Charles Carrrington Collection : Jean de Villiot: Parisienne et Peux-Rouges, La Flagellation à Travers le Monde. 20 compositions symboliques de Henri Caruchet. Paris: Charles Carrington, 1904.

This Book

Love this one , completely bonkers! The title translates into “Parisiennes and Redskins”, and that is what it is, a flagellation novel based in the wild west, with some French characters, complete with whippings, tortures, scalping and general wickedness. The book is made even stranger by the amazingly weird illustrations, described as “Symbolist”, they do not appear to have anything to do with the story, not a “Redskin” in sight, lots of allusions to vampires, demons, skulls and death and really rather good., in some cases, and rather bad in others.

The book itself is a monster and would make a good weapon, I can imagine myself beating members of the UK government about the head with it, you could probably fell the entire Cabinet, without leaving a dent on this book.

The content is of interest, and working on the principle that no one reading this is remotely concerned with political correctness, I note that Carrington in particular, with his stable of hack writers, was knocking out flagellation books at an incredible rate,  and produced books, from pseudo scientific and folklore to unashamed exploitative fiction around this theme. The current title, being an example of “Flagellation Around the World”. He had already hit the States once with “The Memoirs ofDolly Morton”, (1899) or as the French edition is called, “En Virginie”, (1901) which tipped a wink at the moral indignation over slavery in the openly published editions and  produced a pornographic novel in the same title in the clandestine edition  “The Memoirs of Dolly Morton”. Philadelphia: Society of Private Bibliophiles 1904 . It is worth noting that the English and French editions of the same title often vary in content, as a rule of thumb, those published under the Charles Carrington imprint are primarily concerned with flagellation and violence of all kinds and were openly advertised and sold. Whereas titles published under his clandestine imprints usually have sexual content.

Different periods interest me enormously, and I do find myself drawn to the  1920’s and 30’s in respect of the quality and variety of erotica being produced, ironically my collecting interest, and indeed my primary collection, is non illustrated and 1950’s. But there are similarities, in the nature and patterns of behaviour in the publishers of such material regardless of period. Carrington would have been completely familiar with the tricks and dodges of Maurice Girodias , who was operating half a century later. Equally I think that the flagellation material being produced in the 30’s by Editions du Couvre-Feu, and other imprints of that stable and its competitors owe a great deal to Carrington, and in fact may have stolen material from his, by then outdated, monolithic Victorian tomes.


Bibliographical information on this one is non existent, but I have two copies, this copy and a luxury copy (bigger!), they are both rebound, in this copy only the back cover is preserved. The original cover is identical to the title page. 

The other copy will (eventually) be listed in My Charles Carrington Collection.


Title Page

Jean de Villiot: Parisienne et Peux-Rouges, La Flagellation à Travers le Monde. Vingt compositions symboliques de Henri Caruchet. Paris: Charles Carrington, 14 Faubourg Monmatre, 1904. 604 pages, Printed by Alencon. – Imp. Veuve Felix Guy et Cie.  Presented  in red and black, each page of text embellished with the same red decorative border as the title page.

(This Book), rebound in blue leather spine  and front edges, over pale blue patterned boards, with matching lining. Spine with , author, title and artist embossed in gilt. Dimensions (inc. Binding) (22.5 x 16.0 x 6.5. cm) (Weight 1.3 kg)Contents: Original cover and spine not preserved , original back cover bound in. Frontispiece and 19, delicate watercolours by Henri Caruchet, complete and in good order. No indication of paper type, (  but a thick creamy paper of very good quality) No indication of limitation.

Condition: Significant light foxing at both ends of the book, particularly up to page 50, and from page 583 until the end (examples given in the accompanying images)  not affecting illustrations.

Note; I have read elsewhere that this book was originally priced in 1904 at 40 Francs. My Other copy (with spine preserved, shows 50 Francs), perhaps, because it is supposedly a luxury variation, it is certainly larger. It is  also worth knowing that these books were stored as sheets and either sold, on demand in paper bindings or bound to order with the paper guillotined to size to fit the  binding of your choice. Later collectors  also, at times choose to have these books rebound, usually as an act of preservation. From available evidence ( The presence of paper covers) this book was openly for sale as shop stock, hence the price on the spine. Despite  this, the production numbers must have been small, this book was a very expensive production. It is also very rare.


