Books for Trade: Pierre Dumarchey( Pierre de Jusange), La Comtesse au Fouet, Belle et Terrible. Jean Fort Paris 1911

A classic fem-Dom novel and a very rare one.

Pierre Dumarchey( Pierre de Jusange), La Comtesse au Fouet, Belle et Terrible. Jean Fort Paris 1911. Cover and six plates by Ludovic Riezer, rebound in quarter leather over marbled boards, Spine with four raised bands, Author,title and decorations in gilt. Original cover including spine bound in. 251 pp, 20.5 x 14 c.m.









Books for Trade: Liane Lauré, , pseudonyme de Donville, G. Jacinthe ou Les Images du péché Aux Galants Passe-temps [ Jean Fort ] Illustrations by P.Beloti. Paris. 1934

Books for Trade: O’Donnel. Etranges Humiliations. Confidences et Confessions, Editions du Couvre-Feu. s.d. [1933]

Another Fem-dom title from the Vidal empire and a very rare Editions duCouvre-Feu title despite it condition, here the old adage “find another copy” applies.
Dont know how I missed his one i’ve had it for ages, i suspect I may have been reluctant to scan it because of the fragile state of the binding,never mind done now, hope you like it.


O’Donnel. Etranges Humiliations. Confidences et Confessions, Editions du Couvre Feu-s.d. [1933]
In-8 (14 x 22.5 cm) 287 pp. 8 illustrations hors-texte in black on glossy paper signed Y.Vanof.Imprimerie speciale des Editions du Couvre-Feu, 93 rue Compans ,Paris

Book has been rebound in anonymous grey card covers, the original covers are absent, binding is loose and separating and the poor old thing needs resoration and a rebind. However for our purposes it is more than good enough because the illustrations are all present.

 


O’Donnel. Etranges Humiliations. Confidences et Confessions,



See also

Books For Trade: J.Van Styk. Épouvantes Voluptueuses. Le Jardin d’Eros. 6 Rue de Tracy, Paris, s.d. [1935

 

Books for Trade: ALÉRA, Don Brennus. – Le Tour du monde d’un flagellant, d’après le journal intime du Baron de M***. – Massy (Seine-et-Oise.): Select Bibliothèque, 1906

This one is the real thing and appears to be the very first title issued in the numbered series. furthermore it is currently listed live for sale on eBay. Link at the bottom of this listing


Details courtesy of Patrick Kearney at his Scissors and Paste site

http://www.scissors-and-paste.net/Select_Bibliotheque.html

The Select-Bibliothèque was one of several publishing houses specializing in fetish material that flourished in Paris during the first half of the twentieth century. Like the others, notably Jean Fort’s ‘Orties Blanches’ series and the ‘Librairie Artistique et Editions Parisiennes Reunies’ of Paul Brenet, the books of the Select Bibliothèque were published openly. Occasionally a title would cross some mysterious line and be prosecuted, but in general, since there was no sex in the conventional sense, these publishers were left to their devices by the authorities.

Despite the openness of these books, the publisher of the Select Bibliothèque remains unknown, at least to this cataloguer. Paul Jérôme writes of Don Brennus Aléra as being “un (ou plusieurs) des pourvoyeurs de l’editeur parisien Massy…” (Dictionnaire des œuvres érotiques, Paris: Mercure de France, 1971, p. 484). In fact, Massy was where the earliest books in the series were published. The almost anagramitic similarity of the names of the authors of most of the books – Bernard Valonnes, Don Brennus Aléra, Roland Brevannes – suggests a single hand at work, and one that spanned in excess of 30 years. And it might not be unreasonable to think that the author was also the publisher.

The numbered titles in the series were in a small 8vo – closer to 16mo – format, and began publication in 1907. However, there were also a handful of earlier titles, in a larger octavo format and on better paper, which were not numbered. I’ve only seen one of these [in a private collection in Hamburg]. These were also published circa 1907. It is probable that the unnumbered titles, being on better paper, proved to be uneconomical prompting the publisher to change to a smaller format and cheaper paper soon thereafter. Note also that only of a few of the Select Bibliothèque titles went into second printings, and so the Catalogues or ‘Tarifs’ which appeared in the front of each volume are usually incomplete, some titles being missing. I’ve only ever seen one title that the Select Bibliothèque itself reprinted, and that too was in Hamburg.

