing the author’s name. Printed down spine: James Broughton [-] AN ALMANAC FOR AMORISTS [-] Merlin. The back cover is blank.
Notes: (1) There are three Olympia Press issues of this printing: (a) The first issue, 26 copies on Velin d‟Arches lettered A to Z; (b) the second issue, 150 copies on Pur chiffon numbered 1 to 150; and (c) the third issue, 500 trade copies, unnumbered, as indicated at the end of the book. (2) There are known copies of the third issue (on Offset supérieur) which have added on the title page at the bottom either HALCYON PRESS LONDON or GROVE PRESS NEW YORK. It is unknown if these copies are part of the original 500 printed by the Olympia Press or if more were printed to accommodate these additional sub-issues. Both the Halcyon Press andeditions have a pink dustjacket,identical in design to the wrappers except that the name „Merlin‟ on the spine is replaced with the name „Halcyon‟ or „Grove‟ The inside flap of the front wrapper gives some critical comment on Broughton‟s work, the address of the English publisher or distributor (Halcyon Press, 15 New Row, London, W.C.2) or the American publisher or distributor (Grove Press, 795 Broadway, New York City 3), and the price of the volume, 4s 6d or $1, repsectively. The inside flap of the back wrapper, and the back wrapper itself, are both blank. (3) The printing of this work would seem to have been done by Bronislaw Kaminski, aka Bruno Durocher, who was also responsible for some reprints for the Olympia Press, and for The Castle of the End of Love, the unofficial first Ophelia Press title.His Éditions Caractères had a number of subsidiary imprints, including L‟Imprimerie des Poètes.