Another title in this curious series, this one incomplete with only six of the assumed eight illustrations called for, unsure whether this one ever had a duotone frontis or cover illustrations, would be grateful for any information or missing scans to enhance the listing.
Vergerie, Jean, Goules et vampires, (Collection de l’Églantine), 1936. Illustré par Chang, Sao. Printed on the 19th May 1936by l’lmprimerie J. Alacatin, 33 rue Pixerecourt , Paris, 222 numbered pages, (23 x14 cm). Significant wear to edges and spine. Text complete, 6 of the 8 hors-texte called for.
Second listing for me of books in this small series, but this title was, I believe the first of the illustrated flagellation novels produced by this author. this one is complete, and reveals in its print details that it was run off by the same press that was producing books for the Vidal imprints including titles produced by Jim Galding and J Van Styk, which had a very similar extreme style.
Vergerie, Jean, Férocités sensuelles, (Collection de l’Églantine), 1935. Illustré par Lany-R et Chang, Sao. In original publishers card covers printed in red and black on front cover and spine. (23 x 14c.m),234 numbered pages, Printed 10th December 1935, by l’Imprimerie, J. Alcatin 33 rue Pixerecourt, Paris. with 8 full page illustrations on glossy paper by Chang, Sao and a loose duotone illustration by Lany-R. Taped at head and tail of spine covers generally grubby but Complete.
Unsure whether the colour illustration was part of a dust-wrapper, or as was sometimes the case, pasted over the front cover, or otherwise just tipped in as a frontispiece.
A rather beautiful and rare clandestine title, very little research material on this one, and the only other copy that I can locate is one for sale elsewhere, in which the description is a mass of confusing detail, leaving unclear which part of the small limitation the book in question belongs to, however from that listing it appears that the sanguine illustrations are without the so called artists remarks, therefore it is not in the smaller limitations and therefore must be, a copy from the general run. A detail of the limitation page would have clarified this matter. Dutel lists it at No. 1441, in his “Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1920 et 1970”. No credit as to artist or publisher.
LA DUCHESSE OU LA FEMME SYLPHIDE
RESTIF DE LA BRETONNE, Nicolas Edme (RETIF DE LA BRETONNE).
Edité par Aux dépens de quelques bibliophiles, s.d. (1948).
Rebound in luxury boards, in red leather over marbled boards, author, title and erotic motif in gilt on spine, binding is stamped (signed) in gilt “N. Corréaud”. The original covers are bound in. 122 +2 pages, + 4 plates refused for the the edition, + limitation page. (23.5 x 28.5 in binding) This copy being number 38 in the limitation 21-50, containing 20 colour illustration (one of these in text) and 24 in sanguine including the 4 refused, all of which bear the artists remarque, a small illustration embellishing each of the sanguine plates. There is some rubbing to the binding at the front edge. some minor spotting at the endpapers, and light finger marking on illustration pages.
All the main illustration are in facing pairs each pair being one in sanguine and one in colour of the same scene. However listed here as individual, one above the other. The scans were achieved with a Czur overhead scanner which allows for open book scanning, with software that corrects curvature and separates facing pages, I would not be able to present the book without this device as it is too large for flatbed scanning.
Something of an oddity, but nevertheless an interesting edition of this title originally published in 1882(3), this 1923 clandestine edition, is accompanied by a suite of 16 illustrations specific to this edition by Nicolas Sternberg, and a selection of illustrations from earlier editions, 5 by Van Maele, from the Carrington edition of 1908, a frontispiece by Rops from the 1921 edition and 5 by Bayros, from a source I cannot identify. This book differs from other copies in that the illustrations are hand coloured. Altogether a rare and interesting edition of this erotica.
SIRE DE CHAMBLEY (Edmond HARAUCOURT), La Légende des Sexes. Poèmes hystériques. Bruxelles, Pour l’auteur, (vers 1923). In-4, 143-(3) pp. et (27) planches libres, broché (manque de papier en tête du dos). Tirage limité à 380 exemplaires, ici un des 350 Hollande vergé (non justifié). Complet des 27 planches érotiques d’après Félicien Rops, Martin Van Maele, Nicolas Sternberg et Franz Von Bayros, dont 24 coloriées à la main et une dont le coloris n’est pas fini. * Dutel 1840.
This Book: In original publishers card covers printed in blue and black (28.5 x 19 cm)143-(3) pp. and (27) loose illustrations, paperback (lack of paper at the head of the spine). Draw limited to 380 copies, here one of the 350 Holland (unjustified). Complete with the 27 erotic plates after Félicien Rops(1), Martin Van Maele(5), Nicolas Sternberg(16) and Franz Von Bayros(5), including 24 hand-coloured and one whose colour is not finished. Dutel 1840.
This tiny book, is a bibliographic mystery, well at least it is to me, as I am unable to locate any reference to it. So as always in these cases I would very much appreciate any information that anyone can offer. The illustrations that accompany the book are delightful, and I guess them to be circa 1930. But that is all I have, a guess.
Contes Libertins, par Grecourt, Nogaret,Vergier, Piron etc… n.p , n.d, Clandestine publication C 1930? In original publishers, anonymous card covers, title printed in black on front, No print or publication details, a clandestine publication. 120 numbered pages, (12.5 x 8 cm) with blanks for placement of tipped in, unsigned colour illustrations, which are contained in an opaque folder. Each of the eight illustrations is indexed with a title and page placement number. Overall condition of book is good, being rather crumpled and separating from cover at the centre of the book (but holding), the illustrations are in very good near fine condition.
