Georges de Chanrosay, also spelled Chanrosey, is the pseudonym of an author, probably French, who published sadomasochistic stories at Éditions du Vert-Logis , and Éditions Modernes , which became M. Dauchy, F Schmid, editors in the 1940s .
Georges de Chanrosay: Les Amies de Lady Chattieley, Seule relation authentique des exploits scandaleux d’un club fameux dont tout Paris a parlé . Éditions Modernes,(Collection des Bouleaux Blancs). Paris. nd. c1935. 22.8 x 14.3 cm. Paperback, cover printed in red and black, 12 illustrations by W.Floger (pseudonym of Édouard Bernard), on white glossy paper. Very good condition. Uncommon or even rare work. Author : Chanrosay, Georges de [written Georges de Chanrosey on the title page]
Reference. Sentenced by the criminal court of the Seine 10th chamber on May 8, 1950 then by the Paris court of appeal 10th chamber on October 27, 1953; condemned by the Seine Criminal Court, 17th Chamber, October 14, 1953.
Georges de Chanrosay: Les Amies de Lady Chattieley 1935
See description in listing above, Condition is very good + a beautiful clean collectors quality copy. Extra images on request. Seller reserves the right to maintain a permanent record of this title on this site, post sale.
Extremely Rare. No other copy of this title world wide at time of listing. Price includes postage worldwide.
Jean de La Beuque is probably the pseudonym of a French author who published sadomasochistic accounts from 1926 to 1930. The accounts published after 1931 are either re-editions of his texts or an unfinished work, completed by Alan Mac Clyde . The introductions to some publications contain notes from editors or Mac Clyde regarding La Beuque’s illness, recovery and death. Editions of texts published under the name of La Beuque in the 1950s are possibly texts previously published under a different title, unless the editor has contented himself with using the pseudonym of La Beuque for texts of a contemporary author.(some of these are written as La Beucque)
An interesting theory but more likely is I suspect that Mac Clyde was La Bueque, and killed this pseudonym off, for some reason, he did after all also write as Juana La Paz and Jane Spanking! and goodness knows who else?
La Beuque, Jean de: Femmes et corsaires, Amateur-Biblio,2 Ru Guisarde Paris (V1e),1931. Illustrations by G. Topfer.245 pages 14.5 x 23 cm.Imp primerie Le Moil & Pascaly, 88, Cours de Vincennes, Paris, 25 octobre 1931. In original Illustrated cover, 6 B&W illustrations on loose sheets. Very good condition previously taped at head and tail of spine, pages uncut, general aging to papers, Poor quality original production, with the exception of the loose illustrations which are on unusually thick glossy paper.
Reprint of the same title published by the same press in 1926, Kinsey (843.8 L12 f3 1926), hold a copy of the original edition but it is without illustrations, whether this is because they are absent, or this was an un-illustrated edition is not mentioned.
No one knows today who was behind the pseudonym Jean Vergerie. He is the author of 7 works published by Editions Balland in their Collection Eglantine between 1935 and 1938. The original editions were openly published, unlike this one, published clandestinely by Eric Losfeld in the mid-1950s. The original editions were also illustrated, and are now pretty much impossible to find. Anyone who has copies of the originals, who would like to donate images, please get in touch via a contact form.
These novels are all, without exception, erotic sado-masochistic tales of the worst or the best kind, depending on whether or not to consider Jean Vergerie as the worthy descendant of the Marquis de Sade in the twentieth century. Violence, torture, hellish machinery, monstrous, realistic or fantasized tales, everything is there to make these works the symbols of a literature apart in the production of this period.
VERGERIE, Jean, pseud. – Histoire de Priska. Éditions de la Hippogriffe [c. 1955]. 4to. pp. 154+(3).Pink cover printed in black. Copy in very good condition, light spotting to leading edge of front cover, rag paper. A reprint of L’Enfer des voluptés by Jean Vergerie, published by Collection de l’Eglantine, Boulogne-sur-Seine, 1937. The Losfeld reprint was Prosecuted in July 1962. – Bibliothèque Nationale: 8-Y2-90000(1264) Dutel 1702. (Rare)
A very beautiful book (no illustrations), which nicely combines my interest in early 20th century flagellation literature, and mid century clandestine publishing. This particular book , being a clandestine Losfeld title which I have never seen before, and it is a reprint of a work first published by Librairie Générale, Paris, 1931.
Alan Mac Clyde, Edith Kindler, Joan Spanking and Jean de La Beuque fils are pseudonyms for the author of several pornographic novels published in the 1930s by the Librairie Générale (84, Boulevard Diderot, Paris) and Librairie Artistique et Édition Parisienne Rèunies, imprints of Paul Brenet, a publisher specializing in flagellation and BDSM works.Robert Mérodack , has suggested that behind this pseudonym is hidden Maurice Renard (1875–1939) French author of several science fiction novels among which Le Docteur Lerne, sous-dieu, Le Péril bleu and Les Mains d’Orlac. His argument is based on a passage of La Reine cravache where Edith Kindler wrote «taxées de fantaisistes que certain auteur français de grand talent accorde à son héros le docteur Lerne, qu’il qualifie de sous dieu».