Spine


Frontispiece


Caruchet 2


Caruchet 3


Sample text


Caruchet 4


Caruchet 5


Chapter Heading


Caruchet 6


Caruchet 7


Chapter Heading


Caruchet 8


Chapter Heading


Caruchet 9


Chapter Heading


Caruchet 10


Caruchet 11


Chapter Heading


Caruchet 12


Chapter Heading


Caruchet 13


Caruchet 14


Chapter heading


Caruchet 15


Chapter Heading


Caruchet 16


Chapter Heading


Caruchet 17


Caruchet 18


Chapter Heading


Caruchet 19


Chapter Heading


Caruchet 20


Sample Text


Table of Contents 1


Table of contents 2


Printer


Back Cover Adverts


LiNKS

Erotica Bibliophile Charles Carrington

Wikipedia Henri Caruchet


This Book

Jean de Villiot: Parisienne et Peux-Rouges, La Flagellation à Travers le Monde. Vingt compositions symboliques de Henri Caruchet. Paris: Charles Carrington, 14 Faubourg Monmatre, 1904


 For any information or additional material to enhance the listing, please complete the contact form

Serious enquiries only please.

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Bookcase Archive: GAUTIER, Théophile. – Lettres à la Présidente et galanteries poétiques.Neuilly [Paris]: éditions du Musée secret [?Maurice Duflou], 1927.

This Book

And an extraordinarily beautiful book it is too. Purchased as an investment piece. I must admit that I am not a particular fan of the artist Viset,  (Luc Lafnet), even though I have had many books illustrated my him, his Viset identity is usually reserved for his explicit work, Jim Black,  mainly for his flagellation material. If I have to choose, then the Viset material, to me is comically obscene, and Jim Black, just weird but not really weird enough.

As for clandestine publishing, and its mysteries, then the combination of Perceau, Briffaut and Duflou, singularly or in any combination, have produced some of the finest of books and this one is no exception, I leave the decision making to the experts  and my favourite expert is Patrick Kearney and the bibliographical description is his.


Note: The images are in book form and taken in a way that does not stress or damage the book, as a result they are not flattened images, and may have shadows caused by the curvature of the page when the image is taken, I adjust exposure to give the clearest picture for presentation on this  site, the images in the book are clearer and sharper than the images presented here, they are after all  engraved plates and not photographs.


Title Page

This Book: GAUTIER, Théophile. – Lettres à la Présidente et galanteries poétiques. édition contenant soixante-cinq lettres inédites et le texte exact de la lettre d’Italie. Publiée avec une introduction et des notes par Helpey [Louis Perceau]. Accompagnée d’une étude sur la Présidente par Sylvestre Bonnard [Pierre Dufay]. Neuilly [Paris]: éditions du Musée secret [?Maurice Duflou],
1927.

Beautifully bound in quarter black leather, with 5 raised bands, author and title in gilt on spine, on blue and grey marbled boards, with matching inner lining. Three sets of additional fep’s,  Original covers and spine preserved. Photographic frontispiece of the author, title page printed in red and black matches the cover exactly, 199 numbered pages, printed on Japon Imperial.   Letter “I” of 15 copies lettered A-0. (dimensions in binding (23.5 x16 cm) (Weight 1kg)), photographic image on page 101. The 11  engraved plates signed “Viset”, with artists embellishments are all in the latter part of the book after page 121. The list of contents are as detailed in the image below. A fine collection quality copy.


