Bookcase Archive: Vergerie, Jean, L’Île des vamps, (Collection de l’Églantine), 1938. Illustré par Sadie-Mazo.

This Book

Last listing for now of the Jean Vergerie titles from Collection de l’Eglantine. please share any information or images of missing scans and especially information about the other titles. Details below.


http://www.bibliocuriosa.com/index.php/Vergerie,_Jean


Title Page

Vergerie, Jean, L’Île des vamps, (Collection de l’Églantine), 1938. Illustré par Sadie-Mazo. 171 numbered pages, (23 x14 c.m), printed 10th July 1938. In original publishers card covers printed in red and black. 7 of 8 mono illustrations loose, and lacking the duo tone illustration. minor splitting at base of spine otherwise very good.


Front Cover


illustration 1


illustration 2


illustration 3


illustration 4


illustration 5


illustration 6


illustration 7


Print details


See Also

Books for Sale: Special Edition: Anon;Récits de la Villa Brigitte. Fessées Gaillardes et Authentiques racontées par les membres du club sainte Brigitte, Bibliothèque des Deux Hémisphères [ Jean Fort ], collection Cressida, s.d. [1911?]. 2 Volumes,16 colour plates (unsigned).

Charles Carrington Collection: Jean du Villiot (trans): La Flagellation Des Femmes en Allemagne. illustrations par Martin van Maele, Paris Charles Carrington, 1901.


This Book

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Bookcase Archive: Vergerie, Jean, La Clinique des cauchemars, R. Ballani, (Collection de l’Églantine), 1937. Illustré par Sadie-Mazo..

 

 

This Book

With this title, the author switches illustrators, to the mysterious Sadie-Mazo, this is a significant improvement in the style and content of the illustrations. This copy also has the original duo-tone cover/frontis.


Title Page

Vergerie, Jean, La Clinique des cauchemars, R. Ballani, (Collection de l’Églantine), 1937. Illustré par Sadie-Mazo. In original publishers card covers printed in red and black, 222 numbered pages, (23 x14 c.m), printed 20th March 1937, by Imprimerie Ragoneaux 33 rue Pixerecourt, Paris. Contents complete, including duo-tone frontis/cover, and 8 full page mono illustrations on glossy paper. (Note, 4 of the illustrations have  been roughly torn out, but are present and the images are undamaged. Exceedingly rare item.


Cover/Frontis


illustration 1


illustration 2


illustration 3


illustration 4


illustration 5


illustration 6


illustration 7


illustration 8


Print Detail


See Also

 

Books for Trade:Bernard Montorgeuil, Vier Donnerstage Editions Bel-Rose Rotterdam.n.d (1970)

Books for Sale: LA BEUQUE, Jean de; Miss Cravache ou Les Vierges Esclaves, Editions Prima, 44 rue Servan, Paris (Xie), n.d. [circa 1932], illustrations by Topfer, Jean de la Beque and Ely Costes.


This Book

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Bookcase Archive : Vergerie, Jean, Goules et vampires, (Collection de l’Églantine), 1936. Illustré par Chang, Sao

This Book

Another title in this curious series, this one incomplete with only six of the assumed eight illustrations called for, unsure whether this one ever had a duotone frontis or cover illustrations, would be grateful for any information or missing scans to enhance the listing.


Title Page

Vergerie, Jean, Goules et vampires, (Collection de l’Églantine), 1936. Illustré par Chang, Sao. Printed on the 19th May 1936by l’lmprimerie J. Alacatin, 33 rue Pixerecourt , Paris, 222 numbered pages, (23 x14 cm). Significant wear to edges and spine. Text complete, 6 of the 8 hors-texte called for.


Cover


illustration 1


illustration 2


illustration 3


illustration 4


illustration 5


illustration 6


Print details


See Also

Books For Trade: J.Van Styk. L’Infernale Dominatrice. Le Jardin d’Eros. 6 Rue de Tracy, Paris, s.d. [1935]

Books for trade: Van Rod, Aimé, Le Dominateur ou L’École des vierges, Librairie Artistique et Édition Parisienne réunies, v. 1933, Illustrated by Carlo


This Book

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Bookcase Archive : Vergerie, Jean, Férocités sensuelles, (Collection de l’Églantine), 1935. Illustré par Lany-R et Chang, Sao.

