With this title, the author switches illustrators, to the mysterious Sadie-Mazo, this is a significant improvement in the style and content of the illustrations. This copy also has the original duo-tone cover/frontis.
Vergerie, Jean, La Clinique des cauchemars, R. Ballani, (Collection de l’Églantine), 1937. Illustré par Sadie-Mazo. In original publishers card covers printed in red and black, 222 numbered pages, (23 x14 c.m), printed 20th March 1937, by Imprimerie Ragoneaux 33 rue Pixerecourt, Paris. Contents complete, including duo-tone frontis/cover, and 8 full page mono illustrations on glossy paper. (Note, 4 of the illustrations have been roughly torn out, but are present and the images are undamaged. Exceedingly rare item.
A rather beautiful and rare clandestine title, very little research material on this one, and the only other copy that I can locate is one for sale elsewhere, in which the description is a mass of confusing detail, leaving unclear which part of the small limitation the book in question belongs to, however from that listing it appears that the sanguine illustrations are without the so called artists remarks, therefore it is not in the smaller limitations and therefore must be, a copy from the general run. A detail of the limitation page would have clarified this matter. Dutel lists it at No. 1441, in his “Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1920 et 1970”. No credit as to artist or publisher.
LA DUCHESSE OU LA FEMME SYLPHIDE
RESTIF DE LA BRETONNE, Nicolas Edme (RETIF DE LA BRETONNE).
Edité par Aux dépens de quelques bibliophiles, s.d. (1948).
Rebound in luxury boards, in red leather over marbled boards, author, title and erotic motif in gilt on spine, binding is stamped (signed) in gilt “N. Corréaud”. The original covers are bound in. 122 +2 pages, + 4 plates refused for the the edition, + limitation page. (23.5 x 28.5 in binding) This copy being number 38 in the limitation 21-50, containing 20 colour illustration (one of these in text) and 24 in sanguine including the 4 refused, all of which bear the artists remarque, a small illustration embellishing each of the sanguine plates. There is some rubbing to the binding at the front edge. some minor spotting at the endpapers, and light finger marking on illustration pages.
All the main illustration are in facing pairs each pair being one in sanguine and one in colour of the same scene. However listed here as individual, one above the other. The scans were achieved with a Czur overhead scanner which allows for open book scanning, with software that corrects curvature and separates facing pages, I would not be able to present the book without this device as it is too large for flatbed scanning.
Something of an oddity, but nevertheless an interesting edition of this title originally published in 1882(3), this 1923 clandestine edition, is accompanied by a suite of 16 illustrations specific to this edition by Nicolas Sternberg, and a selection of illustrations from earlier editions, 5 by Van Maele, from the Carrington edition of 1908, a frontispiece by Rops from the 1921 edition and 5 by Bayros, from a source I cannot identify. This book differs from other copies in that the illustrations are hand coloured. Altogether a rare and interesting edition of this erotica.
SIRE DE CHAMBLEY (Edmond HARAUCOURT), La Légende des Sexes. Poèmes hystériques. Bruxelles, Pour l’auteur, (vers 1923). In-4, 143-(3) pp. et (27) planches libres, broché (manque de papier en tête du dos). Tirage limité à 380 exemplaires, ici un des 350 Hollande vergé (non justifié). Complet des 27 planches érotiques d’après Félicien Rops, Martin Van Maele, Nicolas Sternberg et Franz Von Bayros, dont 24 coloriées à la main et une dont le coloris n’est pas fini. * Dutel 1840.
This Book: In original publishers card covers printed in blue and black (28.5 x 19 cm)143-(3) pp. and (27) loose illustrations, paperback (lack of paper at the head of the spine). Draw limited to 380 copies, here one of the 350 Holland (unjustified). Complete with the 27 erotic plates after Félicien Rops(1), Martin Van Maele(5), Nicolas Sternberg(16) and Franz Von Bayros(5), including 24 hand-coloured and one whose colour is not finished. Dutel 1840.
Another clandestine publication, by Maurice Duflou, this a reissue of the original edition, of Gamiani. despite being referred to as mono, in the limitation the, illustrations do have some light colouration, another oddity is that all of the 12 facsimile illustrations have significant foxing which does not appear elsewhere in the text. I cannot explain this. This copy is enhanced with 2 extra illustrations , one in colour and the other in pencil and lightly hand coloured, with a signature that I cannot identify. As usual I have presented the illustrations in the order they appear in the book.
Bibliographical information is courtesy of Patrick Kearney.