There were three different illustrators. The first of these was ‘Tack’, who was a better artist than his successors, but old fashioned. The others were ‘Esbey’ and ‘Selby’, who were rather naïve but who had better imaginations than ‘Tack’. It is Interesting that this series is so cohesive in concept and production, from 1907 through 1939 when it probably ceased.

 

. The details given are of the originals, I have no idea when the facsimiles were produced.


Cover

Back

Title Page

1. ALÉRA, Don Brennus. – Le Tour du monde d’un flagellant, d’après le journal intime du Baron de M***. – Massy (Seine-et-Oise.): Select Bibliothèque, 1906. In-16, 242 pp. The illustrations aren’t signed, but resemble those by ‘Tack’ to be found in later works in the series. (Bibliothèque Nationale: RES P- Y2- 373. – 843.8 A37 t7 1906.)

Don Brennus Alera: le Tour du Monde d’un Flagellant (D’apres le journal intime du Baron de M***; Select Bibliotheque 1906, pp 238 + table, rebound in marbled boards, original covers bound in, Illustrated cover in Green and black, 5 full page plates. Early scarce flagellation novel, for some unknown reason highly collectible. Rebound in marbled boards, original covers bound in, a number of leaves removed after table of contents (adverts?), text complete about good.

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Live on eBay

Don Brennus Alera: le Tour du Monde d’un Flagellant; Select Bibliotheque 1906

See Also

Books for Trade: Van Rowel, Désiré, Le Château des cuisants souvenirs: Librairie Artistique et Édition Parisienne réunies: 1934. Illustrated by Carlo

 

BDSM Dressage:VALLONES, Bernard. – La Dressage de la Maid-Esclave. (Traduit de l’anglais.) Tome 2. Harnais, corsets et coiffures.

Before we proceed, I must  confess that this title and the partner volume to follow are facsimile copies, and therefore not listed as books to trade. For reasons unknown I have a dislike of this series of books (Select Bibliotheque), however they are very collectible and phenomenally expensive. As a sub purpose of this site is to offer images to everyone that would be otherwise unobtainable or very expensive, I am sharing the rather strange images from these, as facsimile they are likely of better quality than many you might find in an original copy, illustrations are also often missing from these titles, as they were very cheap productions.


Details courtesy of Patrick Kearney at his Scissors and Paste site

http://www.scissors-and-paste.net/Select_Bibliotheque.html

The Select-Bibliothèque was one of several publishing houses specializing in fetish material that flourished in Paris during the first half of the twentieth century. Like the others, notably Jean Fort’s ‘Orties Blanches’ series and the ‘Librairie Artistique et Editions Parisiennes Reunies’ of Paul Brenet, the books of the Select Bibliothèque were published openly. Occasionally a title would cross some mysterious line and be prosecuted, but in general, since there was no sex in the conventional sense, these publishers were left to their devices by the authorities.

Despite the openness of these books, the publisher of the Select Bibliothèque remains unknown, at least to this cataloguer. Paul Jérôme writes of Don Brennus Aléra as being “un (ou plusieurs) des pourvoyeurs de l’editeur parisien Massy…” (Dictionnaire des œuvres érotiques, Paris: Mercure de France, 1971, p. 484). In fact, Massy was where the earliest books in the series were published. The almost anagramitic similarity of the names of the authors of most of the books – Bernard Valonnes, Don Brennus Aléra, Roland Brevannes – suggests a single hand at work, and one that spanned in excess of 30 years. And it might not be unreasonable to think that the author was also the publisher.

The numbered titles in the series were in a small 8vo – closer to 16mo – format, and began publication in 1907. However, there were also a handful of earlier titles, in a larger octavo format and on better paper, which were not numbered. I’ve only seen one of these [in a private collection in Hamburg]. These were also published circa 1907. It is probable that the unnumbered titles, being on better paper, proved to be uneconomical prompting the publisher to change to a smaller format and cheaper paper soon thereafter. Note also that only of a few of the Select Bibliothèque titles went into second printings, and so the Catalogues or ‘Tarifs’ which appeared in the front of each volume are usually incomplete, some titles being missing. I’ve only ever seen one title that the Select Bibliothèque itself reprinted, and that too was in Hamburg.

There were three different illustrators. The first of these was ‘Tack’, who was a better artist than his successors, but old fashioned. The others were ‘Esbey’ and ‘Selby’, who were rather naïve but who had better imaginations than ‘Tack’. It is Interesting that this series is so cohesive in concept and production, from 1907 through 1939 when it probably ceased.

 

. The details given are of the originals, I have no idea when the facsimiles were produced.