This Book

Second listing for me of books in this small series, but this title was,  I believe the first of the illustrated flagellation novels produced by this author. this one is complete, and reveals in its print details that it was run off by the same press that was producing books for the Vidal imprints including titles produced by Jim Galding and J  Van Styk, which had a very similar extreme style.


Title Page

Vergerie, Jean, Férocités sensuelles, (Collection de l’Églantine), 1935. Illustré par Lany-R et Chang, Sao. In original publishers card covers printed in red and black on front cover and spine. (23 x 14c.m),234 numbered pages, Printed 10th December 1935, by l’Imprimerie, J. Alcatin 33 rue Pixerecourt, Paris. with 8 full page illustrations on glossy paper by Chang, Sao and a loose duotone illustration by Lany-R. Taped at head and tail of spine covers generally grubby but Complete.

Unsure whether the colour illustration was part of a dust-wrapper, or as was sometimes the case, pasted over the front cover, or otherwise just tipped in as a frontispiece.


Front Cover


Frontis


Sample Text


Illustration P37


Illustration P62


illustration P82


illustration P127


illustration P183


illustration P186


illustration P209


illustration P219


Print Details


See Also

Books for Trade: J. Van Styk; Les Cruelles Frénésies de Van den Rook; Les Editions du Couvre-Feu, Paris,n.d. [1938]

Books For Trade: Jim Galding. A Genoux Esclave. Les Editions du Couvre-Feu. 8 Rue de Tracy, Paris, s.d. [1935]


This Book

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Bookcase Archive : Jean Vergerie, Tortures et lubricité, Collection de l’Églantine, Paris, n.d. (1935)

This Book

Introducing a short series of extremely rare flagellation novels from France in the 1930’s. Collection de l’Églantine, was  a very extreme player in the flagellation market, producing only 8 titles between 1935 and 1938, seven of these penned by Jean Vergerie, with illustrations by Chang Sao or Sadie-Mazo. Any information about this publisher would be most welcome as would scans of any of the illustrations that are missing from the titles in my collection.


Title Page

Rebound in in red cloth over marbled boards, original covers absent, 237 pages, judging by other titles in my collection this volume may have been cropped, as have the illustrations, It is difficult to ascertain how many illustrations were typical and I am aware that some of the later titles had a colour cover illustration. This title has 7 illustrations credited to Lany-R and Sang Chao. Text is complete and overall condition is very good.


Sample Text


Illustration P19


Illustration P 40


illustration P49


Illustration P84


illustrations P121


illustration p146


illustration P218


See Also

Books for Trade: Van Rowel, Désiré, L’Internat des châtiments, Librairie Artistique et Édition Parisienne Réunies, 1933 illustrated by Carlo

 

Books For Sale: J.Van Styk. Épouvantes Voluptueuses. Le Jardin d’Eros. 6 Rue de Tracy, Paris, s.d. [1935]


This Book

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Charles Carrington Collection:Thais | Translated from the French of Anatole France. LONDON , CHARLES CARRINGTON, 1901. Illustrations by Martin Van Maele.

 

 

This Book

As a rolling tribute to my good friend Michael Neal, who sadly passed away on October 21st. I am continuing with my promise to catalogue all the Charles Carrington titles from our combined collections. This particular title is one from Michaels collection and a wonderful example of a working book that has been read and bears the signs of wear with pride. An absolute treat to handle, great size and weight, printed on heavy hand made Van Gelder paper, beautiful print job and fabulous Van Maele illustrations, always at his best when there is room for his marvellous monsters.