Table of contents


Bibliographical description courtesy of Patrick Kearney

GAUTIER, Théophile. – Lettres à la Présidente et galanteries poétiques. édition contenant soixante-cinq lettres inédites et le texte exact de la lettre d’Italie. Publiée avec une introduction et des notes par Helpey [Louis Perceau]. Accompagnée d’une étude sur la Présidente par Sylvestre Bonnard [Pierre Dufay]. Neuilly [Paris]: éditions du Musée secret [?Maurice Duflou],
1927. 8vo. 199 pp., pl. et portrait. photographiques deThéophile Gautier et de Mme Sabatier, pl. gr. à l’eauforte signées Viset [Luc Lafnet]. Limited to 465 lettered and numbered copies. [Bibliothèque Nationale (3 copies).

Scissors and Paste. Perceau List item 23


Binding


Original Cover


Limitation


Frontis


Sample Text


Mme Sabatier

 


Letttres a la Presidente


The Illustrations by Viset


Viset 1


Viset 2


Viset 3


Viset 4


Viset 5


Viset 6


Viset 7


Viset 8


Viset 9


Viset 10



Viset 11


Preserved spine



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Bookcase Archive :ANON; SÉDUCTION. Jeunes amours. Avec des gravures sur cuivre par un artiste célèbre. Published by Aux dépens d’un amateur, pour le profit de quelques autres, MCXXXIX (1939)

This Book

A slight diversion back into the world of clandestine publishing. This one has some familiar features around the structure of the title page and the printers motif, but I am hesitant to attribute it to a particular publisher without a little more research. Perhaps one of you knows who the guilty party was?

I have seen this one listed for sale elsewhere with 10 illustrations, and in fact Dutel sees only 10 illustrations, there are in fact 11, one being the frontispiece, as the images below will evidence.


Title Page

ANON; SÉDUCTION. Jeunes amours. Avec des gravures sur cuivre par un artiste célèbre. Published by Aux dépens d’un amateur, pour le profit de quelques autres, MCXXXIX (1939). No Publisher, printed 30th April 1939. In original pink card sleeve and slipcase, 143 p. 24.5 x 20 cm. Loose sheets, White cover with title printed in red, Inner envelope with colour illustrated frontispiece, limitation 49/99, Title page printed in red and black with printers motif medallion printed in red. 10 loose full page illustrations, with very delicate hand coloured etchings. Chapter headings decorated in red and black, black motif chapter endings. Pink Cover and sleeve show signs of use and some discolouration, contents clean and bright with all 11 colour illustrations. Complete Very Good.


Cover


Limitation


Sample text. Chapter Heading


Frontispiece


Print Details


See Also

Books For Trade: Chants Bibliques de Pierre Louys AU TEMP des JUGES: Aux Depens d’un Amateur 1933

Books for Trade: Louys, Pierre. Pibrac. Quatrains érotiques. Sans lieu, Aux dépens d’un Amateur pour le profit des quelques autres [i.e. Paris, Télin?], 1933 [1934]


ANON; SÉDUCTION. Jeunes amours. Avec des gravures sur cuivre par un artiste célèbre. Published by Aux dépens d’un amateur, pour le profit de quelques autres, MCXXXIX (1939)

This Book

Any information regarding publisher or artist, please complete the Contact Form.

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Books for Sale: Pierre de Jusange: La Comtesse au Fouet, Collection des Orties Blanches, Paris n.d. (1926), illustrations hors-texte de Martin Van Maele.

This Book

Well controversy, pursues me whatever I do. And another bibliographical puzzle. This one fits a sub collection, in that it has Van Maele illustrations, but once listed it can go, hence Book for Sale. My attempt to  confuse in this instance, is that all other copies on sale and the bibliographical reference indicate 7 hors-texte illustrations, but there are 8, as evidenced by the listing below.

As those of you that read, may already have spotted, I am displaying images in book form, so if you want just the image you will have to do a little work. I am no longer flat bed scanning anything, the books are too fragile and/or rare. Plenty of other sites have sterile paint shopped images, so go look at them. Any way my eyesight, perspective and patience are all completely shot and I cant be bothered.


