Charles Carrington Collection: Jean du Villiot (trans): La Flagellation Des Femmes en Allemagne. illustrations par Martin van Maele, Paris Charles Carrington, 1901.

This Book

Here we are again, back to the strange and complex world of the books published by Charles Carrington, (not his real name), under, in this case his most common imprint, being his company name. Nothing is quite as it seems with these books and if you attempt to follow future listings you will gradually become just as confused about it all as I am. For the moment lets just focus on this one title, except, it isn’t just one title. Confused? Brilliant, let us proceed.


Originally published in German, Written by W. Reinhard.  Lenchen im Zuchthause in c. 1848. Though claiming to be a direct translation of the German Edition, it appears that this the first, French language edition, was actually translated from the First English language edition, published clandestinely by Charles Carrington entitled Nell in Bridewell, in 1900 under his Society of British Bibliophiles imprint.

It is worthy of note that there is often significant variation in content, between French and English translations of Carrington books (in all imprints), A clandestine imprint usually indicating  greater sexual (pornographic) content, although at times the same device was used to hide the publisher from, outraged authors and fellow clandestine publishers when he had nicked their books without consent or in breach of copyright.

Nobody gave a toss about the flagellation stuff, and it was generally, neither censored, nor proscribed. Although this rule, like all good rules, does have exceptions

Brilliant!


As with other listings in this collection, I will distinguish between the actual book (This Book), and the bibliographical description, which describes how the book should have looked when it was made, Even this is subjective as very few bibliographical descriptions are completed “Book in Hand”. Mine are!


Title Page

Jean du Villiot (trans): La Flagellation Des Femmes en Allemagne. illustrations par Martin van Maele, Paris Charles Carrington, 1901. Rebound in red patterned cloth, over brown leather boards, spine in brown leather with title embossed, in red and black text and Publisher and date in black. Original (remains of) paper cover (front and back) pasted in. (original paper spine not retained), Number 309/500, on papier de Hollande. 236 rough cut pages. No printer referenced in this copy. Dimensions including binding (24 x 15.5 x 4.5 cm, weight 1 kg) Frontispiece and 19, duotone full page illustrations, signed (motif),by Martin Van Maele, each with its own tissue guard, (with textual description, and the number of the facing page printed in red). With 8 additional illustrations in text, by G.Dola and J. Wely.

Complete and in Very Good condition. From the Michael Neal Collection his note. Villiot – La Flagellation des femmes en allemagne 1901from the Leonardt collection lux binding slipcase.

NOTE: The following bibliographical description is in error,  the 20 illustrations by Van Maele, includes the frontispiece.


Bibliographical Description

LA FLAGELLATION | DES FEMMES [red] | EN ALLEMAGNE | Récit authentique d’une Prisonnière [red] | TRADUIT DE L’ALLEMAND DE | W. REINHARD | PAR | JEAN DU VILLIOT [red] | Vingt illustrations par MARTIN VAN MAELE | [vignette] | PARIS | CHARLES CARRINGTON [red] | 13, FAUBOURG MONTMARTRE, 13 | [short rule] | 1901 (13.97 x 22.86 cm). xi + 356 pp. Frontispiece + 20 engravings in red and black (with tissue guards), signed with Van Maele’s monogram. The in-text illustrations are by J.W. [J. Wely?] and G.D. [G. Dola?]. Printed by A.– G. Lemale [from a note in the copy at Kinsey] in a limited edition of 500 copies on Holland. First published as Lenchen im Zuchthause in c. 1848. This present edition is a French translation of Nell in Bridewell, published by Carrington   in 1900 under his Society of British Bibliophiles imprint. (Kinsey: 833.7 R369 l5F 190. Leonhardt: lot 419. Private

Perry, S. A.. Martin Van Maele: An Illustrated Bibliographical Checklist (Kindle Locations 290-297).  . Kindle Edition.