Cover

VALLONES, Bernard. – La Dressage de la Maid-Esclave. (Traduit de l’anglais.) Tome 2. Harnais, corsets et coiffures. Sceaux: Impr.-édition Select-Bibliothèque, 1930,pp 161 in-16.
Orné de 10 illustrations hors-texte d’ESBEY. Sélect-Bibliothèque, Sceaux (Seine), 1930, volume 63. In-12 broché, 12,2 x 18,2 cm. 178 pp. Couv. illustrée par ESBEY.

Back ?


See also

Books for Trade: J. Van Styk; Les Cruelles Frénésies de Van den Rook; Les Editions du Couvre-Feu, Paris,n.d. [1938]

 

 

BDSM Dressage: VALONNES, Bernard [Roland BREVANNES] LE DRESSAGE DE LA MAID-ESCLAVE. Tome I : Corsets et chaussures.

Before we proceed, I must  confess that this title and the partner volume to follow are facsimile copies, and therefore not listed as books to trade. For reasons unknown I have a dislike of this series of books (Select Bibliotheque), however they are very collectible and phenomenally expensive. As a sub purpose of this site is to offer images to everyone that would be otherwise unobtainable or very expensive, I am sharing the rather strange images from these, as facsimile they are likely of better quality than many you might find in an original copy, illustrations are also often missing from these titles, as they were very cheap productions.


Details courtesy of Patrick Kearney at his Scissors and Paste site

http://www.scissors-and-paste.net/Select_Bibliotheque.html

The Select-Bibliothèque was one of several publishing houses specializing in fetish material that flourished in Paris during the first half of the twentieth century. Like the others, notably Jean Fort’s ‘Orties Blanches’ series and the ‘Librairie Artistique et Editions Parisiennes Reunies’ of Paul Brenet, the books of the Select Bibliothèque were published openly. Occasionally a title would cross some mysterious line and be prosecuted, but in general, since there was no sex in the conventional sense, these publishers were left to their devices by the authorities.

Despite the openness of these books, the publisher of the Select Bibliothèque remains unknown, at least to this cataloguer. Paul Jérôme writes of Don Brennus Aléra as being “un (ou plusieurs) des pourvoyeurs de l’editeur parisien Massy…” (Dictionnaire des œuvres érotiques, Paris: Mercure de France, 1971, p. 484). In fact, Massy was where the earliest books in the series were published. The almost anagramitic similarity of the names of the authors of most of the books – Bernard Valonnes, Don Brennus Aléra, Roland Brevannes – suggests a single hand at work, and one that spanned in excess of 30 years. And it might not be unreasonable to think that the author was also the publisher.

The numbered titles in the series were in a small 8vo – closer to 16mo – format, and began publication in 1907. However, there were also a handful of earlier titles, in a larger octavo format and on better paper, which were not numbered. I’ve only seen one of these [in a private collection in Hamburg]. These were also published circa 1907. It is probable that the unnumbered titles, being on better paper, proved to be uneconomical prompting the publisher to change to a smaller format and cheaper paper soon thereafter. Note also that only of a few of the Select Bibliothèque titles went into second printings, and so the Catalogues or ‘Tarifs’ which appeared in the front of each volume are usually incomplete, some titles being missing. I’ve only ever seen one title that the Select Bibliothèque itself reprinted, and that too was in Hamburg.

There were three different illustrators. The first of these was ‘Tack’, who was a better artist than his successors, but old fashioned. The others were ‘Esbey’ and ‘Selby’, who were rather naïve but who had better imaginations than ‘Tack’. It is Interesting that this series is so cohesive in concept and production, from 1907 through 1939 when it probably ceased.

 

. The details given are of the originals, I have no idea when the facsimiles were produced.


Cover

VALONNES, Bernard [Roland BREVANNES] LE DRESSAGE DE LA MAID-ESCLAVE. Tome I : Corsets et chaussures
Orné de 10 illustrations hors-texte d’ESBEY. Sélect-Bibliothèque, Sceaux (Seine), 1930, volume 63. In-12 broché, 12,2 x 18,2 cm. 178 pp. Couv. illustrée par ESBEY.

Back ?