Thaïs is a novel by French writer Anatole France, published in 1890 and considered one of his best works. It is based on events in the life of Saint Thaïs of Egypt, a legendary convert to Christianity who is said to have lived in the 4th century. In the story, Paphnuce, an ascetic hermit of the Egyptian desert, journeys to Alexandria to find Thais, the libertine beauty whom he knew as a youth. Masquerading as a dandy, he is able to speak with her about eternity; surprisingly he succeeds in converting her to Christianity. Yet on their return to the desert he becomes fascinated with her former life. She enters a convent to repent of her sins. He cannot forget the pull of her famous beauty, and becomes confused about the values of life. Later, as she is dying and can only see heaven opening before her, he comes to her side and tells her that her faith is an illusion, and that he loves her.

Anatole France (François-Anatole Thibault 1844-1924) was a French poet, journalist, and novelist. He was a successful novelist, with several best-sellers. Ironic and sceptical, he was considered in his day the ideal French man of letters. He was a member of the Académie Française, and won the 1921 Nobel Prize in Literature “in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament”. France is also widely believed to be the model for narrator Marcel’s literary idol Bergotte in Marcel Proust’s In Search of Lost Time.

 


Title Page and Frontis.

THAIS | TRANSLATED FROM THE FRENCH | OF | ANATOLE FRANCE | [quotation] | LONDON | CHARLES CARRINGTON | 1901 | All rights reserved
8vo. 304pp. Limited edition of 500 copies on hand-made paper watermarked Van Gelder. Frontispiece + 20 engravings by Martin van Maele done in shades of black and brown; with tissue guards. 6″x9″, x+304pp, hardbound, blue moire silk boards with blind stamped borders, gilt titles on spine, deckled edges, Van Gelder hand-made paper, beautiful tipped-in illustrations protected by tissue guard and printed in combination of black & brown ink, good condition, bumping to corners, some sunning to spine, slight foxing to prelims, interior pages clean.

(Kinsey: 843.7 F815 t3E 1901. The Satyrical Drawings of Martin van Maele; Cythera Press, 1970. Private collection.)Description
Thais, Anatole France, trans. Robert B. Douglas, illus. by Martin van Maële (Charles Carrington, London, 1901 [first English translation, first edition, limited edition, one of 500])

The First English translation of France’s adaptation of the Golden Legend tale. Originally published in Paris by Calmann-Lévy, 1890; and again by Romagnol in 1900, with illustrations by Lauren, in a limited edition of 300 copies [Forbidden Books, p.29]. Anatole France is a pseudonym used by Jacques Anatole Thibault.


Frontispiece


Sample Text


Sample Text


Facing Page 6


Facing Page 24


Facing Page 44


Facing Page 58


Sample Text


Facing Page 94


Facing Page 98


Facing Page 110


Facing Page 128


Facing Page 142


Facing Page 162


Facing Page 178


Facing Page 196


Facing Page 206


Facing Page 214


Sample Text


Facing Page 230


Facing Page 238


Facing Page 268


Facing Page 282


Facing Page 292


Facing Page 304


Charles Carrington Bookshop label


See Also

Charles Carrington Collection: Henryk Sienkiewicz, Pan Michael, Paris: Charles Carrington1904, Illustrated by Martin Van Maele.

Books for Trade: Anon (Gustav Droz), Un été à la Campagne, A Mitylene n.p (Paris) n.d (1920) (Briffaut). Illustrations by Van Troizem ( Van Maele )



Charles Carrington Collection: Jean de Villiot; La Flagellation Amoureuse. Charles Carrington , Paris 1904, illustrations by Martin van Maele.

This Book

Another rare Carrington, with Van Maele illustrations, this one a fairly recent acquisition, and yet another example of the quality of Carrington publications, therefore as much attention given to text and page decorations as the illustrations. This will have been a later rebind as the original covers are only partially preserved.


Title Page

Jean de Villiot, La Flagellation Amoureuse; DANS L’HISTOIRE DES MŒURS ET DANS LA LITTÉRATURE SUIVIE DE La Flagellation des Femmes EN FRANCE SOUS LA REVOLUTION ET LA TERREUR BLANCHE Cinq eaux-fortes de MARTIN VAN MAELE PARIS CHARLES CARRINGTON, LIBRAIRIE-EDITEUR 13, Faubourg Montmartre, 1904. 12.7cm. x 21.59cm. 240pp. Printed on laid paper by Veuve Félix Guy et Cie, 20th April 1904. Title page printed in orange and black. Head and tail pieces. Decorative first letter to each chapter. 5 full-page engravings (signed) by Martin van Maele with tissue guards .