Spine


Pasted in Cover


Limitation Page


The Illustrations


Frontispiece


Facing Page 20


Facing Page 22


Facing Page 28


Page 55


Facing Page 67


Facing Page 81


Facing Page 88


Page 100


Facing Page 105


Facing Page 114


Facing Page 120


Facing Page 126


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Facing Page 135


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Facing Page 173


Page 191


Tissue Guard Sample


Facing Page 201


Facing Page 208


Facing Page 224


Facing Page 228


Page 232


facing Page 238


Page 251


Facing Page 268


Page 338


Pasted in Back Cover


See Also

Who is the Artist? Illustrations from Nell in Bridewell (Lenchen im Zuchthause) | (Society of British Bibliophiles, Paris, 1900,

Books for Trade: Anon (Gustav Droz), Un été à la Campagne, A Mitylene n.p (Paris) n.d (1920) (Briffaut). Illustrations by Van Troizem ( Van Maele )


Any questions or comments, please complete a contact form.


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Charles Carrington Collection: Henryk Sienkiewicz, Pan Michael, Paris: Charles Carrington1904, Illustrated by Martin Van Maele.

This is the first, in what promises to be a very large collection of titles published by Charles Carrington, either openly or under one of his clandestine imprints, many of the titles originate from the Michael Neal collection, which provides some very interesting, rare and obscure titles, others have come from various sources and have been in my possession for varying amounts of time, some I have listed previously on this site and are no longer in my possession, but as the nature of the site is to catalogue and preserve images of actual books, I am able to link them retrospectively and avoid the expense of having to purchase them again. More of this another time.

I have chosen, for no other reason, than a Van Maele connection, to list “Pan Michael”, as the first title in this new collection, and in doing so I have stumbled upon a bibliographical mystery, as I cannot locate another 1904 edition, and  as I cannot find a listed copy of the 1902 Carrington edition that has the Van Maele illustrations. I can only assume the the illustrations were designed specifically for the 1904 edition and there were never any in the 1902 edition.

There are various earlier editions of this title in English, French and Polish. I am not clear why Carrington chose to publish this title, as despite his forays into, pseudo-scientific and medical publications, as well as folk lore, the underlying theme to both openly published and clandestine imprints is sex, including a large selection of books on the flagellation theme, even with the books by Anatole France there is a gothic/demonic content with a very erotic and sensual imagery, both textual and especially in the Van Maele illustrations, I just cannot make this title fit into any of Carringtons traditional genres. Unsure if anyone can answer this question, but a always any suggestions or contributions to enhance the listing are always welcome

 

 The description provided by S.A. Perry, in her Martin Van Maele bibliography. references in detail the 1904 edition. My copy does not have the original covers which explains why I have 10 illustrations, the “onze” (eleven), referenced on the title page, included the illustrated, cover. Still 10 is better than none, and this leaves the door open for some generous donor to provide an image of the  cover, to complete the listing.

As will be the norm, my description is titled “This Book” and describes the copy I have in hand “warts and all”, this will be followed by a full bibliographical description (where there is one), which describes the book as it was (allegedly) when it was produced. A note of caution is, that many bibliographers have never seen the actual book, and their descriptions, are often the result of using earlier bibliographers descriptions, or from research on-line or in National, or University  collections. In the worst case scenario descriptions are from publishers catalogues, which in the case of Carrington, and similar publishers, are largely fabricated, and with false information as to the limitation numbers, the various luxury editions and the cost of such items. This goes with the territory of publishing erotica in whatever form, and such activity in this area is still happening today, with false provenance of newly discovered works and mysterious unknown artists, suddenly appearing on the market.

It must be said of Carrington, that whatever false claims he made, he did produce an astonishing number of incredibly beautiful books, sadly the only way you can experience the reality of such an object is to hold it in your hands, to take in the exotic scent of an old book, to feel the quality of the paper and weight and physical presence of the object, which is in itself a work of art, that cannot be reproduced today. And that is without even thinking about the illustrations, which lose their essence when paint shopped to make clean electronic copies.


THIS BOOK



 Title Page

Rebound in blue marbled boards, with green cloth spine, title, author, motif in gilt, with 3 sets of gilt parallel lines. ( see image at head of this listing). Lacking original paper covers, endpapers and any reference as to limitation. Commences with title page. 638 pages, dimensions (with binding 18 x 13 x 4 cm), weight 700 gr.  Contents complete with 10 full page plates from engravings, single sided on slightly heavier paper than the text, presumably tipped in, but attached in sequence to the page of relevant text. Each image indexed and with textual description, and signed with Van Maele’s motif signature. Overall condition good, with general marking and wear appropriate to a book of this age which has been in circulation. as mentioned above the title page indicates “Onze” (eleven) illustrations, this includes the illustrated cover which is absent from this book. Rare Title. Not for sale.