See also

Books for Trade:Bernard Montorgeuil, Une Brune Piquante, Volume 4 Les jardins des delices des supplices: Editions Bel-Rose Rotterdam.1970

 

Books for TRADE: E.KLEM A Portfolio of a suite of seven (of 10) original images from “L’Éducatrice Passionée” Editions D’Antin 1937 plus a suite of 6? (of 10) illustrations for L’amoureuse Discipline Editions D’Antin 1938

Well I seem to have become a cataloguer of the incomplete, and here again I offer partial sets of illustrations for books I do not posses, but the illustrations I do. These are a recent auction acquisition, where they were described as 13 illustrations by E.Klem for books by Jim Galding, and that much at least appears to be correct, however the lot was further described as a complete set for “L’Éducatrice Passionée” Editions D’Antin 1937 and 3 illustrations for L’amoureuse Discipline Editions D’Antin 1938. Having checked my trusty bibliography;- Les Editions du Couvre-Feu. Christophe Bier Editions Astarte 2013, I can confirm that only 7 of the illustrations belong to L’Éducatrice Passionée, as the bilblo displays all 10, and I have previously listed 8 of the 10 in

Books for TRADE: A Portfolio of a suite of eight images from “L’Éducatrice Passionée” Comba-Borel Publishing n.d. C 1980

By Combining this new listing and the listing above you will be able to have all 10 illustrations for this title.

As for L’amoureuse Discipline Editions D’Antin 1938, the bibliography only displays 7 of the 10 called for and I appear to have 4 of that set and 2 orphaned images that sit outside that seven, as all the other E.Klem titles listed in the bibliography, display all illustrations against their titles, I have take the somewhat unscientific , step of assuming that my two orphaned images belong to L’amoureuse Discipline. I hope that is clear, any dissenting voices please put me on the right track, or forever hold your peace. (tempted by the double- entendre)

Anyway enough of that and on to the only thing you lot are interested in which is free images. Please note that my scans have enhanced exposure and are much sharper and clearer than the originals, also as an experiment I have scanned these at 600 dpi which means that if you click on the image you are likely to require a much bigger computer to view the enlarged image.



A Portfolio with cover and a suite of seven of ten images from “L’Éducatrice Passionée” Editions D’Antin 1937


The Illustrations


Cover and Suite of 6? (of 10) illustrations for L’amoureuse Discipline Editions D’Antin 1938


Any questions or information about this item please complete a contact form.

See Also:

Épouvantes Voluptueuses.

Books for Trade: Diana Slip, Lingeries Libertines, No 1 September 1933. 9 Rue Richepanse Paris

Having stated quite clearly in my past post that I would be henceforth focusing on my Paris Olympia Press collection, unless of course something really interesting comes along, well something did!

This took an age to scan in but it was a pleasure, this extremely rare and rather lovely lingerie catalogue, is the first in Lingeries Libertines series, although I have no idea how many were actually produced. In part this item interests me because of the association, with the Vidal publishing and fashion empire, and in particular connections to editions Couvre-Feu et al. But although I have no idea which images belong to which photographer I know some are Brassai, and therefore there is a link to my Paris Olympia Press collection as Henry Millers ” Quiet days in Clichy” which, although published in 1956, is illustrated with Brassai photographs from the 1930’s.

Before I forget to mention this is an actual magazine in my collection, and it is available for trade against my ever-diminishing Paris Olympia Press wants, so find me some items that can be located under my Books Wanted listings and you could own the real thing.

So here for your enjoyment are the entire contents of this beautiful photographic memoir of the decadent  1930’s, “The Golden Age of Erotica”



See Also

Books for Trade: G.Maindouce,Sous La Jupe: Les Editions du Couvre-Feu, 8 Rue de Tracy, Paris n.d (1933)

Books for Trade: Maindouce, La Belle Polissonne ou le Délicieux Écart : Les Editions du Couvre-Feu, 8 Rue de Tracy, Paris (2e) n.d (1934)

Books for Trade:Bernard Montorgeuil, DRESSUR,Die Gärten der lustvollen Freuden, Volume 3 Editions Bel-Rose Rotterdam.n.d (1970)

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THIS TITLE CURRENTLY LISTED FOR SALE ON MY eBay listing.

Book Clearance eBay

This being the third book and my fourth post on Montorgeuil, I am sticking with the spelling as it appears on the editions we are viewing.

My interest in Montorgeuil is twofold, first because of the apparent mystery around his identity, and secondly how myth would have us believe that here was someone operating clandestinely , possibly in the 1930’s and providing works exclusively for wealthy collectors. I am not convinced of this story, and certainly there is no published material prior to 1970, when Editions Bel-Rose in Rotterdam produced two identical four volume editions,one in German of the series ” Die Gärten der lustvollen Freuden ” or the French version “Les jardins des delices des supplices”, therse are rather lovely books in limited editions on fine paper, printed on only one side, and in most cases signed.