Mac Clyde, Alan, Dressage, Editions du Chinois (Eric Losfeld), 1950. 8vo. pp. 182. 1 ff. Coverture en papier gris-vert imprimèe en noir. Printed 15th May 1950. in original covers, pages uncut, Fine copy. Dutel, 1435.
Originally published :-
Mac Clyde, Alan, Dressage, Librairie Générale, 1931. 8vo. pp. 206. Illustrated by Jéo [J.B., Ely Costes et Carlo]. Illustrated cover by Jéo. BnF: “RES P- Y2- 939”. BnF: “8- Y2- 90000(1734)”. KI:”843.8 M126 d7 1932″. 
I have waited a long time to list this, I was fortunate enough to obtain a copy from my good friends’ at Libreria Scarpignato in Rome. who agreed that the book is well travelled and worn, and indeed its boards are beaten, almost as though subjected to the kind of thrashing so artfully displayed in its contents, its front cover is taped and it is shaken , perhaps it had forgotten its safe word? But despite all this it has survived, it has wonderful presence, it has weight and it a delight to hold, printed on heavy gloss paper, and illustrations that are out of this world. and so very rare.
Wighead is my favourite artist of this genre, I have been fortunate enough to have owned a small number of the original titles illustrated by this genius of decadent art who still remains unidentified. This listing is a first draft and I will add blow ups of some of the images a few at a time, this is for my benefit as I am sure the picture vultures will descend and claim the images as their own, and display them without context. This is a book, and in the first instance the images are displayed as they appear in the book, I have cropped some of the smaller images, which I use to act as spacers between, the pages, as anyone who reads any of my editorial commentary will be aware, I just love a book that provides all the elements for its listing on my blog.
Grégor Yvan. Chair Sanglée ou les Voluptés fetichistes, Le Jardin D’eros, rue de Tracy, Paris, s.d. (circa1935). In-8 (14 x 22.5 cm), 155 pages. Rebound with original colour illustrated cover preserved, frontispiece, 30 vignettes in-texte, 12 lettres de chapitre illustrées et 6 culs-de-lampe en noir par Wighead. La Couverture porte mention
« Nombreuses illustration suggetives de Wighead initiant aux secrets des passions les plus mystérieuses »; imprimerie spêciale du Jardin d’Eros. 120 boulevard de l’Hôpital, Paris.
Another title from the “Vidal” stable of of bookshops and publishers, which was composed of,- Les éditions du Couvre-feu : éditions d’Antin, éditions du Chevet, édition Curio, éditions Georges de Cayla, éditions Idéal, éditions de Minuit, éditions Richepanse & Le Jardin d’Eros.
It appears common for Editions d’Antin titles to be issued as clandestine, some without even printer details, as this copy. The single identifying factor, is the calligraphic motif on all the covers, it could be an L or a Z or even a stylised whip? This publishers or printers mark is sometimes the only way to link a title to an originator.
As this is not an illustrated title it is relatively easy to list, with only a little research, it is of interest to the serious erotic bibliophile, because it is a clandestine title that does not appear to have been identified as such in the major bibliographies. For bibliographic information see. Les éditions du couvre-feu, Christophe Bier, editions Astarte 2013.
Lady Impéria, Les Égarements d’un Asservi. No publisher. No date but Editions d’Antin (c 1936). In 8 (14.3 x 22.7 cm) 179 pp. In original beige card covers printed in black and red, original price of 60 Francs on cover and spine, which also has author and title printed in black, plain back cover. Light rubbing to front cover otherwise amazingly well preserved and complete, a very good copy of a very rare title.
bibliographic Information and synopsis, courtesy of Christophe Bier
I have taken the liberty of attempting to translate the synopsis from the French (Image above), Any mistakes are mine alone and I offer apologies in advance , both to Christophe and anyone taking the trouble to read this.
(The title roughly translates as ” The Errors of a Slave”)
“”The financier Robert Brot-Gillières, bearer of the Legion of Honor, gravitates around the perverse masseuses and the flogging houses. In search of new thrills, he lets himself be manhandled by two ordinary women, Mrs. Voulay and her fifteen-year-old niece. Mathilde, They understand the financial gain they can derive from him, by treating him as a slave. Changed by his masochism, the man becomes extremely unpleasant to his wife. Intrigued by this change of character, Simone, her daughter-in-law, refers to Miss Diana, a professor of physical culture who commences to initiate him into Sapphism and fantasies of flagellation. After having dismissed the two greedy battleaxes, the Professor confuses the masochist by delivering him to two masked flagellants … Simone and her mother! “Unmask” added Madame Brot-Gillières with scathing irony, “the voluptuous Robert will not need to look for sensations elsewhere: he will have his whippers at home!” “
Anyone prepared to offer a more accurate translation, please do so by completing a contact form, your name will only be used if you so wish.