Cover


Sample text


Full Bibliographical Description.

Pan Michaël HENRYK SIENKIEWICZ | [short rule] | Pan Michaël | (MESSIRE VOLODVOVSKI) | TRADUIT PAR CHARLES GROLLEAU | [short rule] | Puisque saint Michael conduit toute | l’armée des Cieux et a gagné tant de | victoires sur les légions infernales, | je le choisis pour patron. | (Le Déluge.) | NOUVELLE ÉDITION | Onze dessins de Martin VAN MAELE | [short rule] | PARIS | CHARLES CARRINGTON, LIBRAIRE-EDITEUR | 13, FAUBOURG MONTMARTRE, 13 | [short rule] | 1904
In-12. (13 x 19 cm). 638 pp. 10 captioned hors-texte drawings in black signed with Van Maele’s monogram. Illustrated front cover (title in red) signed Martin + his monogram. Printed by E. Arrault   et Cie. Hors-texte: 37, 65, 95, 223, 271, 349, 391, 445, 481, 536 From a 1904 Carrington catalogue published in the back of Le Pantalon Féminin, 1906: « Nouvelle édition de dix dessins hors texte, par Martin van Maele, et d’une couverture illustrée par le même. Un fort volume in-18 jésus de 600 pages. 50 exemplaires sur Hollande, 15 sur Chine. » (Bibliothèque Nationale: 8-Y2-53302. Private collection)

Perry, S. A.. Martin Van Maele: An Illustrated Bibliographical Checklist (Kindle Locations 538-543). . Kindle Edition.


The Illustrations


 

 












See Also

Books for Trade: Octave Mirbeau The Diary of a Lady’s Maid . Paris: Charles Carrington, 1903. illustrations by Emile Mas, engraved by Eugène Dété.

Books for Trade: Charles Sackville: Mr Howard Goes Yachting: London -Paris, Printed for Subscribers Only MCMVIII. (Carrington)


Any comments or contribution of images or information please complete contact form.

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Bookcase Archive:  Les Gaietés de Béranger;  A Éleuthéropolis , A l’Enseigne de Cupidon (Briffaut) n.d.[c. 1920]

 

Introducing the first in a new series of books illustrated by Martin Van Maele. I shall in time link to existing material by this artist already on this blog, much of which , are from titles published by Charles Carrington, another collection focus for me in months to come. This title however is not from Carrington, but is a clandestine publication, from one of Briffaut’s , many under cover imprints.


Les Gaietés de Béranger;  A Éleuthéropolis , A l’Enseigne de Cupidon, n.d   [c1920]. 8vo. (23 x14 cm), 102 pp (inc, 2 pages Table of contents). Frontispiece + 11 unsigned engravings done in black. Clandestine title but Briffaut. True first with no reference to the artist ( A later edition credits “Van Triozem”, Martin Van Maele’s preferred alter ego for more explicit works), this copy, with uncut pages, and loose illustrations, which are indexed by pencilled description of location in text as well as page number. Very good copy, possibly unique edition.


 

Cover



Frontis

 

 

 

 

 






See Also

Books for Trade: Anon (Gustav Droz), Un été à la Campagne, A Mitylene n.p (Paris) n.d (1920) (Briffaut). Illustrations by Van Troizem ( Van Maele )

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Bookcase Archive : Les Jeux du Plaisir et de la Volupté par une Femme du Monde, avec 16 illustrations.ANONYME [Johannes GROS] Published by Paris, Au boudoir secret.1906 [i.e. circa 1936]

Les Jeux du Plaisir et de la Volupté par une Femme du Monde, avec 16 illustrations. ANONYME [Johannes GROS]
Published by Paris, Au boudoir secret, (Briffaut) (1906).1906 [i.e. circa 1936] 1 volume in-8 (19.5 x 13 cm), paperback, 248- (1) pages. 16 illustrations in black inset. Printed cover in color. Volume in very good condition. Reference: Dutel, Bibliography of erotic works published clandestinely between 1920 and 1970, n ° 1795, indicates: “Original edition published around 1936. It is decorated with 16 illustrations.The book comes out of Darantière presses in Dijon, as does  the sequel , “Confessions Libertines ” The advertised print is 600 copies on tinted vergé and 25 copies on vellum Arches. This one, 1 of 600 copies on tinted laid. Very good copy of this book sympathetically illustrated (The illustrations have remained anonymous but are in the style of Luc Lafnet). Very explicit pornographic text.