This Book: Rebound in quarter black leather on cream textured boards, spine decorated with 4 gilt fluerons, 4 raised bands , lined in gilt, author and title stamped in gilt lettering. Original front and back covers, cropped and pasted on card inserts. Some light sporadic foxing but overall in very good condition.


Original cover


Half title


Print Detail


Sample Text


Sample text


Van Maele 1


Sample Text


Sample Text


Van Maele 2


Sample Text


Sample Text


Sample Text


Van Maele 3


Sample Text


Sample Text


Van Maele 4


Sample Text


Van Maele 5


Table 1


Table 2


Original Back Cover



Reference:

Erotica Bibliophile Charles Carrington

See Also

Books for Trade: Jean de Villiot: Parisienne et Peux-Rouges, La Flagellation à Travers le Monde. 20 compositions symboliques de Henri Caruchet. Paris: Charles Carrington, 1904.

Charles Carrington Collection: Jean du Villiot (trans): La Flagellation Des Femmes en Allemagne. illustrations par Martin van Maele, Paris Charles Carrington, 1901.


Any questions, or additional information to enhance the listing please complete the contact form.

Bookcase Archive: Claude de Saint-Hieble, L’Instrument des apothicaires, (Collection des amis du bon vieux temps) Jean Fort. Paris n.d. 1920. illustrated by Martin Van Maele.

This Book

A very odd listing, on a site where odd is the norm. This one is a collection of extracts from various texts throughout French history that have featured the enema as a fetishist device. It is not unusual for the enema  to appear in flagellation novels, but it appears that it has a long and distinguished (or should that be disgusting?) history. This places it more in the Curiosa/ Fetish category than mainstream erotica. I have a significant number of publications by Liseux and Carrington , that explore classical erotic texts and curious bypaths of deviance. It is not unusual to find anti-clerical  and anti- royalist texts, but in the world of erotica nothing is sacred, and this rather delightful tome takes a swipe at the bizarre practices of the medical profession throughout history. So by all means stand and applaud for the medics, but be careful when you bend over.


Frontispiece and Title Page

Claude de Saint-Hieble, L’Instrument des apothicaires,  Le Clystère dans l’humour et la  litérature. DES Anecdotes de Tallemant des Réaux, Saint-Simon, etc. L’éloge de la seringue, réimpression complète.Ma tante Geneviève, Le Mousquetaire à genoux. Le cas Antoinette Boyau ,Le petit Parnasse des Apothicaires:Grécourt, Collier, La Fontaine, Du- laurens, Béranger, etc., etc. 11 Vignettes de M. VAN MAEL [sic] 7 hors texte d’après les gravures de l’èpoque | [3 ornaments] | COLLECTION DES AMIS DU BON VIEUX TEMPS| Jean FORT, éditeur | 73, Faubourg Poissonnière, 73 [n.d., c. 1920].

This Book. Rebound in quarter beige leather with five raised bands , lined in gilt with author and title in gilt, on mottled boards, lined with pink paper.  Original covers preserved. 8vo. (21.8 x 13.7 cm). 224 pp. 11 large head-pieces signed with Van Maele’s monogram. Limited edition of 30 numbered copies on Holland, which contain the signed Van Maele frontispiece, lacking in the rest of the edition. External light wear and rubbing to spine , and edges, internally complete and only marred by discolouration where the glossy images have darkened the facing pages.


Original Cover


Signed Van Maele Frontis


Notice of Limitation


Head Piece 1


Engraving 1


Head Piece 2


Head Piece 3


Engraving 2


Head Piece 4


Engraving 3


Head Piece 5


Head Piece 6


Engraving 4


Head Piece 7


Head Piece 8


Engraving 5


Head Piece 9


Engraving 6


Head Piece 10


Engraving 7


Head Piece 11


Bibliographical information.