MUSSET, Alfred de, supposed author. – Gamiani, ou Deux nuits d’excès, par A.D.M. Réimpression conforme au texte original ornée des douze gravures de Dévéria et Grévedon. Paris: Pour les Amis de l’époque romantique . 4to. pp. 86. Twelve plates ‘en héliogravure’ reproduced from the lithographs of the original 1833 edition. (29 x 23 cm) Limited to 320 copies, this being Number 69. Pages 5-18 contain a Notice bibliographique signed ‘Helpey’[Louis Perceau] and the Preface the 3rd. edition, Amsterdam, 1864, comprising an extract of the Mémoires de la comtesse de C*** [Elisabeth Céleste Venard,comtesse Lionel de Chabrillon] on the author of Gamiani, who is generally thought to have been Alfred de Musset. [Bibliothèque Nationale: Enfer 934.]
This Book: In original publishers covers, pagination as above, enhanced with 2 additional illustrations, the 12 facsimiles have significant spotting (see images), overall condition is good and the book is complete, effectively a book within a book, a very pleasing and rare edition of this classic erotica.
This tiny book, is a bibliographic mystery, well at least it is to me, as I am unable to locate any reference to it. So as always in these cases I would very much appreciate any information that anyone can offer. The illustrations that accompany the book are delightful, and I guess them to be circa 1930. But that is all I have, a guess.
Contes Libertins, par Grecourt, Nogaret,Vergier, Piron etc… n.p , n.d, Clandestine publication C 1930? In original publishers, anonymous card covers, title printed in black on front, No print or publication details, a clandestine publication. 120 numbered pages, (12.5 x 8 cm) with blanks for placement of tipped in, unsigned colour illustrations, which are contained in an opaque folder. Each of the eight illustrations is indexed with a title and page placement number. Overall condition of book is good, being rather crumpled and separating from cover at the centre of the book (but holding), the illustrations are in very good near fine condition.
Another rare Carrington, with Van Maele illustrations, this one a fairly recent acquisition, and yet another example of the quality of Carrington publications, therefore as much attention given to text and page decorations as the illustrations. This will have been a later rebind as the original covers are only partially preserved.
Jean de Villiot, La Flagellation Amoureuse; DANS L’HISTOIRE DES MŒURS ET DANS LA LITTÉRATURE SUIVIE DE La Flagellation des Femmes EN FRANCE SOUS LA REVOLUTION ET LA TERREUR BLANCHE Cinq eaux-fortes de MARTIN VAN MAELE PARIS CHARLES CARRINGTON, LIBRAIRIE-EDITEUR 13, Faubourg Montmartre, 1904. 12.7cm. x 21.59cm. 240pp. Printed on laid paper by Veuve Félix Guy et Cie, 20th April 1904. Title page printed in orange and black. Head and tail pieces. Decorative first letter to each chapter. 5 full-page engravings (signed) by Martin van Maele with tissue guards .
This Book: Rebound in quarter black leather on cream textured boards, spine decorated with 4 gilt fluerons, 4 raised bands , lined in gilt, author and title stamped in gilt lettering. Original front and back covers, cropped and pasted on card inserts. Some light sporadic foxing but overall in very good condition.
Another title for the true bibliophile, as this is a text without illustrations, it does however have the most extraordinary leather binding, with raised pornographic images on front, spine and back of the book, where there is also the artists signature, unfortunately undecipherable, but appears to be arabic? . I have taken multiple images of the covers with different light settings, to give as much detail as possible. This is one of those items where it would be good to have more information, so please do complete a contact form if you can offer any information to enhance the listing.
Front Board (light)
Front Board (Medium)
Front Board (Dark)
Back Board (Light)
Back Board (Dark)
Back Board (Close up)
Spine and Front (Dark)
Spine and back (Light)
Spine and back (Dark)
Title page and limitation
ARETINO, Pietro. – Les Sonnets luxurieux du divin Pietro Aretino. Texte italien, le seul authentique et traduction littérale par le Traducteur des Ragionamenti.
Avec un Notice sur les Sonnets luxurieux, l’époque de leur composition, les rapports de l’Aretin avec la Courde Rome, et sur les dessins de Jules Romains gravés par Marc-Antoine. Paris : 1882. 8vo. pp. cxx+79. No. 2 de la Collection dite Musée secret du Bibliophile. Limited to 100 copies.
THIS BOOK: Rebound in heavy calf leather, with raised pornographic signed illustrations, on Front, Back and Spine. with original publishers, cream coloured, card wraps , including spine, preserved . CXX (120 pages) Notes (French). 79 pages of Sonnets, in original Italian, with French translations on facing pages. Printed by A.-H Becus, Boulevard de Vaugirard, 112. Leather covers with some rubbing to high spots. (21 x 14 cm) contents clean, complete and near fine. A unique copy of a rare title.