Books for Trade: Pierrot: Séduction. Jeune amours au chateau, à la pension. (Suivi de quatre pièces célèbres: L’Examen de Flora, Les Filles de Loth, L’Ode à Priape, Deux Gougnottes).: En vente partout et nulle part [n.p. Paris, Briffaut],1910

A very nice clandestine publication, text only and in a very nice binding so awkward to provide images, but of interest to the serious erotic bibliophile.

Pierrot: Séduction. Jeune amours au chateau, à la pension. (Suivi de quatre pièces célèbres: L’Examen de Flora, Les Filles de Loth, L’Ode à Priape, Deux Gougnottes).: En vente partout et nulle part [n.p. Paris, Briffaut], 1910. 8 °. 250 p.. In a half leather fine binding on coloured boards, 5 raised bands, gilded decoration to head and tail of spine, title ” Pierrot – Séduction -Divers” in gilt lettering on spine. All page edges in gilt. Original covers preserved printed in red and black on orange card covers, title page printed in red and black, each of the additional texts have their own half-title. Produced in a limited edition of 350 copies this copy unnumbered. Bookplate pasted inside front board. Very good near fine condition, A rare title. My copy appears to differ from two others listed on the web.

There appears to be some confusion as to who Pierrot was, and it is suggested that he may be a Dr Brennus, not to be confused with Don Brennus Alera, that is just lazy bibliography.

For clarification see:-

http://www.bibliocuriosa.com/index.php/Brennus


Cover









See Also

Books for Trade: HUGUES, Clovis: ODE A VENUS. ODE AU VAGIN. Poème inédit. Domrémy, A l’Enseigne de la Pucelle, s.d. (vers 1933) [Paris, Maurice Duflou]

Books for Trade: Jean d’Ayeud. La Fesseuse Passionnée ou Les Voluptueses Fessés. La Jardin d’Eros, 6 rue de Tracy, Paris,s.d. (circa 1935)

Another title from the “Vidal” stable of of bookshops and publishers, which was composed of,- Les éditions du Couvre-feu : éditions d’Antin, éditions du Chevet, édition Curio, éditions Georges de Cayla, éditions Idéal, éditions de Minuit, éditions Richepanse & Le Jardin d’Eros.

The challenge with presenting this title was in the illustrations which although described as red are in fact a pale pink colour,  I have had to play with the exposure setting to get the images to show up, my scans  are clearer than the originals. The illustrations are unsigned but remind me somewhat of Mahlon Blaine, any suggestions please complete a contact form.

Bibliographic description Christophe Bier Les éditions du Couvre-feu  Editions Astarte 2013


Jean d’Ayeud. La Fesseuse Passionnée ou Les Voluptueses Fessés.
La Jardin d’Eros, 6 rue de Tracy, Paris,s.d. (circa 1935)
in -8 (14 x 22.5 cm) 297 p.p. Original cover, and spine printed in red, 16 illustrations hors-texte in red (unsigned) on glossy paper. Printed by Imprimerie Mestivier and Mayer, 25 rue de la Duée. Paris. Delicate item, with very thin printed cover, general wear to covers and to head and tail of spine(see images), all 16 illustrations are present, contents complete, overall Very Good. condition. NOTE:  black tape across top corner, no idea why, removable , but might do more harm than good.







See Also

Books For Trade: J.Van Styk. Épouvantes Voluptueuses. Le Jardin d’Eros. 6 Rue de Tracy, Paris, s.d. [1935]

Anon;(Georges Joseph Grassal ) The Memoirs of Dolly Morton. Philadelphia: Society of Private Bibliophiles (Charles Carrington) n.p. (Paris) 1904.

This one was an enormous challenge, and is listed here as a first draft, a clandestine reissue of a title published by Carrington in 1899, this edition profusely illustrated, the earlier edition as far as I can ascertain was not illustrated. I have attempted to make sense of the Mendes bibliographical,information only to find it confusing and uninformative, from reading his notes on this edition, it is obvious that he has not seen the 1899 edition. He states that Carrington “lost his nerve” and decided to go clandestine on the 1904 edition but does not speculate as to why? My theory is that the illustrations are the reason, if Mendes is correct, the in text illustrations in the 1904 edition are lifted from ” Le Beau Negre” (1902) (Carrington) , which I haven’t seen, but from modern day reportage, appears to have been a critique of the slave trade in the southern United States, which presumably gave Carrington a ready supply of flagellation material. The inclusion of these illustrations in the 1904 Dolly Morton along with the additional 10 engraved illustrations, in what is a pornographic novel is pushing the limits a bit., to say the least, especially when you look at Dola’s head and tail pieces to the rather sanctimonious introduction, which surely cannot have appeared in “Le Beau Negre”. I would like to know exactly which of the decorative illustrations (engraved plates aside), appear in both of the books in question.

