This small volume has been listed on book sites for some considerable time, and was of no particular interest to me until I relised that from the description and photograph of the cover that this was likely to be the edition with colour illustrations, this from the knowledge that, the numbered edition has blue wraps and the unnumbered edition has pink wraps, this copy has a cream wrapper and was therefore likely to be the Alphabetical limitation, and so it turned out to be, but with a very sweet reward attached. Iinclude the booksellers listing, to assist with the story, and offer my profound thanks to Keogh Books, for this unique addition to my collection.
An Almanac for Amorists
by Broughton, James
Condition: , covers slightly sunned and with some loss at lower fore-edge of front cover, internally clean, book in good condition
Rare opportunity to se the delicately coloured illustrations , and so please see below. Apart from the additional material hand written by the author, for the collector, the format is slightly larger than the other editions and the illustrations are hand coloured, This copy is a unique alphabetical limitation 26 on Vélin d’Arches, | numbered A to Z; = 26¾ – Z³ ,see image for detail. The bibliographical information displayed below the images is courtesy of Patrick Kearney The Paris Olympia Press, Liverpool University Press 2007.
2.6.1 AN ALMANAC FOR AMORISTS James Broughton, 1955
[Within a drawing of a pedestal, with three steps leading to summit, and surmounted by two pillars supporting a narrow, flat roof. In front of left pillar, the figure of a naked man, with a naked woman in front of right pillar. In one hand the woman carries a sign bearing the author‘s name; both figures support a banner with the title on it. The name of the Paris publisher, and place and date of publication are printed on the steps.] [In fancy lettering: ] JAMES BROUGHTON
| AN | ALMANAC | FOR | AMORISTS | [design of bird in flight ] | COLLECTION | MERLIN | PARIS 1955 |
Collation: 42 pp. 18.2 x 13.8 cm. Perfect bound, without signatures, edges untrimmed.
Contents: p. [i-iv] blank. p. [v] AN ALMANAC FOR AMORISTS, reverse blank. p.  title, as above. p.  Copyright 1955 | by James Broughton. | All rights reserved |in all countries. | Published by | Collection Merlin | 42, rue de Seine | Paris (6e) | in collaboration with | The Olympia Press. | Designed and decorated | by Kermit Sheets. p. , poetic dedications to Esto Broughton, Madeline Gleason and Robert Duncan. p.  A grateful acknowledgment | is made to Marguerite Caertani | in whose review, Botteghe Oscure, | many of these poems first | appeared under this same title. | Some of the other poems | were originally published | in Furioso, Folder, and Wake.. p.  contents, reverse blank. p.  full-page drawing illustrating Spring, reverse blank. pp. 9-37, text with full-page drawings illustrating the remaining seasons on pp. [15, 23, 31]. p.  list of Broughton’s other volumes of verse, and his films. p.  This edition of | An Almanac for Amorists | consists of 676 copies : | 26 on Vélin d’Arches, | numbered A to Z; | 150 on Pur chiffon, | numbered 1 to 150;| 500 on Offset supérieur, | unnumbered. |[all in bold:] IMPRIMERIE DES POÈTES | 20, Rue de la Harpe, Paris-5e | 1955. pp. [40-42] blank.
Binding: White wrappers, printed in black, overlapping on fore-edge and trimmed flush top and bottom. On front cover, a drawing of a naked man and woman, viewed from behind, holding a banner on which is written in fancy lettering AN | ALMANAC | FOR | AMORISTS. At foot of drawing is a narrow banderole bearing the author’s name. Printed down spine: James Broughton [-] AN ALMANAC FOR AMORISTS [-] Merlin. The back cover is blank.
Notes: (1) There are three Olympia Press issues of this printing: (a) The first issue, 26 copies on Velin d‟Arches lettered A to Z; (b) the second issue, 150 copies on Pur chiffon numbered 1 to 150; and (c) the third issue, 500 trade copies, unnumbered, as indicated at the end of the book. (2) There are known copies of the third issue (on Offset supérieur) which have added on the title page at the bottom either HALCYON PRESS LONDON or GROVE PRESS NEW YORK. It is unknown if these copies are part of the original 500 printed by the Olympia Press or if more were printed to accommodate these additional sub-issues. Both the Halcyon Press andeditions have a pink dustjacket,identical in design to the wrappers except that the name „Merlin‟ on the spine is replaced with the name „Halcyon‟ or „Grove‟ The inside flap of the front wrapper gives some critical comment on Broughton‟s work, the address of the English publisher or distributor (Halcyon Press, 15 New Row, London, W.C.2) or the American publisher or distributor (Grove Press, 795 Broadway, New York City 3), and the price of the volume, 4s 6d or $1, repsectively. The inside flap of the back wrapper, and the back wrapper itself, are both blank. (3) The printing of this work would seem to have been done by Bronislaw Kaminski, aka Bruno Durocher, who was also responsible for some reprints for the Olympia Press, and for The Castle of the End of Love, the unofficial first Ophelia Press title.His Éditions Caractères had a number of subsidiary imprints, including L‟Imprimerie des Poètes.