Title Page

Pierre de Jusange: ( Pierre Dumarchey) La Comtesse au Fouet, Collection des Orties Blanches,79 rue de Vaugirard, Paris n.d. (1926), illustrations hors-texte de Martin Van Maele. Printer, Saint-Amand (cher) – Imp R Bussiere.  In original publishers thin card covers, printed in red and black on front cover and spine, original price of 25 Francs on spine. Back cover printed in black with list of 10 other titles in the series. 253 pages. ( 20 x 13.5 x 3 cm. weight 300 gr). illustrated with 8 (eight) (huit), full page illustrations by Martin Van Maele (unsigned), The condition of the book is good, though printed on very cheap paper, which has yellowed with age, there is some splitting to the tail of the spine at the front cover, (see images). The 8 illustrations which have been bound in, are on much better quality paper than the text, and have fared better, so I grade them as very good.


Bibliographical description

Comtesse au Fouet, La PIERRE DE JUSANGE | LA COMTESSE [red] | AU FOUET [red] | Illustrations hors– texte de | MARTIN VAN MAELE | [block quotation] | Tome 1 [Tome 2] | PARIS | COLLECTION DES ORTIES BLANCHES [red] | 79, RUE DE VAUGIRARD, 79 (1926) 8vo. 254 pp. Illustrated with 7 hors-texte engravings by Van Maele, all unsigned. Printed by R. Bussière (15 Oct 1926). “Collection Des Orties Blanches” is the imprint of Jean Fort. He first published this title in 1909 and again about 1911 with illustrations by Ludovic Riezer. The author, Pierre de Jusange, (and the illustrator for the 1911 edition) is a pseudonym used by Pierre Dumarchey (aka Pierre Mac Orlan). (Bibliothèque Nationale: RES P-Y2-777. Kinsey: 843.8 M17 c68 1911. Importante Bibliothèque d’Ouvrages Érotiques: lot 271. Private collection)

Perry, S. A.. Martin Van Maele: An Illustrated Bibliographical Checklist (Kindle Locations 182-188).  . Kindle Edition.


Front Cover


Back Cover


Facing Page 40


Facing Page 56


Facing Page 70


Facing Page 94


Facing Page 130


Facing Page 144


Facing Page 174


Facing Page 242


Print detail



See Also

Books for Trade: Pierre Dumarchey( Pierre de Jusange), La Comtesse au Fouet, Belle et Terrible. Jean Fort Paris 1911

Books for Trade,René-Michel Desergy, Diana Gantée Collection des Orties Blanches, illustrated by Léon Pierre, Paris 1932


This Book is For Sale

This Book

Pierre de Jusange: La Comtesse au Fouet, Collection des Orties Blanches, Paris n.d. (1926), illustrations hors-texte de Martin Van Maele.

Non Negotiable price is £200. And as I am not in the mood to put in the PayPal Button, if you want the book, or have questions, comments or suggestions, or even want to try to persuade me to sell it for less. Complete a Contact Form. Of course if you already know me you can mail me direct.

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Bookscase Archive:[CARLO]. DESERGY, René-Michel. Les Tyrans Passionnels. Librairie Artistique et Édition Parisienne réunies, 1935

 

After multiple attempts to list this title, in a way that met my expectations, made more complex by the Covid 19 outbreak, a new scanner, a badly lit basement, and brain seizures. I have finally decided to present it in this way, I hope you like it, but frankly don’t give a damn if you hate it. My long winded descriptive text probably says too much, but when I wrote it I was a different, more complete person.


Title Page

[CARLO]. DESERGY, René-Michel. Les Tyrans Passionnels. Librairie Artistique et Édition Parisienne réunies, 1935. In original publishers paper covers, printed in red and black. Spine(repaired with minor loss), author, title, prix 70 Frs, and publisher, in red and black printed horizontally. (25,2 x 17 cm) 266 pages.Many uncut gatherings, contents in very good, near fine condition, unread copy.
Complete wih the full set of 13 superb heliogravures, from Aquarelles by “du Maitre Carlo”.some light makings to a few images, not impacting on the illustrations, a combined set of formerly tipped in, now loose illustrations, but all originals and likely the only way to obtain the full 13, as I cannot locate any sale record of any edition with the full 13, rarely even 12, impossibly rare and a possibly, a unique copy.