Because of the fine paper, the binding and the scarcity and value of this book, I am only presenting “open book” scans, so no flattened images.

Updated with additional photographic images of full page illustrations 03/03/20

I await some further developments in consultation with a fellow bibliophile, and will update this post as and when i find anything new to share.

Updated following communication with Patrick Kearney  Feb-March 2020.

My comments plain text Patrick’s in italic, the “Peter” referred to is Peter Mendes.

Steve, hi :

I just spoke to Peter about your edition of “Dolly Morton.” He has actually
seen the first edition, but didn’t describe it because it wasn’t clandestine.
Textually it is identical to the 1904 edition.

The reason Carrington published the second (1904) edition secretly was
because he was beginning to have problems with the law, and was on the
verge of doing a runner to Bruxelles. The illustrations were not a problem
however since, as you note, they had been used earlier for an openly
published edition of a different work on a related subject.

Carrington’s French translation of “Dolly Morton” was published openly
because he cut out the sex scenes. The flagellation scenes were retained
as they were less of a problem for the law, which in itself is a perversity
to my mind.

Best wishes

Pat

Thanks for that Pat, partially answers my question, but does not confirm
that the 1899 edition was unillustrated, which I believe to be the case.
And from a listing I found of Le Beau Negre there were no hors- texte,
which means the 10 hors- texte in 1904 Mémoires were commissioned for that edition.

Dear Steve :

I’m not sure that the original edition of Dolly Morton did have
illustrations. The Dawes copy in the Private Case has none,
and no others in captivity that I’ve been able to locate do either.
Library catalogues *usually* indicate the presence of plates or
illustrations, although rarely go to the trouble of counting them.
Incidentally, the only copy of the first edition in any major UK
research library is held by the BL.

I do agree, though, that if the illustrations to “Le Beau negre”
were all in-text, the 10 hors-texte in the 1904 Dolly Morton
were very likely done specially for that edition.

Best wishes

Pat

Many thanks Pat
That answers my questions, and I shall update the blog with yours
and Peter’s information.
I’m still curious about “Le Beau Negre“, I missed a copy just a
few weeks back, I cannot quite understand what the content would be,
as Carrington had already covered Dolly Morton in the desexed
version “En Virginie”. Yet if the story line was close enough for
the en texte illustrations to be transposable, was it just a rehash of Dolly Morton?

Dear Steve :

I rather doubt that the two books — “Beau negre” and “D. Morton” — are
related, except thematically. The former is by Hector France, the “Musk,
Hashish & Blood” man, while the latter of course is ascribed to Grassal.
Carrington seemed interested in flagellation works, but whether from his
own fancies or those of his customers I am unable to say. Perhaps a
combination of the two? Slavery and a Civil War fought to suppress it
seem ready-made subjects for novels about the domination of women
and so it’s not surprising that Carrington’s hacks used the topic. Hector
France is dismissed rather briskly by Wikipedia as an “auteur de
nombreux récits à caractère érotique” with no further biographical
information save for his dates (1837-1908) and a short-title list of his
works. His best known book, “Musk, Hashish and Blood” seems famous
mainly because of its title, which is certainly piquant. It appears to be a
translation of a work called “Sous le burnous” (1886).

Warmest regards

Patrick

My warmest thanks to Pat Kearney, for his advice and for his permission to post it.

 


Anon;(Georges Joseph Grassal ) The Memoirs of Dolly Morton. Philadelphia: Society of Private Bibliophiles (Charles Carrington) n.p. (Paris) 1904.
8vo. 303pp. Title page framed in red. 10 half-tone steel engravings and numerous text illustrations (mainly head and tail pieces). by George Dola. Printed on smooth wove paper. Issued for subscribers in an extremely small edition of 100 copies at a cost in 1904 of £3,3.0. (Three guineas).

The engravings are signed G.D. [i.e. G. Dola]. The text illustrations were first used in Carrington’s Le Beau Negre, published in 1902 [Mendes: 160-A]. The author has been falsely attributed to Hugues Rebell [Georges Grassal] and/or Jean de Villiot, which is actually a collective name/pseudonym. It has been suggested that the author is Hector France [Mendes: 160-A]. Carrington published the French translation clandestinely as En Virginie in 1901, which retains the flagellation scenes but expurgates all the sexual descriptions.  This work was also published by Jean Fort under his imprint Collection des Orties Blanches in c.1917 as Dolly Morton with author as Donovan Kipps, illustrated with 7 plates Louis Malteste; and again as The Memoirs of Dolly Morton in c.1928, which is a reprint of Carrington’s En Virginie.