Having explored the spelling of the name and having established via communication with Camillemm and Christophe Bier, that the spelling as it appears on the Bel-Rose editions both printed and signed, is not typically French either in sound or meaning. The only other progress I have made regarding the name is that it does appear to have a place in the Catalan language, and that there is a rue Montorgeuil in Paris. As interesting as this may be it takes no further forward with who the artist illustrator was and whether or not his work was in circulation prior to 1970.

As i find being provocative quite productive, I want to explore a theory that appears to have some as yet unstated  support, it has been suggested to me that Montorgreuil, (apparently regardless of spelling) is a fake, and interestingly only this week I purchased the last missing title from my Bel-Rose, French editions, from a book-dealer who has gone so far as to state as much, perhaps he has been reading this blog? I will not name him because that would not be fair, however given that I have paid for the book I feel at liberty to quote his description of it.

1 volume 6 feuillets dont 1planche en frontispice et 1faux-titre illustré, puis folioté de 1 à 40 (= 80 pages dont 40 de texte: verso vierge), 2 feuillets; 26 planches dont 1 double. Bon état (pâles rousseurs en tranche de tête). Reproduction en fac-similé du manuscrit autographe de Bernard MONTORGEUIL (souvent orthographié MONTORGUEIL), pseudonyme collectif de W. N. Schors, libraire et éditeur d’ouvrages érotiques, ou d’auteurs restés anonymes (notice B.N.F), illustré de 28 lithographies érotiques (masochisme masculin) de l’auteur. 3è des 4 tomes de la série (après “Les Quat’jeudis” (1er) et “Barbara” (2è), et suivi de “Une Brune piquante”),.tiré à 500 exemplaires; exemplaire justifié n°265, numéroté et signé par l’auteur, bien complet des 28 planches. Livres Reliure éditeur pleine toile verte, titre doré sur le plat et au dos, ornés d’une fleur dorée.

For those who do not read French, the interesting bit is the suggestion that the name Montorgeuil or Montorgueil, is a collective pseudonym fabricated by Schors the publishers of Bel-Rose, I have no idea where the information to support this idea comes from but I must admit that I think it is most likely correct. But how do we verify this?, however it is one thing to fabricate the name, but to go on to fabricate the signature and to sell the books as signed by the author/illustrator, surely that is more than mischief.

Then,  what of the widely circulated information, including auction records that indicate that this Montorgueil, was one of the greatest artists of the genre in the last century, and that his work was clandestinely circulated in the 1930’s and 1950’s, one has to ask under what name?, if the identity was invented in the late 1960’s for publication in 1970, what was the artist called prior to that? and how can anyone have verified the authenticity of the manuscripts and artwork. A bit of a chicken and egg scenario, which came first the artwork or the name? Also a small matter of due diligence requires resolution on the part of the auction house.


Well I am hoping that someone can fill in the gaps and put me right if I am wrong. Because the most important thing is that the artwork although completely twisted is stunning and very funny, I would dearly love to read the text in English. As for the detective work, I guess the biggest part of the puzzle for me now, is who the artist was, as if they really were producing work in the 1930’s they are undoubtedly deceased, whereas if  they did not do the illustrations until the 1960’s they might very well be alive.



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Bernard Montorgeuil, Dressur, Die Gärten der lustvollen Freuden, Volume 3 Editions Bel-Rose Rotterdam.n.d (1970) . 80, pages in a signed limited edition of 1000, copies with 26 + 1 double full page plates.


Limitation Page

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Cover

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The Illustrations

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Any questions or information about this title please complete a contact form.

See Links:

Bernard Montorgeuil, Vier Donnerstage

Bernard Montorgeuil, Barbara,

Montorgeuil or Montorgueil: What’s in a name?

Books for TRADE: A Portfolio of a suite of eight images from “L’Éducatrice Passionée” Comba-Borel Publishing n.d. C 1980

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Much to my dismay I do not posses any of the original éditions d’Antin, titles that are illustrated by Klem, or E.K, or E.Klem, I do however now own this rather lovely suite of 8 illustrations, taken from “L’Éducatrice Passionée”, which belong to the book of the same name published in 1937.

NOW FOR SALE ON MY eBay listing.


