Another bookcase find, this one a hard research and my most reliable resource for these books “Bibliocuriosa”, shows this title only under “Artist”, it does reference another title which appears to be a companion to this one that being “Starbine, James, Les Captives de l’Île-sans-nom, Librairie Artistique et Édition Parisienne réunies, 1932”. Neither title has a current sales listing worldwide. Which emphasises, that outside of personal collections no one has seen this book for some considerable time. So this places some importance of the purpose of this site, which is to record in some detail these marginal titles, which otherwise would be lost for good, barring a short paragraph in some bibliographical reference from people who had not seen, held or opened the book.
Translated quote from Bibliocuriosa.com
The world of the publication of erotic works in the first half of the 20th century was complicated by the proliferation of publishers’ names used for the publication (and republication) of similar works (whose titles or even pseudonyms could vary).
Librairie Artistique is also known by the following names, which sometimes combine two different names: Artistic and “Fin de siècle” Bookstore, Artistic and Medical Bookstore, Artistic and Medical Bookstore and Parisian Editions reunited, Artistic and Parisian Bookstore reunited, Artistic Bookstore and Parisian Publishing united, etc.
Some of the first publications made at the Librairie Artistique bore the address: 13, rue Thérèse, Paris. We find at the same address the publications “Fin de siècle” (Library, Newspaper, Bookshop of the twentieth century). Some publications clearly indicate the collaboration of the two publishers by the mention: Librairie Artistique et du “Fin de siècle” réunies (1914). Moreover, some publications made at the Librairie Artistique (c. 1910) were first published at the Bibliothèque du journal “Fin de siècle” (c. 1900 or earlier) and some even bear the mention Bibliothèque Artistique et du Fin de siècle (c. 1910) as the name of the publisher in addition to the name Librairie Artistique. We find two names of publishers associated with this period: P. Bergès and F. Pierre (Librairie Artistique and “Fin de siècle”).
From the 1920s onwards, we find only the name of the publisher Paul Brenet associated with the Librairie Artistique and its variants, at 66, boulevard Magenta. This address is also found on publications made at the Édition Parisienne at the beginning of the twentieth century.
To complicate matters further, it is not uncommon for the same book to have more than one publisher mention: a reissue may retain the original title page while changing the cover or vice versa. It is therefore sometimes quite complicated to establish a publication date with certainty. By comparing the appearance of the books (cover, font used, style of the thumbnails, illustrations, etc.), we can at least give an approximate date of publication that we hope will be as close as possible to reality.
We only mention below the works that specifically bear the mention Librairie Artistique on their cover or title page and not all those that could be attributed to this publisher. Civic address: Librairie Artistique (and its variants), 13, rue Thérèse (before 1906) and (after 1906) 66, boulevard Magenta. Paris.
For detail follow this link:-
Bibliocuriosa. Librairie Artistique
Starbine, James: Gisèle et Pierrette ou Les Esclaves d’Island Castle, Librairie Artistique et Édition Parisienne réunies, 1932. Imp Dardaillon Saint-Denis July 1932. Six illustrations. Georges Topfer (Gaston Smit).
Rebound in black cloth boards title and author in gilt on spine. Original, colour illustrated paper covers preserved, 6 full page illustrations, and as tends to be the case with this publisher multiple decorated page headings and in text illustrations. Very good well preserved copy of a cheaply produced title.
Contents and illustrations
Many of the in text illustrations are also signed Topfer
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