Les Tyrans Passionells the definitive edition?
Carlo needs no introduction, to the initiated, his original editions are amongst the most collectible  in the genre, his fantastic, and outrageous art, has been collected since they were first printed, both art collectors and book collectors have competed to own the original illustrations, in many cases denuding the books of the accompanying images. A complete original with the equally bizarre text they were originally designed to embellish, is a rare thing indeed!
This particular title is, sometimes referenced as an example of the artists transformation into “Charleno”, an apparent alternative identity, this I think is just part of the publishers hype, and the confusing propaganda, which goes with the territory of the selling of such material.
For me this title is in fact, the transition point at which the art became the primary product, and the book the vehicle with which to promote it.


 

Cover


Sample Text


The Illustrations


Frontispiece








 







Table of Contents


Advertisement


Publication details



See Also

Books for Sale: DESERGY, René-Michel. A toute volée. Orné de 12 illustrations hors-texte en noir sur papier couché de CARLO. Librairie Artistique et Parisienne réunies, 66 boulevard Magenta, Paris (Xe), 1936

Books for trade: Van Rod, Aimé, Le Dominateur ou L’École des vierges, Librairie Artistique et Édition Parisienne réunies, v. 1933, Illustrated by Carlo


 Any enquiries, please complete a contact form.  If you already have direct access please feel free to contact me with any questions.

[CARLO]. DESERGY, René-Michel. Les Tyrans Passionnels. Librairie Artistique et Édition Parisienne réunies, 1935

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Bookcase Archive: DESERGY, René-Michel. A toute volée. Orné de 12 illustrations hors-texte en noir sur papier couché de CARLO. Librairie Artistique et Parisienne réunies, 66 boulevard Magenta, Paris (Xe), 1936


DESERGY, René-Michel. A toute volée. Decorated with12 illustrations hors-texte in black on gloss paper by “CARLO”. Librairie Artistique et Parisienne réunies, 66 boulevard Magenta, Paris (Xe), 1936. Grand in-8 broché, 14 x 22,5 cm. 254-(2) pp. Cover . illustration by Carlo in red and black. Printed by Dardaillon & Dagniaux, Saint-Denis, November 1936.

In original publishers illustrated, paper wraps, general signs of use, slight discoloration to covers, crinkling to spine, and splitting at the tail of the spine (front cover) (see images), contents clean and complete, with the full set of illustrations. Displayed here in book form.


Cover


Back


Sample Text


French Description courtesy of Christophe Bier

DESERGY, René-Michel. A toute volée. Orné de 12 illustrations hors-texte en noir sur papier couché de CARLO. Librairie Artistique et Parisienne réunies, 66 boulevard Magenta, Paris (Xe), 1936. Grand in-8 broché, 14 x 22,5 cm. 254-(2) pp. Couv. illustrée par Carlo en rouge et noir.

Texte typique de la littérature flagellante, par un spécialiste de la Librairie Artistique. Il s’agit d’une confession à la première personne de Roberte, initiée par son précepteur aux joies de la soumission, de fouet, des orties, du clystère. Le roman est suivi de deux longues lettres de lecteurs. L’intérêt majeur de ce livre réside dans l’illustration de Carlo, probablement le plus célèbre illustrateur français de sadomasochisme. Et l’un des plus talentueux et novateur. Son génie dépassa largement les frontières et il inspira considérablement toute l’école américaine d’après-guerre (John Willie, la Nutrix, Eneg, Stanton…).

Il avait débuté, sous le nom de Charléno, dans la presse humoristique, avant de devenir dans les années trente, pour la Librairie Artistique, le fascinant Carlo, créateur de tenues fétichistes affolantes, inventeur de tortures raffinées. Ses titres de gloire sont les romans très SM d’Alan Mac Clyde (Despotisme féminin, Dolly esclave par exemple). A toute volée, qui est probablement son dernier travail (il mourra peu après), illustre un univers érotique plus doux mais tout aussi sensuel et excitant.