The leaflet with this rather beautiful set claims that it is a complete set of 8 , and for the purposes of this publication that can be said to be correct, however there were 10 illustrations in the suite accompanying the book. As always there appears to be a lack of information, and I can find nothing about  the publisher Comba-Borel. The images on display here are about twice the size of the original illustrations, and they were too large to fit on the platen of my scanner, so they perched across the top quite nicely, and I am pleased with the result, which is just as well because I can do nothing else to improve the images, they do come up slightly brighter than the originals and I hope you enjoy them.


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A Portfolio of a suite of eight images from “L’Éducatrice Passionée” Comba-Borel Publishing n.d. C 1980


The Illustrations

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L’Éducatrice Passionée

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Any questions or information about this item please complete a contact form.

Books for Trade:Bernard Montorgeuil, Une Brune Piquante, Volume 4 Les jardins des delices des supplices: Editions Bel-Rose Rotterdam.1970

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As the final part in my, Editions Bel-Rose series I am listing a French edition, the French edition differs from the German, in two ways, it is printed in calligraphic text from the manuscript, and is in a smaller limitation of only 500 copies as opposed to the German version of 1000. which is printed in a standard typeface.

I have also been challenged on my spelling of the surname, and interestingly the Bel-Rose editions are all spelled MONTORGEUIL, and the éditions Astarté titles MONTORGUEIL, which the Christie’s auction record below also confirms (the E and U transposed.), given that the Bel-Rose editions were signed, and the signature appears to support MontorgEUil, I shall default to that spelling.

It is interesting to note that despite the many coloured versions that appear in various editions, that the originals were largely mono coloured with just traces of colouration as described below.

From the auction record of the Christies sale of 2014 from the collection of Tony Fekete:

Lot Description

[MONTORGUEIL, Bernard (dates unknown), pseudonym.] Four manuscript books with original drawings: Dressage, Une Brune piquante, Une Après-midi de Barbara, and Les Quat’ jeudis. France, 1920s-1930s.

Four works in four volumes, quarto (278 x 244 mm), comprising a total of 115 pages of manuscript text in black ink with initials and titles in red, and 59 full-page pencil drawings with touches of colour; or, vol. 1: 41pp of text and 29pp of drawings; vol. 2: 8pp text and 7pp of drawings; vol. 3: 27pp text and 12pp of drawings; vol. 4: 39pp of text and 11pp of drawings. (Occasional light soiling.) 20th-century cloth, respectively blue, green, maroon, and white, the spines titled in gilt (corners rubbed, light soiling).

ORIGINAL ILLUMINATED MANUSCRIPTS OF HIS MOST IMPORTANT WORKS BY ONE OF THE MASTERS OF SM EROTICA. Montorgueil’s work celebrates the dominant woman, his drawings showing tender young men as willing playthings in a dizzying variety of scenarios. The present manuscripts are the source for the Belrose edition of 1970, and the many subsequent reprints by Leroy which introduced Montorgueil to a much wider audience. Little is known of the author, whose work was produced between the wars, but began to circulate clandestinely in the 1950s. The Nordmann collection held a smaller group by this leading 20th century erotic illustrator (sold, Christie’s Paris, 14-15 December 2006, lot 382).


 

The original illustrations are likely best sampled from the éditions Astarté publications “Dans la Maison des Amazones” 2007 and “Le Chevalet de Madame de Brandes” 2008, complimented by the third volume “Montorgueil” “Cahiers d’ébauches”2010, the latter which contains copies of many of the rough sketches. It is my intention to seek permission to reproduce the images from these titles, but whether or not consent will be given remains to be seen.

So this post is another in a series about the mysterious Montorgeuil, by no means unique, because there are a number of blogs dedicated to this author. I shall of course as always post the illustrations, but my theme is really around the books, and I would be very interested to have any contribution that evidences Montorgeuil, prior to 1970, and especially interested for any information regarding “Sinistre Editions S.A”, a Publisher who apparently published the series in English in the 1980’s.

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Bernard Montorgeuil: Une Brune Piquante, Volume 4 Les jardins des delices des supplices: Editions Bel-Rose Rotterdam.1970. Unpaginated with 7 full page illustrations (1 double page and 5 single pages)


Limitation Page

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Cover

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The Illustrations

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Une Brune Piquante_0007

Une Brune Piquante_0002

Une Brune Piquante_0008

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Une Brune Piquante_0010

Barbara Bel-Rose Montorgeuil 1970_0017


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See also Links:-

Bernard Montorgeuil, Vier Donnerstage

Bernard Montorgeuil, Barbara, Volume 2

Bernard Montorgeuil, DRESSUR,Die Gärten der lustvollen Freuden, Volume 3