Title Page


Spine


Illustrations



















See also

Books for Trade: COMTESSE DE J… [Johannes GROS] – T. Mertens CONFESSIONS LIBERTINES. Orné de huit eaux-fortes de T. Mertens. Partout et nulle part [Imprimerie Darantière, Dijon, 1931]

Books for Sale: Anon R. de B.);Voluptueux Souvenirs ou Le Souper des douze. Pour la bibliothèque des “Disciples d’Éros” [Maurice Duflou],Romainville(Paris) n.d. (1927), Illustrator : Achille Devéria.

I am embarking on a short list, of titles which are all , what I refer to as rescued books, this is because although the general condition is at best Fair to Good, they are such rare titles that their importance outweighs any consideration of condition.


R. de B. Voluptueux souvenirs ou Le Souper des douze. Pour la bibliothèque des “Disciples d’Éros” [Maurice Duflou],  Romainville. [Paris]1927. Contents 143 pp ,Rebound in red boards. Original frontcover, preserved. 12 B&W inset illustrations by Achille Devéria,  reproduced in half-print and drawn in bistre on coated paper. Specifications : In-4 ecu. Book reserved for subscribers only and not for the trade. Edition limited to only 350 copies, this one being no 215/350, on paper Pur Fil Lafuma.

Notes : This work was written to accompany two series of engravings by Devéria: The Five Senses and The Seven Deadly Sins .




 














Books for Trade: Alfred de Musset,Gamiani ou une nuit d’excès. Fac-similé de l’édition de Paris, 1833. Introduction by Jacques Duprilot.

Books for Trade: Jacqueline de Lansay (Johanes Gros), Les délices libertines. Roman inédit. Moncontour, au bonheur des dames. n.d. [Maurice Duflou, circa 1935].

 

Bookcase Archive : Anon (Gustav Droz), Un été à la Campagne, A Mitylene n.p (Paris) n.d (1920) (Briffaut). Illustrations by Van Troizem ( Van Maele )

Back at last and with an interesting and puzzling edition, which has little in the way of background material to research, there are a few auction records, but as yet I have not found a record of a copy with all the illustrations. The information I can offer is lifted from  : Martin Van Maele:  An Illustrated Bibliographical Checklist by S. A. Perry which is available on line and linked at the base of the page.

The present copy is, as often is the case with my books, incomplete, having 10 of the 12 illustrations called for, consisting of the frontispiece and 9 engraved plates, as always I request your assistance with ” filling the gaps”, so if anyone has copy of the illustrations required to complete the set, I would be happy to post them on this listing and credit the donor.

Update. 01/06/2020. My thanks to Kyle Strom,  for directing me to Luc Binet’s: “Martin Van Maele: ou le diable se cache dans les détails (catalogue raisonné)”, and especially for providing a copy of an image missing from the present volume.


An image I had thought might me the mysterious 12th plate, turned out to be listed in an auction of yet another clandestine edition from 1905 with the artist credited as Fredillo. I am cautious about such matters as I am aware of at least one other title where Van Maele illustrations had been accredited to Fredillo. To avoid confusion I will return to this under a separate post.

Despite the grand claim to be published as part of the series,I cannot locate any other titles in this series by this publisher and given that Mitylene is an ancient archaeological site on Lesbos, we have the ingredients that identify this as a clandestine publication .In this case the publisher is Georges Briffaut, who used the Mitylene location with a number of other descriptors as his clandestine cover, for a small number of titles. With thanks again to S.A Perry, I can offer the following information:- The Leonhardt copy contains a frontispiece + 10 engravings, the Faur copy contains 10 of the 12 etchings, and the Perceau copy contains 11 of the 12 engravings. From the cover: Nouvelle entref illustrée de douze plances hors–texte à l’eau–forte de A. Van Troizem . Briffaut previously published a unique edition in Paris in 1910. Square 8vo. 222pp. Printed on Japon Impérial paper with 41 original watercolors, full page and in-text, by Van Maele. Carrington published an English translation in 1901 titled Correspondence Between Two Young Parisian Ladies . Poulet–Malassis originally published this title in 1868 [although possibly earlier according to Pia 704]

In my opinion the illustrations here, owe a significant debt to those produced by Avril for the 1905 Clandestine Hirsch edition. Listed elsewhere on this site and linked below.