Preface

 



for detail about this title and author see:-

http://www.alexislykiard.com/translations/memoires_of_dolly_morton.htm

See also

Books for Trade: Jean de Villiot; Camille et Moi: La Flagellation à Travers le Monde, PARIS Charles Carrington; 1904

 

Books for Trade: Marcel Volataire, Nous Deux, The Erotic Print Society 1998, with 16 Lithographs of Georges de Sainte-Croix’s original works.

 

Nous Deux by Marcel Volataire, translated by Valerie Orpen, with 16 Lithographs of Georges de Sainte-Croix’s original works. The Erotic Print Society 1998. Limited edition no 917, reserved for subscribers. Booklet of 112 numbered pages, constitutes the First English translation. Illustrations printed on 330 grm Caneletto Paper each measuring 297x 210 mm. Presented loose in pale cream card folder in pale blue slipcase. Slight spotting to folder, contents and images unmarked and very good condition, small inked ownership initials and date inside folder and at end of booklet. Overall very Good.

The Illustrations originally appeared in the French clandestine edition : ANONYME [Marcel VALOTAIRE]. SAINTE-CROIX, Gaston de (illustrateur).NOUS DEUX. Illustré de seize pointes sèches originales [de Gaston de Sainte Croix].Editions du Cyclamen – MCMLVI [1956] [Paris, Vialetay]

Illustrations

















See Also

Special Edition: NOUS DEUX – simples papiers du tiroir secrets, par Nelly et Jean, curiosa attribué à Marcel VALOTAIRE et illustré par l’artiste lyonnais Jean DULAC. Clandestine publication 1929

Books for Trade: Anon ,The English Academy, Mihaly Von Zichy, The Erotic Print Society 2000.

Random Images: Rorschach! or is it?

Well no one is likely to know where this came from or who created it but possibly, might know whether there is a name for this kind of erotic trickery. I don’t know the answer but would like to find out.  This item was discovered tucked into a book.

This piece of erotic ephemera has age, it is printed or possibly inked onto a piece of parchment like paper measuring  (20.5 x 13.5 cm), it has a sharp crease through the centre  allowing the image to be folded in on itself, which when held to the light produces an erotic scene in silhouette.


Any information or questions, please leave a comment or even a like.

 Random Images: Domina

Books for Trade: Lady Impéria, Les Égarements d’un Asservi. No publisher. No date but Editions d’Antin (c 1936)

Another title from the “Vidal” stable of of bookshops and publishers, which was composed of,- Les éditions du Couvre-feu : éditions d’Antin, éditions du Chevet, édition Curio, éditions Georges de Cayla, éditions Idéal, éditions de Minuit, éditions Richepanse & Le Jardin d’Eros.

It appears common for Editions d’Antin titles to be issued as clandestine, some without even printer details, as this copy. The single identifying factor, is the calligraphic motif on all the covers, it could be an L or a Z or even a stylised whip? This publishers or printers mark is sometimes the only way to  link a title to an originator.

As this is not an illustrated title it is relatively easy to list, with only a little research, it is  of interest to the serious erotic bibliophile, because it is a clandestine title that does not appear to have been identified as such in the major bibliographies.  For bibliographic information see. Les éditions du couvre-feu, Christophe Bier, editions Astarte 2013.


Title Page

Lady Impéria, Les Égarements  d’un Asservi. No publisher. No date but Editions d’Antin (c 1936). In 8 (14.3 x 22.7 cm) 179 pp. In original beige card covers printed in black and red, original price of 60 Francs on cover and spine, which also has author and title printed in black, plain back cover. Light rubbing to front cover otherwise amazingly well preserved and complete, a very good copy of a very rare title.


 

Front Cover

 


 

Spine

 


Back Cover


 

Sample Text


 

bibliographic Information and synopsis, courtesy of Christophe Bier

 


I have taken the liberty of attempting to translate the synopsis from the French (Image above), Any mistakes are mine alone and I offer apologies in advance , both to Christophe and anyone taking the trouble to read this.

(The title roughly translates as ” The Errors of a Slave”)

“”The financier Robert Brot-Gillières, bearer of the Legion of Honor, gravitates around the perverse masseuses and the flogging houses. In search of new thrills, he lets himself be manhandled by two ordinary women, Mrs. Voulay and her fifteen-year-old niece. Mathilde, They understand the financial gain they can derive from him, by treating him as a slave. Changed by his masochism, the man becomes extremely unpleasant to his wife. Intrigued by this change of character, Simone, her daughter-in-law, refers to Miss Diana, a professor of physical culture who commences to initiate him into Sapphism and fantasies of flagellation. After having dismissed the two greedy battleaxes, the Professor confuses the masochist by delivering him to two masked flagellants … Simone and her mother! “Unmask” added Madame Brot-Gillières with scathing irony, “the voluptuous Robert will not need to look for sensations elsewhere: he will have his whippers at home!” “


Anyone prepared to offer a more accurate translation, please do so by completing a contact form, your name will only be used if you so wish.