On the Internet, several sites present this book as a pornographic work of Pierre Mac Orlan devoted to klysmaphilia. The defenders of this refreshing, but not very common practice will be disappointed. In reality, Mac Orlan wrote only a few pages to introduce an anthology of old texts devoted to the clystère. This is a true work of scholarship on a little explored subject, so much so that L’Instrument des Apothicaires is found on the shelves of several libraries of medicine. Nevertheless, the intention of the author is clear: this is frankly a broad joke, which he clearly indicates in his preface: “Nous avons fait en quelque sorte une anthologie, un livre d’or du clystère, à travers cinq siècles de badinage et d’humour, et c’est, je crois, dans le coin des humoristes qu’il convient de placer cet ouvrage sur les rayons de toute bibliothèque.” (We have to some extent made an anthology, a book on the clystère, through five centuries of banter and humour, and it is, I believe, in the corner of the humorists whom it is advisable to place this work on the shelves of any library.) For the discourse of this particular subject, Pierre Mac Orlan chose an original pseudonym, but completely fitting since the sureau hièble (Sambucus ebulus ) is a plant of which the leaves and the roots are purgative and sudorific. On rapprochera cet emprunt à la pharmacopée du Docteur Fowler de Maisons de flagellation.

Perry, S. A.. Martin Van Maele: An Illustrated Bibliographical Checklist (Kindle Locations 379-387). . Kindle Edition.


This Book

Claude de Saint-Hieble, L’Instrument des apothicaires, (Collection des amis du bon vieux temps) Jean Fort. Paris n.d. 1920. illustrated by Martin Van Maele.


See Also

Books for Sale: Special Edition: Anon;Récits de la Villa Brigitte. Fessées Gaillardes et Authentiques racontées par les membres du club sainte Brigitte, Bibliothèque des Deux Hémisphères [ Jean Fort ], collection Cressida, s.d. [1911?]. 2 Volumes,16 colour plates (unsigned).

Books for Sale: François Béroalde de Verville – Le Moyen de Parvenir Paris, Jéan Fort, 1921. Van Maele illustrations.


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Bookcase Archive: Claude de LAUNIES; CROISIÈRE AMOUREUSE, EO, New-York – Paris, Sous le signe du grand écart, s.d. [Paris, Maurice Duflou, vers 1937]

This Book

Rare erotic work of the 1930s, signed by a certain Claude de Launies, a pseudonym behind which Renée Dunan (1892-1936 or 1944), a pioneer of the feminine, or perhaps Johannès Gros (?-1936/37) could hide. The book was published by Maurice DUFLOU (1885-1951), who used for the occasion a fictitious cover, “Sous le signe du grand écart”. It follows the sexual adventures of a young American woman, Marjorie. It is set on the ocean liner “Normandy”, on which she embarked from New York, that she will be seduced by a stranger, before perfecting her sexual knowledge in Paris where, as she says, she intends to “learn love”. For, you imagine, to believe the books and her friends, it would only be in Paris that we know how to dress… and undress.” The clichés have a hard life… Whether or not Paris deserves its reputation as the capital of love, Marjorie will have fun in every sense of the word: sodomy, lesbianism, sadomasochism, several affairs, “tester” of lovers for a Countess, etc. Almost everything goes with delight! Pleasant curiosa, fun and well written enough for the genre.


Title Page and Limitation

CROISIÈRE AMOUREUSE, roman érotique de Claude de LAUNIES, illustré en couleurs – EO, New-York – Paris, Sous le signe du grand écart [Maurice Dulflou], New York – Paris [Paris], no date, printing [around 1937] paperback, in-8 (about 21.5 H x 15 L cm) – (3 ff.) – 151-[1] – (1 ff.) cream-coloured textured wraps titled in blue; on front cover only, over plain card covers. With 12 free compositions in colours, unsigned, 12 off-texts (approx. 16.8 H x 11.2 L cm with about 8 mm bowls; drawings of approx. 15 H x 9.5 L cm) Text decorated with 9 wood cuts in bistre / red, attributed by Dutel to Louis BERTHOMMÉ SAINT-ANDRÉ (1905-1977) 2 headings (the first repeated five times; the second, four times), 6 cul-de-lamps and 1 title sticker. 120/ 350 ex. of the current print on velin pur fil.