Un été à la Campagne LE CHEFS-D’ŒUVRES DE LA LITÉRATURE GALANTE | [rule] | CORRESPONDANCE | DE DEUX JEUNES PARISIENNES | RECUEILLIE PAR | UN AUTEUR À MODE | [decoration] | À MITYLÈNE | CHEZ LES LIBRAIRIES ASSOCIÉS (Briffaut) [1920] 8vo. (19.3 x 14.2 cm). 186 pp. 10 of 12 hors-texte etchings done in black by Van Troizem, (Martin van Maele). In original publishers card covers printed in red and black, general wear to covers , contents loose and shaken, the illustrations originally tipped in and indexed with roman numerals are now loose.




The Illustrations












Martin Van Maele: An Illustrated Bibliographical Checklist by S. A. Perry

Books for Trade: Gustave D [DROZ, Gustave, attributed to.] Un Été à la campagne. Correspondance de deux jeunes Parisiennes.Recueillie par un auteur a la mode Paris.1905: Illustrated by AVRIL, Paul: No Publisher [by E. Kapp for C. Hirsch]

Books for Trade: Ovide. Les Amours. J Chevrel, Libraire. Paris. MCMXIII

Bookcase Archive: Anon (Val Lewton). Three Times a Woman, Grushenka: The Story of a Russian Serf Girl Compiled from Contemporary Documents in the Russian Police Files and Private Archives of Russian Libraries. Published by Nafkah Press, Paris and New York, 1933.

Something of an oddity, an elaborate clandestine title produced in America, but the story purporting to be Russian in origin and the book production to be French,when in fact it is an elaborate hoax by written by B-movie mogul Val Lewton, producer of the 1942 version of Cat People and the following year’s I Walked with a Zombie


Three Times a Woman, Grushenka: The Story of a Russian Serf Girl Compiled from Contemporary Documents in the Russian Police Files and Private Archives of Russian Libraries Published by Nafkah Press, Paris and New York, 1933. 252 pp, seven sexually explicit black and white plates signed Kyu. In original publishers card covers, printed back and front in elobarate textual design in purple on white. This copy with too many flaws to list, but is complete both in text and illustrations.Claims to be one of 800 copies printed in Dijon, but actually an American publication.


Covers



illustrations







 


See Also

Books for Trade: Anonymous, Amish Love, Florence Italy: Michael Angelino Press, n.d.[circa 1940’s] illustrated by Mahlon Blaine

 

Bookcase Archive : VERGERIE, Jean, pseud. – Histoire de Priska. Éditions de la Hippogriffe (Losfeld) [c. 1955]

No one knows today who was behind the pseudonym Jean Vergerie. He is the author of 7 works published by Editions Balland in their Collection Eglantine between 1935 and 1938. The original editions were openly published, unlike this one,  published clandestinely by Eric Losfeld in the mid-1950s. The original editions were also illustrated, and are now pretty much impossible to find. Anyone who has copies of the originals, who would like to donate images, please get in touch via a contact form.

Bibliocuriosa Collection de l’Églantine

These novels are all, without exception, erotic sado-masochistic tales of the worst or the best kind, depending on whether or not to consider Jean Vergerie as the worthy descendant of the Marquis de Sade in the twentieth century. Violence, torture, hellish machinery, monstrous, realistic or fantasized tales, everything is there to make these works the symbols of a literature apart in the production of this period.