Comments always welcome and are positively encouraged as are “Likes”

See Also

Books for TRADE: E.KLEM A Portfolio of a suite of seven (of 10) original images from “L’Éducatrice Passionée” Editions D’Antin 1937 plus a suite of 6? (of 10) illustrations for L’amoureuse Discipline Editions D’Antin 1938

Books For Trade: Jim Galding. A Genoux Esclave. Les Editions du Couvre-Feu. 8 Rue de Tracy, Paris, s.d. [1935]

Random Images: Domina

As it is now taking me such a long time to put together a listing for a book, I have decided to post random images from books, that I have that will never be listed here in full. This, the first of a series , unless I get bored with the idea. I am not even going to tell you where the image is from or who it is by, I might not even know who the image is by!

These images are from various titles dealing with the history of erotica, in various languages, or  just odd things I have lying around.

If anyone knows where the image is from or who it is by, please leave a comment or complete a contact form. Your name will not be published unless you so wish.


Domina



Books for Trade: LA BEUQUE, Jean de; Miss Cravache ou Les Vierges Esclaves, Editions Prima, 44 rue Servan, Paris (Xie), n.d. [circa 1932], illustrations by Topfer, Jean de la Beque and Ely Costes.

 

Every now and then a book comes along that has everything right about it, this is one such book. Not necessarily because of condition, but because the object itself is aesthetically pleasing, I have had  number of titles produced by Editions Prima, and have  been impressed by the quality of the books, both in structure and content. Despite this it is difficult obtain a  list of titles produced by the press. They appear to have been quite prolific, producing pulp novels in their Editions Gauloise series and  other esoteric titles.I have not been able to locate a definitive list of the flagellation novels.

Matters are made more complex by the list of titles by this author in the front of this volume, none of which are Editions Prima titles. They are all either Amateur-Biblio or Librairie Générale titles, this is possibly explained by this title apparently being a reissue of the same title produced in 1930 by Librairie Générale , I have not had site of that edition, but from the limited material  available on line it looks to be of a much poorer quality than this edition. If this copy is a piracy it is a very expensive one. If anyone can explain this anomaly please complete a contact form.

I have decided to lay this one out in book form, so that the page decorations can be seen in situ, rather than just cropping out the illustrations, I have used only images in the book to construct this listing, it always make me happy when a book provides all of the content required to decorate a listing. Enjoy!

Synopsis

First episode of the adventures of Betty, alias Miss Cravache, daughter of an American businessman installed in Corrèze, with a strong and eccentric character. With the help of her butler and stable master, she took a liking to the domination and training of impressionable young girls, including her niece, whom she treated like a bitch. 


LA BEUQUE, Jean de SMIT; Miss Cravache ou Les Vierges Esclaves, Editions Prima, 44 rue Servan, Paris (Xie), n.d. [circa 1932], illustrations by Topfer, Jean de la Beque and Ely Costes. In original illustrated cover on textured cream card printed in black and red with a red vignette by  Ely Costes. Adorned with 12 inset heliogravures in sepia, on loose sheets including a frontispiece by Topfer [Gaston SMIT) and 4 inset illustrations, decorated caps and chapter ends by Jean de La Beuque and Ely Costes. . In-8 softcover, 14.3 x 22.7 cm. 223 pp. In excellent condition. Reissue, in all respects, of a novel published by the Librairie Générale in 1930. It was belatedly condemned in 1953 by the Seine court.

Covers






see also

 

Books for Trade: Vincennes, Gaston. L’Amour fouetté. Orné de douze illustrations hors-texte par Ch. Avalanche. Paris, Editions Prima,[vers1930?] . Couverture par Marilac

Books for Trade: Walter Flog. Cinglants Châtiments,Cover and 12 superb engraved plates by Herric. Éditions Prima (1932)

Books for Trade: Matée par le Fouet: Jean Martinet, . Cover and 12 , superb engraved plates by Herric .Éditions Prima, {1930 }

Books for Trade: Jean Martinet, Venez ici, qu’on vous fouette ! : Paris Éditions Prima (1938?)

Books for Trade: Andre Vergereau, Mademoiselle Cinglade, Editions Prima n.d. (1936) illustrated by Marilac (Mario Laboccetta).