Robert Mérodack, à propos de ce titre, écrit : « Partie d’un raffinement aux antipodes de l’inspiration de Charléno, l’œuvre de Carlo parvient à une réconciliation de ses deux tendances. Cela tient en partie aux auteurs qu’il illustre : contrairement à l’esclavage qui se passe nécessairement dans le monde sophistiqué des puissants, l’éducation anglaise s’accommode fort bien de personnages populaires. L’on remarquera cependant comment les héroïnes dessinées dans Dolly esclave et La Madone du cuir verni, n’exhibent plus avec la même fierté les gaines étroites qui ravissaient leurs consœurs de Servitude ou du Cuir triomphant. Les beautés de La Guinguette aux Orties et d’A toute volée ne s’encombrent plus de corsets rigides ; leur charme ne vient plus des contraintes qu’elles imposent à leur silhouette, mais au contraire de la liberté de leurs mouvements, tout comme dans les dessins coquins signés Charléno. » (Carlo, éditions Dominique Leroy, Paris, 1984, p. 94). C’est l’un des titres de Carlo les plus rares de la collection.

English Translation of description (with my apologies)

Typical text of flogging literature, by a specialist of the Librairie Artistique . It is a first-person confession of Roberte, initiated by his tutor to the joys of submission, whip, nettles and clyter. The novel is followed by two long letters from readers. The main interest of this book lies in the illustrations by  “Carlo”,  who is, probably the most famous French illustrator of sadomasochism. And also one of the most talented and innovative. His genius went far beyond borders and he inspired the entire post-war American school (John Willie, Nutrix, Eneg, Stanton…).

He had started, under the name Charléno, in the press, before becoming, in the thirties, for the Librairie Artistique, the fascinating Carlo, creator of maddening fetish outfits and inventor of refined tortures. . His main claim to fame is in the extreme, SM novels of Alan Mac Clyde (Despotisme Féminin and  Dolly Esclave for example). A Toute Volée, which is probably his last work (he will die soon after), illustrates a softer erotic universe but equally sensual and exciting.

Robert Mérodack, on this title, writes: “Starting from a refinement at the opposite end of Charléno’s inspiration, Carlo’s work achieves a reconciliation of its two tendencies. This is partly due to the authors he illustrates: unlike slavery that necessarily takes place in the sophisticated world of the powerful, l’éducation anglaise is very well suited to popular characters. It should be noted, however, that the heroines drawn in Dolly esclave and La Madone du cuir verni no longer exhibit, with the same pride the narrow sheaths that delighted their sisters, in Servitude or in Cuir triomphant. The beauties of La Guinguette aux Orties and A toute volée, are no longer cluttered with rigid corsets; their charm no longer comes from the constraints they impose on their figure, but on the contrary, from the freedom of their movements, in Charléno’s naughty drawings. (Carlo, Editions Dominique Leroy, Paris, 1984, p. 94). This is one of Carlo’s rarest titles in the collection.


The Illustrations


 



 


 


 


 


 


 


 


 



 




See Also

Books for Trade: Edith Kindler. Esclavage ou L’Agonie sous le fouet, traduit de l’anglais par Alan Mac Clyde, Librairie Générale, Paris 1932.Illustrations by Carlo.

Books for Trade: Désiré Van Rowel, Joues Cramoisies, Librairie Artistique et Édition Parisienne réunies, Paris, 1935. Illustrations by Carlo.


 Please complete the attached Contact Form with any enquiries.


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Books for Sale: François Béroalde de Verville – Le Moyen de Parvenir Paris, Jéan Fort, 1921. Van Maele illustrations.

 

Something of a labour of love, this being one of my “very long” listings. I find myself in conflict regarding books vs illustrations, my inclination is always to give precedence to the books, but in this image rich environment, and from my own experience as a blog editor, I am aware that the books are, to most viewers, of only secondary importance.

In some cases, and this being a prime example, the illustrator is so skilled and of such mischievous humour, that he tells the stories in pictures, and brings to life some ancient text, that otherwise, would likely be forgotten.