Comments always welcome and are positively encouraged as are “Likes”
As it is now taking me such a long time to put together a listing for a book, I have decided to post random images from books, that I have that will never be listed here in full. This, the first of a series , unless I get bored with the idea. I am not even going to tell you where the image is from or who it is by, I might not even know who the image is by!
These images are from various titles dealing with the history of erotica, in various languages, or just odd things I have lying around.
If anyone knows where the image is from or who it is by, please leave a comment or complete a contact form. Your name will not be published unless you so wish.
Every now and then a book comes along that has everything right about it, this is one such book. Not necessarily because of condition, but because the object itself is aesthetically pleasing, I have had number of titles produced by Editions Prima, and have been impressed by the quality of the books, both in structure and content. Despite this it is difficult obtain a list of titles produced by the press. They appear to have been quite prolific, producing pulp novels in their Editions Gauloise series and other esoteric titles.I have not been able to locate a definitive list of the flagellation novels.
Matters are made more complex by the list of titles by this author in the front of this volume, none of which are Editions Prima titles. They are all either Amateur-Biblio or Librairie Générale titles, this is possibly explained by this title apparently being a reissue of the same title produced in 1930 by Librairie Générale , I have not had site of that edition, but from the limited material available on line it looks to be of a much poorer quality than this edition. If this copy is a piracy it is a very expensive one. If anyone can explain this anomaly please complete a contact form.
I have decided to lay this one out in book form, so that the page decorations can be seen in situ, rather than just cropping out the illustrations, I have used only images in the book to construct this listing, it always make me happy when a book provides all of the content required to decorate a listing. Enjoy!
First episode of the adventures of Betty, alias Miss Cravache, daughter of an American businessman installed in Corrèze, with a strong and eccentric character. With the help of her butler and stable master, she took a liking to the domination and training of impressionable young girls, including her niece, whom she treated like a bitch.
LA BEUQUE, Jean de SMIT; Miss Cravache ou Les Vierges Esclaves, Editions Prima, 44 rue Servan, Paris (Xie), n.d. [circa 1932], illustrations by Topfer, Jean de la Beque and Ely Costes. In original illustrated cover on textured cream card printed in black and red with a red vignette by Ely Costes. Adorned with 12 inset heliogravures in sepia, on loose sheets including a frontispiece by Topfer [Gaston SMIT) and 4 inset illustrations, decorated caps and chapter ends by Jean de La Beuque and Ely Costes. . In-8 softcover, 14.3 x 22.7 cm. 223 pp. In excellent condition. Reissue, in all respects, of a novel published by the Librairie Générale in 1930. It was belatedly condemned in 1953 by the Seine court.
The Select-Bibliothèque was one of several publishing houses specializing in fetish material that flourished in Paris during the first half of the twentieth century. Like the others, notably Jean Fort’s ‘Orties Blanches’ series and the ‘Librairie Artistique et Editions Parisiennes Reunies’ of Paul Brenet, the books of the Select Bibliothèque were published openly. Occasionally a title would cross some mysterious line and be prosecuted, but in general, since there was no sex in the conventional sense, these publishers were left to their devices by the authorities.
Despite the openness of these books, the publisher of the Select Bibliothèque remains unknown, at least to this cataloguer. Paul Jérôme writes of Don Brennus Aléra as being “un (ou plusieurs) des pourvoyeurs de l’editeur parisien Massy…”(Dictionnaire des œuvres érotiques, Paris: Mercure de France,1971, p. 484). In fact, Massy was where the earliest books in the series were published. The almost anagramitic similarity of the names of the authors of most of the books – Bernard Valonnes,Don Brennus Aléra, Roland Brevannes – suggests a single hand at work, and one that spanned in excess of 30 years. And it might not be unreasonable to think that the author was also the publisher.
BRÉVANNES, Roland. – La Nudité de Lucy. Sceaux: Select Bibliothèque, 1920. In-16, 208 pp., 8 illustrations signed ‘Tack.’ Part of the series ‘Les Nuits rouges. This copy, rebound in cheap boards, original covers not preserved, otherwise surprisingly complete, the last page is pasted to the back board, text is complete, and all 8 illustrations by Tack are present and in very good condition. This is number 48 in the series, these titles are highly collectible, and are elusive because the cheap production quality reduces the likelihood of survival.
Original Cover (missing from the item listed ) image supplied courtesy of, Christophe Bier.
Bibliographical information reproduced with his permission from Patrick Kearney’s Scissors and Paste website