VERGERIE, Jean, pseud. – Histoire de Priska. Éditions de la Hippogriffe [c. 1955]. 4to. pp. 154+(3).Pink cover printed in black. Copy in very good condition, light spotting to leading edge of front cover, rag paper. A reprint of L’Enfer des voluptés by Jean Vergerie, published by Collection de l’Eglantine, Boulogne-sur-Seine, 1937. The Losfeld reprint was Prosecuted in July 1962. – Bibliothèque Nationale: 8-Y2-90000(1264) Dutel 1702. (Rare)











Books for Trade: Mac Clyde, Alan, Dressage, Editions du Chinois (Eric Losfeld), 1950

 

Who is the Artist? Illustrations from Nell in Bridewell (Lenchen im Zuchthause) | (Society of British Bibliophiles, Paris, 1900,

Who is the Artist? Illustrations from Nell in Bridewell (Lenchen im Zuchthause) | (Society of British Bibliophiles, Paris, 1900, The illustrations were issued separately to the book.  Carrington, references them as by German Artists familiar with the costumes and customs of the time. I wonder if they were originally illustrations for the first German edition, but I cannot find a copy to reference. Any ideas please complete a contact sheet.




Books for Trade: L’Arétin français, par un Membre de l’Académie des Dames 1803

Charles Carrington Collection: Weird Women; The Crimson Curtain; Happiness  in Crime; A Dinner of Atheists; A Woman’sVengeance. Translated from the French  of  Barbey d’Aurevilly.  With Eight Wood Engravings.  London.  Privately Printed. For the Lutetian Bibliophiles’ Society, (Charles Carrington).  MCM. (1900)

This is yet another title where the size of the book,its binding , age and rarity, made flat scanning impossible, so the images below are photographic, I am aware that they are not perfectly square or flat, but they are the best I can that I can do with available resources. In any case I  think they look pretty good.

A slight departure, In that this book is not strictly speaking, “erotica”,  It is however a clandestine publication, The Lutetian Bibliophiles Society actually being our old pal Charles Carrington.
This is the first English translation (by some considerable number of years), of Barbey d’Aurevilly’s masterpiece of decadent literature, “Les Diaboliques” a sort of mixture of crime, horror and the supernatural, more closely related to the Gothic novels of the late 1700’s than the erotica of the Fin de Siecle 1890’s. Originally published as individual short stories, the collection was published as Les Diaboliques, in October 1874. In December 1874, the book was seized and prosecuted as an offence to public morality, In 1875 the charges were dismissed. As is often the case,  the scandal made the book more popular, despite this, it was not reprinted until 1882 in an edition revised by Barbey and considered the definitive French language edition; this anonymous translation published clandestinely by Carrington in 1900 is based on the 1882 edition. The entire books is dedicated to strange stories of dangerous women, the French title Les Diaboliques, literally translates to “devilish”, but is generally accepted as “The She Devils”, not to be confused with the 1958 Ophelia Press title of that name which  is an English translation of Piere Louys’ “Trois Filles et leur Mere”

A fascinating character in his own right, Barbey was a great friend of Baudelaire and had attempted to assist him in the 1850’s when “Le Fleurs du Mal” was prosecuted. In his later years he was feted by writers such as Leon Bloy and J.K Huysmans.He died on April 23 rd 1899.

For an updated translation with a useful introduction see :-

Diaboliques: Six Tales of Decadence Jules Barbey d’Aurevilly U of Minnesota Press, 2015


WEIRD WOMEN ;The Crimson Curtain; Happiness  in Crime; A Dinner of Atheists; A  Woman’s Vengence, TRANSLATED FROM THE FRENCH  of  Barbey d’Aurevilly  WITH EIGHT WOOD ENGRAVINGS.  LONDON.  PRIVATELY PRINTED. LUTETIAN BIBLIOPHILES’ SOCIETY  MCM. (1900).12mo. (16 x 19.5  x  6 c.m) xv + 490pp. Two volumes in one. Limited edition of 500 copies on Van Gelder. 13 wood-engraved plates. Frontispiece by Lambrecht  + [8 by Emile Mas and 4 by Ren = René Lelong], all engraved by Eugene Dété. Foreword by Charles Carrington. Two stories in the book not listed on the title page: Don Juan’s Proudest Triumph and What Lay beneath the Cards. (Library of Congress: PQ2189.B32 D57.)

Note, The title page indicates eight wood engravings, The content actually delivers; Frontispiece and 2 engravings for each of the six short stories.


 

Frontispiece


 

Foreword sample text





See Also

Books for Trade: Charles Sackville: Mr Howard Goes Yachting: London -Paris, Printed for Subscribers Only MCMVIII. (Carrington)

Books for Trade:LA FLAGELLATION A TRAVERS LE MONDE: Jean de Villiot. La Tradition de la Garde. Charles Carrington. PARIS 1907