Another rare Carrington, with Van Maele illustrations, this one a fairly recent acquisition, and yet another example of the quality of Carrington publications, therefore as much attention given to text and page decorations as the illustrations. This will have been a later rebind as the original covers are only partially preserved.
Jean de Villiot, La Flagellation Amoureuse; DANS L’HISTOIRE DES MŒURS ET DANS LA LITTÉRATURE SUIVIE DE La Flagellation des Femmes EN FRANCE SOUS LA REVOLUTION ET LA TERREUR BLANCHE Cinq eaux-fortes de MARTIN VAN MAELE PARIS CHARLES CARRINGTON, LIBRAIRIE-EDITEUR 13, Faubourg Montmartre, 1904. 12.7cm. x 21.59cm. 240pp. Printed on laid paper by Veuve Félix Guy et Cie, 20th April 1904. Title page printed in orange and black. Head and tail pieces. Decorative first letter to each chapter. 5 full-page engravings (signed) by Martin van Maele with tissue guards .
This Book: Rebound in quarter black leather on cream textured boards, spine decorated with 4 gilt fluerons, 4 raised bands , lined in gilt, author and title stamped in gilt lettering. Original front and back covers, cropped and pasted on card inserts. Some light sporadic foxing but overall in very good condition.
A very odd listing, on a site where odd is the norm. This one is a collection of extracts from various texts throughout French history that have featured the enema as a fetishist device. It is not unusual for the enema to appear in flagellation novels, but it appears that it has a long and distinguished (or should that be disgusting?) history. This places it more in the Curiosa/ Fetish category than mainstream erotica. I have a significant number of publications by Liseux and Carrington , that explore classical erotic texts and curious bypaths of deviance. It is not unusual to find anti-clerical and anti- royalist texts, but in the world of erotica nothing is sacred, and this rather delightful tome takes a swipe at the bizarre practices of the medical profession throughout history. So by all means stand and applaud for the medics, but be careful when you bend over.
Frontispiece and Title Page
Claude de Saint-Hieble, L’Instrument des apothicaires, Le Clystère dans l’humour et la litérature. DES Anecdotes de Tallemant des Réaux, Saint-Simon, etc. L’éloge de la seringue, réimpression complète.Ma tante Geneviève, Le Mousquetaire à genoux. Le cas Antoinette Boyau ,Le petit Parnasse des Apothicaires:Grécourt, Collier, La Fontaine, Du- laurens, Béranger, etc., etc. 11 Vignettes de M. VAN MAEL [sic] 7 hors texte d’après les gravures de l’èpoque | [3 ornaments] | COLLECTION DES AMIS DU BON VIEUX TEMPS| Jean FORT, éditeur | 73, Faubourg Poissonnière, 73 [n.d., c. 1920].
This Book. Rebound in quarter beige leather with five raised bands , lined in gilt with author and title in gilt, on mottled boards, lined with pink paper. Original covers preserved. 8vo. (21.8 x 13.7 cm). 224 pp. 11 large head-pieces signed with Van Maele’s monogram. Limited edition of 30 numbered copies on Holland, which contain the signed Van Maele frontispiece, lacking in the rest of the edition. External light wear and rubbing to spine , and edges, internally complete and only marred by discolouration where the glossy images have darkened the facing pages.
Signed Van Maele Frontis
Notice of Limitation
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On the Internet, several sites present this book as a pornographic work of Pierre Mac Orlan devoted to klysmaphilia. The defenders of this refreshing, but not very common practice will be disappointed. In reality, Mac Orlan wrote only a few pages to introduce an anthology of old texts devoted to the clystère. This is a true work of scholarship on a little explored subject, so much so that L’Instrument des Apothicaires is found on the shelves of several libraries of medicine. Nevertheless, the intention of the author is clear: this is frankly a broad joke, which he clearly indicates in his preface: “Nous avons fait en quelque sorte une anthologie, un livre d’or du clystère, à travers cinq siècles de badinage et d’humour, et c’est, je crois, dans le coin des humoristes qu’il convient de placer cet ouvrage sur les rayons de toute bibliothèque.” (We have to some extent made an anthology, a book on the clystère, through five centuries of banter and humour, and it is, I believe, in the corner of the humorists whom it is advisable to place this work on the shelves of any library.) For the discourse of this particular subject, Pierre Mac Orlan chose an original pseudonym, but completely fitting since the sureau hièble (Sambucus ebulus ) is a plant of which the leaves and the roots are purgative and sudorific. On rapprochera cet emprunt à la pharmacopée du Docteur Fowler de Maisons de flagellation.
Perry, S. A.. Martin Van Maele: An Illustrated Bibliographical Checklist (Kindle Locations 379-387). . Kindle Edition.
This Book is for Sale
Claude de Saint-Hieble, L’Instrument des apothicaires, (Collection des amis du bon vieux temps) Jean Fort. Paris n.d. 1920. illustrated by Martin Van Maele.
The reference to Dutel presumably says the same but in French.
QU’EN PENSEZ-VOUS? n.p., n.d. [c.1958] (Losfeld). In original, publishers textured cream coloured card covers, title in purple on front cover, otherwise completely anonymous. (23 x 14.5 cm),blank ffep, half title, Title Page, blank verso, followed by 21 illustrations on 22 pages (inc 1 double page illustration) all printed in black on thick card. Absolutely no text or publication details.