This particular edition of  “Le Moyen de Parvenir”, is so richly illustrated that I suspect that the majority of the images, which are chapter headings and tail pieces have never been published on line as a group. This listing is an attempt to remedy that.

This is a multiple, phase listing, as it describes one of my two copies of this edition, in this case the one in its original paper covers, this also meets my criteria as a rescued book, as it requires some repair work. Other information is gathered from various sources and appropriate links are given.

The other purpose of this post is to attempt to give as full as possible imagery to accompany  a very detailed textual description of this title from the book:-

Martin Van Maele: An Illustrated Bibliographical Checklist by S. A. Perry

Bibliographical Description

  1. Moyen de Parvenir, Le BÉROALDE DE VERVILLE | [short rule] | LE MOYEN DE PARVENIR [red] | NOUVELLE EDITION | Ornée de huit eaux-fortes | et de soixante-cinq illustrations dans le texte | PAR | MARTIN VAN MAÈLE | [publisher’s vignette] | PARIS | JEAN FORT, ÉDITEUR [red] | 73, FAUBOURG POISSONNIÈRE, 73 | 1921 (23 x 13.5 cm). xii + 458 pp. Frontispiece + 7 full-page engravings (unsigned) and numerous large illustrated head and tail-pieces by Van Maele (signed with his monogram). Printed in a limited edition of 800 numbered copies, of which 65 are on Holland with a triple suite of etchings, one in color, and an original drawing; 35 copies on Holland with a double suite of engravings; 100 copies on antique laid paper, of which 35 contain a double suite of engravings; 600 copies on papier pur fil. Preface by Pierre Dufay.

Hors-texte: 20, 62, 162, 186, 246, 276, 374.

 Head-pieces: 1, 5, 9, 17, 21, 25, 27, 35, 43, 47, 55, 61, 67, 71, 81, 91, 101, 107, 119, 127, 137, 147, 153, 157, 167, 175, 189, 191, 205, 219, 227. 233, 241, 253, 269, 277, 283, 287, 289, 303, 311, 321, 331, 341, 351, 355, 359, 371, 379, 385, 389, 399, 405, 415, 423

Tail-pieces: 4 (repeated on p. 90, 239, 378), 7 (repeated on p. 106, 384, 267), 19 (repeated on p. 136, 286, 388), 26 (repeated on p. 151, 288, 404), 42 (unsigned, repeated on p. 166, 310, 413), 46 (repeated on p. 188, 330, 422), 54 (unsigned, repeated on p. 190), 65 (repeated on p. 203, 354), 69 (repeated on p. 218, 358), 79 (repeated on p. 232, 370)

First published c. 1610, this present edition is a reprint previously published in 1870 by Léon Willem. (Henri Godts auction: 12/ 8/ 2009. Bibliothèque Nationale: RES P-Y2-648. Tajan catalogue, 2/ 25/ 2003, lot 107. Private collection)

Perry, S. A.. Martin Van Maele: An Illustrated Bibliographical Checklist (Kindle Locations 472-477).  . Kindle Edition.


NOTE: The illustrations in this listing follow the sequence of placement in the book. I have not however repeated all of the duplicate, decorative illustrations, for obvious reasons. I hope to have given one example of each of the illustrations.



This Book



Title Page

François Béroalde de Verville – Le Moyen de Parvenir (new edition adorned with 8 etchings and 65 illustrations in the text by Martin Van Maele) – Paris, Jéan Fort, 1921 – Xii, 458 pp. – 15 x 23.5 cm. Decorated with eight full page engravings, and sixty-five illustrations in the text by Martin Maèle , In original publishers card wraps printed in red and black, covers slightly stained and some minor tears at head and tail of spine. some light staining to first few pages, otherwise contents clean and complete.


 

Cover


 

Back




































































LINKS:

Martin Van Maele

Le Moyen de Parvenir Publication history.


See Also

Books for Trade: Ovide. Les Amours. J Chevrel, Libraire. Paris. MCMXIII


This book is for sale. Please complete  the contact form if you would like more information.