Condition: Cover/ shirt: a little shabby, with some smudges.. There are various small spots or freckles on the first plate, and several smudges, especially at the back head (which seems to have been  glued) and at the top right on the second plate, at the level of an old tear (about 4 cm) that has been (mischievously) restored (glued and paper inside). In addition, small slits in the head and tail of the back (about 2 cm and 1 cm). Brown traces of adhesive on the inner covers (likely adhesives of an old protection), with a slight transfer on the half title and the last page (see images) . Top slice a little dusty. Otherwise, nice overall freshness, generally clean if not a few small freckles isolated or discharges on some sheets: p. 8-10 (8 mm), 27 (gutter), 62-64 (lower corners), 70, p. 79, p. 88 – Text may be slightly affected (p. 8-10 or p. 88), but engravings are spared. A small line of zig-zag ink (8 mm) p. 119 at the gutter


Front Cover


back cover


Chapter heading


illustration 1


Chapter ending


sample text


illustration 2


illustration 3


Sample Text


illustration 4


Sample text


Sample Text


illustration 5


sample text


illustration 6


Sample Text


illustration 7


illustration 8


illustration 9


Sample text


illustration 10


illustration 11


Sample text


illustration 12


LINK:

Scissors and Paste. Duflou Bibliography

Note from Duflou bibliography:

20. LAUNIES, (Claude de). – Croisière amoureuse.
New York, Paris, sous le signe du Grande Ecart [c.
1937]. 8vo. pp. 152. Twelve colour plates and many
culs-de-lampe, the latter being designed by Berthommé
Saint-André. Limited to 352 copies. [No repository
copies located, but cited in the important “Curiosa”
auction held at Nouveau Drouot on March 11th 1987,
lot no. 70. Dutel, no. 1317.]



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Charles Carrington Collection: An English Doctor: How Women are Flogged in  Russian Prisons, Librairie des Bibliophiles, 1899

This Book

This one is for the bibliophiles, no illustrations! A very rare item,  effectively a pornographic novelette, written in letter form, a salacious account of an alleged visit by an English doctor to a convent prison  in Siberia, where he witnesses and records the most severe of tortures and punishments to  the female inmates, by which he finds himself extremely aroused, and following his departure from said institution seeks to re-enact his experience by employing prostitutes versed in the fetishist  arts. Strong stuff not for the faint hearted. And yes it is in English, a French version was published in a compendium of flagellation material also by Carrington but minus the sexual content.


Title Page

Curious Sidelights of Social History: How  Women are Flogged  in  Russian Prisons, Narrative of a Visit to a Convent Prison in Siberia, by an English  Doctor. Paris, Librairie des Bibliophiles, 13 Faubourg Montmarte,1899. In original publishers paper wraps, printed in red and black on a salmon pink paper, over plain card covers. List of English Publications printed on back cover, interestingly this is clearly over-stamped “12 Jan 1903”, Title page duplicates the cover and is also printed in red  and black. Contents. 12.07cm. x 19.69cm. xvii + 48pp. Printed on laid paper. Condition, Under a protective opaque sleeve, the book is complete, but shaken, stitching visible, in paper wrap, some light foxing to front cover and spine, Very Good.

This title is from the Michael Neal Collection


Front Cover


Statement


Sample text


sample text


Back Cover

The date stamp, obviously a later addition at the top of the back cover is possibly another indication that the books were stored in sheets and wrappers added when a copy was ordered, thus explaining some confusion caused to bibliographers, when advertisements for titles often list books, printed years after  the publication of the book under scrutiny.

Bibliographical Note Guacamole P77 (110)


Links:

Eroticabibliophile Carrington

 

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How  Women are Flogged  Flogged in  Russian Prisons
Narrative of a visit to a convent prison in Siberia by an English doctor. Paris: Libraire des Bibliophiles, 1899.
12.07cm. x 19.69cm. xvii + 48pp. Printed on laid paper. Title page printed in red and black.

A note in the Kinsey copy states: “More erotic than the French version in Villiot’s Curiosities et Anecdotes de flagellation”.