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Bookcase Archive:  Les Gaietés de Béranger;  A Éleuthéropolis , A l’Enseigne de Cupidon (Briffaut) n.d.[c. 1920]

 

Introducing the first in a new series of books illustrated by Martin Van Maele. I shall in time link to existing material by this artist already on this blog, much of which , are from titles published by Charles Carrington, another collection focus for me in months to come. This title however is not from Carrington, but is a clandestine publication, from one of Briffaut’s , many under cover imprints.


Les Gaietés de Béranger;  A Éleuthéropolis , A l’Enseigne de Cupidon, n.d   [c1920]. 8vo. (23 x14 cm), 102 pp (inc, 2 pages Table of contents). Frontispiece + 11 unsigned engravings done in black. Clandestine title but Briffaut. True first with no reference to the artist ( A later edition credits “Van Triozem”, Martin Van Maele’s preferred alter ego for more explicit works), this copy, with uncut pages, and loose illustrations, which are indexed by pencilled description of location in text as well as page number. Very good copy, possibly unique edition.


 

Cover



Frontis

 

 

 

 

 






See Also

Books for Trade: Anon (Gustav Droz), Un été à la Campagne, A Mitylene n.p (Paris) n.d (1920) (Briffaut). Illustrations by Van Troizem ( Van Maele )

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Thank you for your response. ✨

A rare display of the Outrageous, and a massive display of the Voluptuous.

 Pleased to announce that, I have obtained a small selection of 4 of the seven titles, written and published by Jean Vergerie, under the La Collection de l’Églantine. imprint.

For which detailed history and creative text, will be provided by my good friend Christophe Bier. 


Also coming soon but a much larger project, is the listing and detailed imagery of some 60 Charles Carrington publications, which will be listed in brief as Books for Trade, But will be the basis for my New Collection for Bibliophiles, for which access to, will require a subscription.

The contents of this collection include both openly published and clandestine titles, many illustrated, by the Likes of Van Maele, Avril, Fredillo, as well classical illustrators.

Many copies in mint unopened condition, and a significant number ,where previous description were from “catalogue only”, including some wonderfully decorated examples of the printers, and bookbinders art of the late Victorian period, as well the inimitable engravings of Eugene d’Ete.

There will also be a supplement to this of a small collection of works published by Isidore Liseux, Augustine Brancart, Jules Gay, and Henry Kistaemackers.

Supplementary information and collection history provided by Michael Neale, and bibliographical information courtesy of S.A. Perry.



Finally I am going to link my existing listings with illustrations by Van Maele and add significant others by him to another New Collection, again with the kind support of S.A Perry.

Bookcase Archive : Les Jeux du Plaisir et de la Volupté par une Femme du Monde, avec 16 illustrations.ANONYME [Johannes GROS] Published by Paris, Au boudoir secret.1906 [i.e. circa 1936]

Les Jeux du Plaisir et de la Volupté par une Femme du Monde, avec 16 illustrations. ANONYME [Johannes GROS]
Published by Paris, Au boudoir secret, (Briffaut) (1906).1906 [i.e. circa 1936] 1 volume in-8 (19.5 x 13 cm), paperback, 248- (1) pages. 16 illustrations in black inset. Printed cover in color. Volume in very good condition. Reference: Dutel, Bibliography of erotic works published clandestinely between 1920 and 1970, n ° 1795, indicates: “Original edition published around 1936. It is decorated with 16 illustrations.The book comes out of Darantière presses in Dijon, as does  the sequel , “Confessions Libertines ” The advertised print is 600 copies on tinted vergé and 25 copies on vellum Arches. This one, 1 of 600 copies on tinted laid. Very good copy of this book sympathetically illustrated (The illustrations have remained anonymous but are in the style of Luc Lafnet). Very explicit pornographic text.


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Spine


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See also

Books for Trade: COMTESSE DE J… [Johannes GROS] – T. Mertens CONFESSIONS LIBERTINES. Orné de huit eaux-fortes de T. Mertens. Partout et nulle part [Imprimerie Darantière, Dijon, 1931]